| José Wilker | ... | Lorde Cigano | |
| Betty Faria | ... | Salomé | |
| Fábio Júnior | ... | Ciço | |
| Zaira Zambelli | ... | Dasdô | |
| Príncipe Nabor | ... | Andorinha / Swallow | |
| Emmanuel Cavalcanti | ... | Prefeito / Mayor (as Emanoel Cavalcanti) | |
| José Márcio Passos | ... | Assessor Prefeito / Mayor's Assistant | |
| Carlos Kroeber | ... | Caminhoneiro / Truck Driver | |
| Joffre Soares | ... | Zé da Luz | |
| Rodolfo Arena | ... | Lavrador / Peasant | |
| Aderbal Junior | |||
| Carlos Lagoeíro | ... | Sertanejos | |
| Catalina Bonakie | ... | Viúva / Widow (as Catalina Bonaky) | |
| Rinaldo Gines | ... | Chefe Índio / Indian Chief | |
| Marcus Vinícius | ... | Empresário | |
| Walter Bandeira | ... | Cantor | |
| Oscar Reis | ... | Contrabandista / Smuggler | |
| Cleodon Gondin | ... | Cliente / Customer | |
| José Carlos Lacerda | ... | Steward | |
| Marieta Severo | ... | Assistente Social / Social Worker | |
| rest of cast listed alphabetically: | |||
| José María Lima | ... | Assistente | |
Directed by | |||
| Carlos Diegues | |||
Writing credits(in alphabetical order) | ||
| Carlos Diegues | writer | |
| Leopoldo Serran | writer | |
Original Music by | |||
| Chico Buarque de Hollanda | |||
| Dominguinhos | |||
| Roberto Menescal | |||
Cinematography by | |||
| Lauro Escorel | |||
Film Editing by | |||
| Anisio Medeiros | |||
| Mair Tavares | |||
Art Direction by | |||
| Anisio Medeiros | |||
Costume Design by | |||
| Anisio Medeiros | |||
Makeup Department | |||
| Antonio Pacheco | .... | makeup artist | |
Production Management | |||
| Marco Altberg | .... | production manager | |
| Otávio de Miranda | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Fábio Barreto | .... | assistant director | |
| Bruno Wainer | .... | assistant director | |
Art Department | |||
| Paulo Chada | .... | assistant art director | |
Sound Department | |||
| Emmanuelle Castro | .... | sound editor | |
| Antônio César | .... | additional sound | |
| Walter Goulart | .... | additional sound | |
| Jean-Claude Laureux | .... | sound | |
| Victor Raposeiro | .... | sound | |
| José Luiz Sasso | .... | sound mixer | |
Editorial Department | |||
| Hernandes Fontes | .... | assistant editor | |
| Denise Fontoura | .... | assistant editor | |
| José Joaquim Salles | .... | assistant editor | |
| Hernandes Toledo | .... | second assistant editor | |
Other crew | |||
| Cláudio Barreto | .... | production assistant | |
| Nieves Cabello | .... | continuity | |
| Carlos Machado | .... | choreographer | |
| Alvaro Magaldi | .... | production assistant | |
| Fernando Pimenta | .... | title designer | |
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| Die Blechtrommel | O Caminho das Nuvens | Como agua para chocolate | Diarios de motocicleta | Madame Satã |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section | Add this title to MyMovies |
At last, a film I can unreservedly recommend--well, at least to adults.
"Bye Bye Brazil" is a film with heart, involving three-dimensional characters I was able to care about, their stories told unpretentiously in a straightforward exposition unhindered by self-conscious special effects, confusing games with the time-frame, etc. as in so many "artistic" films I've been watching lately (and in some cases ejecting from the player before they're finished).
Too bad this film is from 1979. I wish it were brand new, so I could hope for a return to these plain and honest values in film-making.
As soon as I saw that the title song was sung by Chico Buarque, one of my very favorite musicians, I suspected I was in for a pleasant evening, and I wasn't disappointed. The movie would be worth buying (apparently available on VHS only) just for that wonderful song, sung in its lengthy entirety over the closing credits, and briefly at the film's commencement. But "Bye Bye Brazil" offers much more than a pretty (and very funny) song. Time and again I was reminded of Bergman's films, as the interplay between the five chief characters developed. There's a certain visual resemblance to some of Bergman's scenes, too.
You could have a worse model.
Highly recommended--though not for kids.