| Photos (see all 12 | slideshow) |
| Sissy Spacek | ... | Loretta Lynn | |
| Tommy Lee Jones | ... | 'Mooney' Lynn | |
| Levon Helm | ... | Ted Webb | |
| Phyllis Boyens | ... | 'Clary' Webb | |
| Bill Anderson Jr. | ... | Webb child | |
| Foister Dickerson | ... | Webb child | |
| Malla McCown | ... | Webb child | |
| Pamela McCown | ... | Webb child | |
| Kevin Salvilla | ... | Webb child | |
| William Sanderson | ... | Lee Dollarhide | |
| Sissy Lucas | ... | Loretta & Mooney's child | |
| Pat Patterson | ... | Loretta's child | |
| Brian Warf | ... | Loretta & Mooney's child | |
| Elizabeth Watson | ... | Loretta & Mooney's child | |
| Beverly D'Angelo | ... | Patsy Cline | |
| Robert Elkins | ... | Bobby Day | |
| Bob Hannah | ... | Charlie Dick | |
| Ernest Tubb | ... | Himself | |
| Jennifer Beasley | ... | Patsy Lynn | |
| Jessica Beasley | ... | Peggy Lynn | |
| Susan Kingsley | ... | Girl at fairgrounds | |
| Michael Baish | ... | Storekeeper | |
| David Gray | ... | Doc Turner | |
| Royce Clark | ... | Hugh Cherry | |
| Gary Parker | ... | Radio station manager | |
| Billy Strange | ... | Speedy West | |
| Bruce Newman | ... | Opry stage manager | |
| Grant Turner | ... | Opry announcer | |
| Frank Mitchell | ... | Washington neighbor | |
| Merle Kilgore | ... | Cowboy at Tootsie's | |
| Jackie Lynn Wright | ... | Redhead at Tootsie's | |
| Rhonda Rhoton | ... | Lizzie | |
| Vernon Oxford | ... | Preacher | |
| Ron Hensley | ... | John Penn | |
| Doug Bledsoe | ... | Cowboy at Grange Hall | |
| Aubrey Wells | ... | Red Lynn | |
| Russell Varner | ... | Bidder at pie auction | |
| Tommie O'Donnell | ... | Teacher at pie auction | |
| Lou Headley | ... | Teacher at pie auction | |
| Ruby Caudill | ... | Teacher at pie auction | |
| Charles Kahlenberg | ... | Business manager | |
| Alice McGeachy | ... | Woman with doll | |
| Ken Riley | ... | Road manager | |
| Jim Webb | ... | Bus driver | |
| Dave Thornhill | ... | The Coal Miner's Band | |
| Don Ballinger | ... | The Coal Miner's Band | |
| Zeke Dawson | ... | The Coal Miner's Band | |
| Gene Dunlap | ... | The Coal Miner's Band | |
| Durwood Edwards | ... | The Coal Miner's Band | |
| Chuck Flynn | ... | The Coal Miner's Band | |
| Lonnie Godfrey | ... | The Coal Miner's Band | |
| Bob Hempker | ... | The Coal Miner's Band | |
| Danny Faircloth | ... | The Patsy Cline Band | |
| Charles Gore | ... | The Patsy Cline Band | |
| Doug Hauseman | ... | The Patsy Cline Band | |
| Mike Noble | ... | The Patsy Cline Band | |
| Daniel Sarenana | ... | The Patsy Cline Band | |
| Billy West | ... | The Patsy Cline Band | |
| rest of cast listed alphabetically: | |||
| Brad Baker | ... | Miner (uncredited) | |
| Allison Caine | ... | Additional Voices (voice) (uncredited) | |
| Minnie Pearl | ... | Herself (uncredited) | |
| Jimmy Yates | ... | Janitor (uncredited) | |
Directed by | |||
| Michael Apted | |||
Writing credits(in alphabetical order) | ||
| Loretta Lynn | autobiography | |
| Thomas Rickman | writer (as Tom Rickman) | |
| George Vecsey | autobiography | |
Produced by | |||
| Zelda Barron | .... | associate producer | |
| Robert E. Larson | .... | executive producer (as Bob Larson) | |
| Bernard Schwartz | .... | producer | |
Cinematography by | |||
| Ralf D. Bode | (director of photography) | ||
Film Editing by | |||
| Arthur Schmidt | |||
Casting by | |||
| Michael Chinich | |||
Production Design by | |||
| John W. Corso | |||
Set Decoration by | |||
| John M. Dwyer | |||
Costume Design by | |||
| Joe I. Tompkins | |||
Makeup Department | |||
| Albert Jeyte | .... | assistant makeup artist | |
| Mark Reedall | .... | makeup artist | |
| Lorraine Roberson | .... | hair stylist | |
| Martin Samuel | .... | assistant hair stylist (as Martin Samuels) | |
Production Management | |||
| Wallace Worsley Jr. | .... | production manager (as Wallace Worsley) | |
Second Unit Director or Assistant Director | |||
| Katy Emde | .... | second assistant director | |
| Dan Kolsrud | .... | first assistant director | |
Art Department | |||
| Sam Adams | .... | construction crew | |
| Al Bilof | .... | swing gang | |
| Dimitri Bulgarcic | .... | construction crew | |
| Jim Callan | .... | construction crew (as James Callan) | |
| Terry Feller | .... | construction crew | |
| Kirk D. Hansen | .... | construction crew (as Kirk Hansen) | |
| Andy Hawkes | .... | construction crew | |
| Ray LaPorte | .... | painter | |
| Richard Leon | .... | assistant propmaster | |
| Louis M. Mann | .... | set designer (as Lou Mann) | |
| Jon Marsala | .... | construction crew (as John Marsala) | |
| Peg McClellan | .... | illustrator | |
| Frank Mitchell | .... | greensman | |
