| Photos (see all 21 | slideshow) |
Directed by | |||
| Walter Hill | |||
Writing credits | ||
| Sol Yurick | (novel) | |
| David Shaber | (screenplay) and | |
| Walter Hill | (screenplay) | |
Produced by | |||
| Laurent Bouzereau | .... | producer (Ultimate Director's Cut) | |
| Freeman A. Davies | .... | producer (Ultimate Director's Cut) | |
| Lawrence Gordon | .... | producer | |
| Walter Hill | .... | producer (Ultimate Director's Cut) | |
| Frank Marshall | .... | executive producer | |
| Joel Silver | .... | associate producer | |
Original Music by | |||
| Barry De Vorzon | |||
Cinematography by | |||
| Andrew Laszlo | (director of photography) | ||
Film Editing by | |||
| David Holden | |||
Casting by | |||
| Howard Feuer | |||
| Jeremy Ritzer | |||
Art Direction by | |||
| Don Swanagan | |||
| Robert Wightman | (as Bob Wightman) | ||
Set Decoration by | |||
| Frederic C. Weiler | (as Fred Weiler) | ||
Costume Design by | |||
| Bobbie Mannix | |||
| Mary Ellen Winston | (uncredited) | ||
Makeup Department | |||
| Frank Bianco | .... | hair stylist | |
| Mike Maggi | .... | makeup artist (as Michael Maggi) | |
Production Management | |||
| John Stark | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Robert Barth | .... | second assistant director (as Bob Barth) | |
| Peter Gries | .... | second assistant director | |
| David Sosna | .... | assistant director (as David O. Sosna) | |
| Bruce Greenfield | .... | dga trainee (uncredited) | |
Art Department | |||
| William Kane | .... | property master | |
| William Lucek | .... | chargeman scenic artist | |
| Brian Murphy | .... | illustrator (Ultimate Director's Cut) | |
Sound Department | |||
| William Andrews | .... | sound effects editor | |
| Sean Hanley | .... | dialogue editor | |
| Jack C. Jacobsen | .... | sound mixer (as Jack Jacobsen) | |
| Al Mian | .... | sound mixer (as Alan Mian) | |
| Alan Robert Murray | .... | sound effects editor (as Allan Murray) | |
| Lee Osborne | .... | sound effects editor | |
| Tex Rudloff | .... | sound re-recording mixer | |
| George Watters II | .... | sound effects editor | |
| Arthur Bloom | .... | boom operator (uncredited) | |
| James Perdue | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Edward Drohan | .... | special effects | |
Stunts | |||
| Craig R. Baxley | .... | stunt coordinator (as Craig Baxley) | |
| David Copeland | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Michael Burke | .... | electrician | |
| Russell Engels | .... | gaffer (as Russel Engels) | |
| Peter Garbarini | .... | camera operator | |
| John Thomas Kennedy | .... | key grip | |
| Michael Stone | .... | camera operator (as Mike Stone) | |
| Michael Ginsburg | .... | still photographer (uncredited) | |
| Ron Zarilla | .... | assistant camera (uncredited) | |
Casting Department | |||
| Sylvia Fay | .... | extras casting | |
Costume and Wardrobe Department | |||
| William Loger | .... | wardrobe | |
Editorial Department | |||
| Phyllis Smith Altenhaus | .... | assistant editor (as Phyllis Smith-Altenhaus) | |
| Lisa Zeno Churgin | .... | assistant editor (as Lisa Churgin) | |
| Freeman A. Davies | .... | additional editor (as Freeman Davies Jr.) | |
| Rick Fields | .... | assistant editor | |
| Susan E. Morse | .... | additional editor | |
| George Trirogoff | .... | assistant editor | |
| Billy Weber | .... | additional editor | |
Music Department | |||
| John Caper Jr. | .... | music editor | |
| Joe Ferla | .... | additional music co-supervisor | |
| Paul Griffin | .... | music arranger: additional music | |
| Rob Mounsey | .... | music arranger: additional music | |
| Kenny Vance | .... | music supervisor: additional music | |
Other crew | |||
| Sam Bernstein | .... | production accountant | |
| Neil Canton | .... | assistant: Mr. Hill | |
| Laurie Deitz | .... | assistant: Mr. Gordon | |
| Gail Geibel | .... | production office coordinator | |
| A. Kitman Ho | .... | location manager (as A.K. Ho) | |
| David Streit | .... | location manager | |
| Giboney Whyte | .... | script supervisor | |
| Stephen A. Glanzrock | .... | production assistant (uncredited) | |
| Penn Jillette | .... | knife thrower: main titles (uncredited) | |
| Dan Perri | .... | title designer: main titles (uncredited) | |
| Rob Ryder | .... | location scout (uncredited) | |
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The Warriors may be a camp conceptual ballet choreographer's vision of street life, but it still rocks the bells. The names, the music, the design, the simple story (and don't forget those jackets) are flick knife sharp. Why don't gangs this uber kuhl exist anymore? Because they never did, or can't you remember that, old maaaan?
On the train journey home, contrast the affluent optimism of the young couples, laughing with flowers after the big show, with the filthy, bedraggled and hopeless ghetto pride of Swan and his desperate squeeze. Only one side of the carriage looks embarrassed, and it ain't the Warriors, baby.
Makes me wanna rumble in slo-mo on roller skates.