| Photos (see all 1 | slideshow) |
| Derek Jacobi | ... | Hamlet | |
| Claire Bloom | ... | Gertrude | |
| Patrick Stewart | ... | Claudius | |
| Eric Porter | ... | Polonius | |
| Lalla Ward | ... | Ophelia | |
| David Robb | ... | Laertes | |
| Patrick Allen | ... | Ghost of Hamlet's Father | |
| Robert Swann | ... | Horatio | |
| Jonathan Hyde | ... | Rosencrantz | |
| Geoffrey Bateman | ... | Guildenstern | |
| Emrys James | ... | First Player (King) | |
| Jason Kemp | ... | Second Player (Queen) | |
| Geoffrey Beevers | ... | Third Player (Lucianus) | |
| Bill Homewood | ... | Player in the mime, King | |
| Peter Richard | ... | Player in the mime, Queen | |
| Terence McGinity | ... | Player in the mime, Murderer | |
| Peter Burroughs | ... | Player | |
| Stuart Fell | ... | Player | |
| Ian Charleson | ... | Fortinbras | |
| Tim Wylton | ... | First Gravedigger | |
| Peter Benson | ... | Second Gravedigger | |
| Paul Humpoletz | ... | Marcellus | |
| Niall Padden | ... | Bernardo | |
| Christopher Baines | ... | Francisco | |
| John Humphry | ... | Voltimand | |
| John Sterland | ... | Cornelius | |
| Peter Gale | ... | Osric | |
| Raymond Mason | ... | Reynaldo | |
| Dan Meaden | ... | Norwegian Captain | |
| Iain Blair | ... | Sailor | |
| Reginald Jessup | ... | Messenger | |
| Michael Poole | ... | Priest | |
| David Henry | ... | English Ambassador |
Directed by | |||
| Rodney Bennett | |||
Writing credits(in alphabetical order) | ||
| William Shakespeare | play "Hamlet" | |
Produced by | |||
| Cedric Messina | .... | producer | |
Original Music by | |||
| Dudley Simpson | |||
Film Editing by | |||
| Dave Hillier | |||
Production Design by | |||
| Don Homfray | |||
Costume Design by | |||
| Barbara Kronig | |||
Makeup Department | |||
| Pam Meager | .... | makeup artist | |
Production Management | |||
| Fraser Lowden | .... | unit production manager | |
Sound Department | |||
| Chick Anthony | .... | sound | |
Stunts | |||
| B.H. Barry | .... | fight arranger | |
Camera and Electrical Department | |||
| Jim Atkinson | .... | senior camera operator | |
| Sam Barclay | .... | lighting technician | |
Editorial Department | |||
| Shirley Coward | .... | vision mixer | |
Music Department | |||
| William Walton | .... | composer: title music | |
Other crew | |||
| Jeremy Ancock | .... | production assistant | |
| Steve Finn | .... | assistant floor manager | |
| Jill Reeves | .... | assistant to director | |
| Alan Shallcross | .... | script editor | |
| Anthony E. Smith | .... | assistant floor manager | |
| John Wilders | .... | literary consultant | |
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| Hamlet | Hamlet | Hamlet | Hamlet | Hamlet |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb UK section | Add this title to MyMovies |
No one production of "Hamlet" can completely satisfy except for the one that plays in your head as you read the play, but this is the extant version that comes closest for me (with one glaring exception).
Derek Jacobi is probably the best actor that I've seen play the role, although he's brittle and snappish in places (his first exchanges with Claudius and Gertrude, his comments to Polonius during the 'Rugged Pyrrhus' speech) where I think a mellower touch is called for. But on the whole it's a wonderful performance, and since Hamlet has almost half the lines in the whole play Jacobi himself is enough to strongly recommend the whole.
This Polonius is better than most, although not as funny as Hume Cronyn was. Rosencrantz and Guildenstern are well played, straddling the difficult line between being friends to Hamlet and scoring points with the King. A fine, fiery Laertes, and an Ophelia that's no worse than any others (I've yet to see Ophelia played the way I feel she ought to be). Gertrude was adequate (I've also yet to see a compelling Gertrude, but I don't particularly know what I would suggest). It's also too bad that nobody seems to put any sense of spectacle into the Ghost's appearance any more; the Olivier film and the Burton stage production both give it an unworldliness that the Jacobi, Kline, Gibson and Hawk versions lack (although if I remember correctly Brian Blessed was well-used in the Brannagh film)...
The big drawback to this version is in the casting of Patrick Stewart as Claudius. The fault is not in his performance, which is worthy, but in the man himself. Granted, Claudius may not be as much of a toad as Hamlet thinks him to be, but his "natural gifts" should be poor compared to his murdered brother's. Stewart in fact HAS "the front of Jove himself; An eye like Mars, to threaten and command," which Claudius pointedly lacks. In short, Stewart is just too REGAL to play Claudius, the "king of shreds and patches". (And it's not just the father-and-son Hamlets that consider Claudius visibly inferior; Gertrude herself, when Hamlet makes her confront the two pictures, sees black and grained spots on her soul at the comparison.)
All in all, though, it's an excellent production.