| Bob Nohles | .... | construction coordinator | |
| Andy Pedroza | .... | construction crew | |
| Victor E. Petrotta Sr. | .... | property master (as Victor Petrotta) | |
| H. John Ramos | .... | assistant propmaster | |
| Bion Roberts | .... | construction crew | |
| Joseph R. Savko | .... | swing gang (as Joe Savko) | |
| Jack Smith | .... | construction crew | |
| Barton M. Susman | .... | leadman (as Bart Susman) | |
| Marty Urner | .... | construction crew | |
| Greg Villalva | .... | construction crew | |
| Ken White | .... | construction crew | |
| Robert Misetich | .... | painter (uncredited) | |
Sound Department | |||
| John Agalsoff Jr. | .... | playback (as John Agalsoff) | |
| James R. Alexander | .... | sound (as Jim Alexander) | |
| Lon Bender | .... | sound editor (as Lon E. Bender) | |
| Gordon Ecker | .... | supervising sound editor (as Gordon Ecker Jr.) | |
| Alsie L. Florence | .... | sound recordist (as Alsie Florence) | |
| Roger Heman Jr. | .... | sound re-recordist (as Roger Heman) | |
| Joseph Holsen | .... | sound editor | |
| Andrew London | .... | sound editor | |
| John McDonald | .... | boom operator | |
| Richard Portman | .... | sound re-recordist | |
| John Roesch | .... | foley artist (uncredited) | |
Special Effects by | |||
| Tom Del Genio | .... | special effects (as Tom Delgenio) | |
| Floyd Van Wey | .... | special effects | |
Stunts | |||
| Mags Kavanaugh | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Mark Abbott | .... | electrician | |
| William Birch | .... | camera operator: second unit | |
| Timothy Brennan | .... | second grip (as Tim Brennan) | |
| Roy Collodi | .... | assistant camera | |
| John T. Dustin | .... | camera operator: second unit (as John Dustin) | |
| Mike Heath | .... | grip | |
| Marc Hirschfeld | .... | assistant camera | |
| David Jarrell | .... | best boy | |
| Harry Jukes | .... | generator operator | |
| Ray Kinzer | .... | key grip | |
| George Kohut | .... | assistant camera | |
| Ann Lukacs | .... | assistant camera | |
| Alberto S. Ramos | .... | dolly grip (as Albert Ramos) | |
| Don Smetzer | .... | still photographer | |
| Mark Stanley | .... | grip | |
| Michael Stone | .... | camera operator (as Mike Stone) | |
| Ted Varnadoe | .... | electrician | |
| Melinda Wickman | .... | still photographer | |
| Robert Woodside | .... | gaffer (as Bob Woodside) | |
Casting Department | |||
| Sandra Dawes | .... | casting assistant (as Sandy Dawes) | |
| Jo Doster | .... | casting associate | |
| Olivia Maggard | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Lucille Clark | .... | costumer: women | |
| Michele Dittrick | .... | costumer: women (as Michelle Dittrich) | |
| Barry Downing | .... | costumer: men | |
| Hugo Peña | .... | costumer: men (as Hugo Pena) | |
| Ervin W. Rose | .... | costume supervisor (as E.W. Rose) | |
| Pamela Wise | .... | costume supervisor (as Pam Wise) | |
Editorial Department | |||
| Tom Finan | .... | assistant film editor | |
Music Department | |||
| Owen Bradley | .... | music supervisor | |
| George Brand | .... | music editor | |
Transportation Department | |||
| Richard Austin | .... | transportation captain (as Dick Austin) | |
| Bill Bilyeu | .... | driver | |
| Jim Burris | .... | driver | |
| Bill Essenpreis | .... | driver | |
| Jim Johnson | .... | driver | |
| Calvin Masoner | .... | driver (as Cal Masoner) | |
| Mike Robinson | .... | driver: cast | |
| Eugene Schwartz | .... | transportation captain (as Gene Schwartz) | |
Other crew | |||
| Nick Chiarolanzio | .... | location auditor | |
| Sue Dwiggins | .... | production associate | |
| Bob Forrest | .... | script supervisor | |
| Russ Harling | .... | production assistant | |
| Jim Jones | .... | wrangler | |
| Bob McPherson | .... | craft service | |
| George Osaki | .... | title designer | |
| Brad Siniard | .... | paramedic | |
| David Skepner | .... | technical advisor | |
| Barney Thebiay | .... | projectionist | |
| Arthur Wilde | .... | publicist | |
| Danny Young | .... | timekeeper | |
Thanks | |||
| Bud Armes | .... | thanks | |
| Vince Bohannon | .... | thanks | |
| Charles R. Campbell | .... | thanks | |
| Delmar Kincer | .... | thanks | |
| Kent Rigg | .... | thanks | |
| Johnny Rosen | .... | thanks | |
| Sally Webb | .... | thanks | |
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Biographical films that are done right can be a thing of beauty. They can enlighten us by giving us perspective and insight into people that we may recognize by name but yet know little of the circumstances that have made up the fabric of their lives. And if the life they led is as fascinating as that of Loretta Lynn, they can also entertain us in the process.
