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| Art Garfunkel | ... | Alex Linden | |
| Theresa Russell | ... | Milena Flaherty | |
| Harvey Keitel | ... | Inspector Netusil | |
| Denholm Elliott | ... | Stefan Vognic | |
| Daniel Massey | ... | Foppish Man | |
| Dana Gillespie | ... | Amy Miller | |
| William Hootkins | ... | Col. Taylor | |
| Eugene Lipinski | ... | Hospital Policeman | |
| George Roubicek | ... | Policeman #1 | |
| Stefan Gryff | ... | Policeman #2 | |
| Sevilla Delofski | ... | Czech Receptionist | |
| Robert Walker | ... | Konrad | |
| Gertan Klauber | ... | Ambulance Man | |
| Ania Marson | ... | Dr. Schneider | |
| Lex van Delden | ... | Young Doctor | |
| Rudolf Bissegger | ... | Giovanni (as Rudolph Bisseger) | |
| Hans Christian | ... | Czech Consul | |
| Ellan Fartt | ... | Ulla | |
| Fritz Goblirsch | ... | Drunk Man (as Fritz Gublirsch) | |
| Nino LaRocca | ... | Arab in Truck (as Nino La Rocca) | |
| Roman Scheidl | ... | Angry Student | |
| rest of cast listed alphabetically: | |||
| Carolyn Seymour | ... | Lisa Dietrich (scenes deleted) | |
| Carl Lawrence Ludwig | ... | Young Czech Lover (uncredited) | |
Directed by | |||
| Nicolas Roeg | |||
Writing credits(in alphabetical order) | ||
| Yale Udoff | screenplay | |
Produced by | |||
| Jeremy Thomas | .... | producer | |
| Tim Van Rellim | .... | associate producer | |
Original Music by | |||
| Richard Hartley | |||
Cinematography by | |||
| Anthony B. Richmond | (as Anthony Richmond) | ||
Film Editing by | |||
| Tony Lawson | |||
Casting by | |||
| Celestia Fox | |||
Art Direction by | |||
| David Brockhurst | |||
Costume Design by | |||
| Marit Allen | |||
Makeup Department | |||
| Sue Bide | .... | makeup artist | |
| Sarah Monzani | .... | hair stylist | |
Production Management | |||
| Christian Jungbluth | .... | production manager: Austria | |
| Aivar Kaulins | .... | production manager | |
| Detlef Krejci | .... | unit manager: Austria | |
Art Department | |||
| Jonathan Amberston | .... | second assistant art director | |
| John Beard | .... | first assistant art director | |
| Arie Bohrer | .... | assistant art director: Austria | |
| Bob Devine | .... | construction manager | |
| Bryony Foster | .... | property buyer | |
| Janet Shearer | .... | third assistant art director | |
| Ted Western | .... | stand-by propman | |
Sound Department | |||
| Ken Barker | .... | sound re-recording mixer | |
| Alan Bell | .... | sound editor | |
| Tony Bell | .... | boom operator | |
| Rodney Holland | .... | dialogue editor | |
| Paul Le Mare | .... | sound mixer | |
| Jacques Leroide | .... | assistant sound editor | |
| Rodney Glenn | .... | assistant sound editor (uncredited) | |
| John Hayward | .... | sound re-recording mixer (uncredited) | |
Camera and Electrical Department | |||
| Graham Attwood | .... | still photographer | |
| George Beavis | .... | chief grip | |
| Martin Evans | .... | gaffer | |
| John Golding | .... | focus puller | |
| Gordon Hayman | .... | camera operator | |
| Derek Suter | .... | clapper loader | |
| Wick Finch | .... | electrician (uncredited) | |
Casting Department | |||
| Monika Caha | .... | casting: Austria | |
Costume and Wardrobe Department | |||
| Shuna Harwood | .... | additional costumes | |
| Carla Willsher | .... | wardrobe mistress | |
Editorial Department | |||
| David Spiers | .... | assistant film editor | |
Music Department | |||
| François Rabbath | .... | musician: double bass | |
Other crew | |||
| Laurence Boulting | .... | location manager | |
| Clinton Cavers | .... | location manager | |
| Brian Doyle | .... | publicist | |
| Ingrid Durst | .... | production assistant: Austria | |
| Kay Fenton | .... | continuity | |
| Johannes Freisinger | .... | location manager:Austria | |
| Susan Kane | .... | production secretary | |
| Angela Mackworth-Young | .... | assistant to director | |
| Borjan Nakicenovic | .... | propman: Austria | |
| Jaqi Neilist | .... | production secretary | |
| Hugh O'Donnell | .... | location manager | |
| Alex Richards | .... | chief production accountant | |
| Caroline Sax | .... | production secretary | |
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| Heavenly Creatures | Wetherby | Edvard Munch | Les liaisons dangereuses | El diputado |
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I saw this film when it was originally released and it still ranks as my all-time favorite. From the opening strains of Tom Waits' gritty "Invitation to the Blues" (which is cut off by the wail of an ambulance!) every aspect--music, scenery, the astonishing acting--melds together into a masterpiece.
Theresa Russell is simply a knockout as Milena, a woman who refuses to be "owned". She's beautiful, sexy, carefree, and absolutely infuriating to Art Garfunkel's psychologist Dr. Linden. His compulsion to control her leads to disaster, and Garfunkel's performance is absolutely astonishing. The expression on his face in the final scene is unforgettable. It haunts me still.