| Photos (see all 6 | slideshow) |
| George Kennedy | ... | Captain Ashland | |
| Richard Crenna | ... | Trevor Marshall | |
| Nick Mancuso | ... | Nick | |
| Sally Ann Howes | ... | Margaret Marshall | |
| Kate Reid | ... | Sylvia | |
| Victoria Burgoyne | ... | Lori | |
| Jennifer McKinney | ... | Robin Marshall | |
| Danny Higham | ... | Ben Marshall | |
| Saul Rubinek | ... | Jackie | |
| Murray Cruchley | ... | Parsons | |
| Doug Smith | ... | Seaman No. 1 | |
| Tony Sherwood | ... | Seaman No. 2 | |
| rest of cast listed alphabetically: | |||
| Andrew Semple | ... | Strangled Sailor (uncredited) | |
Directed by | |||
| Alvin Rakoff | |||
Writing credits(in alphabetical order) | ||
| Jack Hill | story | |
| David P. Lewis | story | |
| John Robins | writer | |
Produced by | |||
| Derek Gibson | .... | producer | |
| Harold Greenberg | .... | producer | |
| Larry Nesis | .... | associate producer | |
Original Music by | |||
| Ivor Slaney | |||
Cinematography by | |||
| René Verzier | |||
Film Editing by | |||
| Mike Campbell | |||
Production Design by | |||
| Chris Burke | |||
Art Direction by | |||
| Michel Proulx | |||
Makeup Department | |||
| Pierre David | .... | hair stylist | |
| Joan Isaacson | .... | makeup artist | |
| Huguette Roy | .... | hair stylist | |
Production Management | |||
| Michael Bennett | .... | unit manager: USA | |
| Roger Héroux | .... | production manager | |
| Adrian Hughes | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Charles Braive | .... | assistant director | |
| Pedro Gandol | .... | second assistant director | |
Art Department | |||
| Frances Calder | .... | property buyer | |
| Pierre Gelinas | .... | assistant art director | |
| Jim Hodgson | .... | property buyer | |
| David Phillips | .... | props | |
| Norman Simpson | .... | property master | |
| Andre Brochu | .... | construction supervisor (uncredited) | |
Sound Department | |||
| David Appleby | .... | sound re-recording mixer | |
| Henri Blondeau | .... | sound mixer | |
| Terry Burke | .... | post-synchronisation sound effects | |
| Steven Cole | .... | sound effects assistant (as Steve Cole) | |
| Austin Grimaldi | .... | sound re-recording mixer | |
| Andy Malcolm | .... | post-synchronisation sound effects | |
| Normand Mercier | .... | boom operator | |
| Michele Moses | .... | sound effects assistant | |
| William Trent | .... | sound effects editor | |
| Don White | .... | foley recording mixer (uncredited) | |
Special Effects by | |||
| Michael Albrechtsen | .... | special effects | |
| Peter Hughes | .... | special effects | |
Stunts | |||
| Grant Page | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Michel Paul Bélisle | .... | gaffer | |
| Peter Benison | .... | photographer: second unit | |
| Frank Connor | .... | still photographer | |
| Greg Daniels | .... | best boy | |
| Denis Gingras | .... | assistant camera | |
| Paul Gravel | .... | assistant camera | |
| Frank Lenk | .... | camera operator | |
| André Ouellette | .... | camera grip | |
| John Palmer | .... | camera operator | |
| Norman Smith | .... | key grip (uncredited) | |
Casting Department | |||
| Ingrid Fischer | .... | casting: Canada | |
| Victoria Mitchell | .... | casting: Canada | |
| Anna St. Johns | .... | casting: U.K. | |
| Sue Stone | .... | casting: U.K. | |
Costume and Wardrobe Department | |||
| Paul-André Guérin | .... | costumer | |
| Gaudeline Sauriol | .... | costumer | |
Editorial Department | |||
| Greg Glynn | .... | assistant editor | |
| Yurij Luhovy | .... | assistant editor | |
| Jean-Pol Passet | .... | assistant editor | |
Other crew | |||
| Todd Allan | .... | location manager: USA | |
| Victoria Barney | .... | production assistant: USA | |
| Joy Berger | .... | unit publicist | |
| Jean Louis Bibeau | .... | technical advisor | |
| Monique Brasseur | .... | production assistant | |
| Don Carmody | .... | production executive | |
| Michael Dalling | .... | unit publicist | |
| Micheline D'Andre | .... | production assistant | |
| Andre Genest | .... | advisor: German memorabilia | |
| Shirley Gill | .... | production accountant | |
| Linda Gregory | .... | production accountant | |
| Nancy Mayer | .... | production assistant: USA | |
| David Novek | .... | unit publicist | |
| Captain Pelletier | .... | technical advisor | |
| June Randall | .... | script supervisor | |
| Jacques Vezina | .... | technical advisor | |
| Leon Vezina | .... | technical advisor | |
| Linda Browne | .... | script supervisor trainee (uncredited) | |
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| Don't Open 'Til Christmas | The Secret of Treasure Island | The Long Good Friday | The Omen | The Howling |
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Once again, the charm of movies like "Death Ship" passes by on many people. Sure it's trashy and shot ugly, but it's FUN! It's got a freaky plot (Nazi-ghosts floating around the oceans and torturing survivors of a horrible shipping disaster), and an amazingly chilling atmosphere. The images of the abandoned ship, guided by unsettling noises really chills you. The isolated setting is elaborated rather professional by director Alvin Rakoff. The undertones and references towards the Nazi reign are eerie and photographed in viciously black and white. George Kennedy and Richard Crenna definitely are decent actors, although they're not really showing it here. Doesn't matter... a film like Death Ship doesn't depend on great acting. It already has got the things it really needs: tension, a fair amount of effective horror and great music. Oh, and one of the coolest original movie posters ever designed! Just ask the guys who developed the campaign for "Ghost Ship" They obviously thought so too! Don't expect logic, just a bunch of fun.