Based on Lynn's autobiographical novel of the same name, Coal Miner's Daughter is easily one of the best films of this genre. It is the story of how Loretta Lynn became one of the most successful Country & Western vocalists in recording history despite having been raised in the poverty stricken hills of Butcher Holler, Kentucky, marrying at the age of 13, and having several children to boot.
The first half of Coal Miner's Daughter is a fascinating look at a life foreign to most of us. As the daughter of Ted Webb (Levon Helm) and Clara Webb (Phyllis Boyens), Loretta (Sissy Spacek)seems destined to live her life just as all who those who live in Butcher Holler eke out an existence. It seems predetermined that she will probably marry one day, that her husband will be a coal miner just as her own father is, and she will have a caboodle of young 'uns running around the hills barefoot. One day, on a trip into town with her father, Loretta meets the irrepressible Mooney Lynn (Tommy Lee Jones) who has just come home form the service. It isn't long before Mooney convinces the 13 year. old Loretta that they are in love and need to be married. After convincing Ted and Clara to give their blessing, the wedding takes place, and although it isn't apparent for many years, it's a decision that will forever alter the course of her existence.
One of the reasons this film succeeds on the level that it does, is because Director Michael Apted never falls into the trap of making the film judgmental about many of the events that occur in Loretta's life. He let's the events of the film unfold naturally, and we either accept them for what they are or we don't. For instance, many Directors would have felt the need to implant some nefarious motive behind Mooney's relationship with Loretta. The events that happen in Loretta's childhood were what they were, and though letting a child of thirteen marry may be foreign to us, it was obviously something that may not have been extraordinary unusual back in Butcher Holler.
There is another reason why Coal Miner's Daughter succeeds on all levels. Sissy Spacek plays Loretta Lynn as if she were cloned from her. Not only is their resemblance strikingly uncanny, her speaking voice, her singing voice, her mannerisms will have you believing that it is Loretta herself starring in this film. As if this isn't enough, Spacek was required to play a character that starts out as a naive thirteen year old girl, and ends as an adult woman who suffers through many painful and tumultuous events in her life. Not an easy task at all, but it is the stuff for which actresses win Academy Awards, and Spacek certainly earned hers.
If Spacek's performance was exceptional, the rest of the cast would merely need to be adequate to make the film succeed, but they are every bit as impressive. Given the difficult role of playing Mooney, Tommy Lee Jones brings the character to life. While never making Mooney appear sympathetic, he does show us that Mooney is after all a human being, subject to the same foibles and temptations as the rest of us. Most of all, despite his failings, Jones lets us know that Mooney did indeed care a great deal for Loretta, even if such outward expressions of love were foreign to him.
There's more. Levon Helm as Ted Webb gives one of the best supporting performance ever in a film. As Ted, he gives us a father who cares deeply about his family, doing for them what he can with what little money he can scrape by on from his earning. He is a man who has obviously been beaten down by the drudgery and day to day existence of spending most of his life with a pick and a shovel mining coal. It is this existence that eventually forces Mooney into his decision to not become a victim of the coal mines.
Last but certainly not least, is Beverly D'Angelo as Patsy Cline, who not only befriends Loretta, but helps to teach her the ways of the world. Her performance is so good in fact, that although her scenes aren't many, D'Angelo leaves an indelible mark that made it difficult to accept Jessica Lange in the same role. I do not know why Jones, Helm, and D'Angelo were not recognized when Awards time rolled around as they were all at least deserving of a nomination if not a win. Perhaps Spacek's performance was so powerful that it overshadowed the fine work done by the rest of the cast. Then again, I quit trying to figure the reasoning behind awards a long time ago.
There is no doubt however, that Coal Miner's Daughter is one of the best biographical films ever. It is one of those rare times when cast, director, writer, all came together to make a very special film. And when they all do that I have no choice but to give them my grade which for Coal Miner's Daughter is an A+.