| Photos (see all 18 | slideshow) |
| Steve McQueen | ... | Tom Horn | |
| Linda Evans | ... | Glendolene Kimmel | |
| Richard Farnsworth | ... | John C. Coble | |
| Billy Green Bush | ... | U.S. Marshal Joe Belle | |
| Slim Pickens | ... | Sheriff Sam Creedmore | |
| Peter Canon | ... | Assistant Prosecutor | |
| Elisha Cook Jr. | ... | Stablehand (as Elisha Cook) | |
| Roy Jenson | ... | Lee Mendenhour | |
| James Kline | ... | Arlo Chance | |
| Geoffrey Lewis | ... | Walter Stoll | |
| Harry Northup | ... | Thomas Burke | |
| Steve Oliver | ... | 'Gentleman' Jim Corbett | |
| Bill Thurman | ... | Ora Haley | |
| Bert Williams | ... | Judge | |
| Bobby Bass | ... | Corbett's Bodyguard | |
| Mickey Jones | ... | Brown's Hole Rustler | |
| B.J. Ward | ... | Cattle Baron | |
| Richard Brewer | ... | Corbett's Bodyguard | |
| Mel Novak | ... | Corbett's Bodyguard | |
| Tom Tarpey | ... | Corbett's Bodyguard | |
| Bob West | ... | Corbett's Bodyguard | |
| Richard Kennedy | ... | John Cleveland | |
| Larry Strawbridge | ... | Ian MacGregor | |
| Pat E. Johnson | ... | Ora Haley's Bodyguard (as Pat Johnson) | |
| Jim 'Two Dogs' Burgdorf | ... | Dart | |
| Jerry Wills | ... | Rash | |
| Walter Wyatt | ... | Isam | |
| Bob Orrison | ... | Matt | |
| Fargo Graham | ... | Auctioneer | |
| Leo Hohler | ... | Auction Deputy | |
| Erik Owens | ... | Boy at Auction | |
| Tom Ferguson | ... | Brown's Hole Rustler | |
| Jos Massangale | ... | Brown's Hole Rustler | |
| Dave Moordigian | ... | Brown's Hole Rustler | |
| Michael E. Perry | ... | Brown's Hole Rustler | |
| Jim Burk | ... | Slaughter House Man (as Jimmy H. Burk) | |
| Bill Hart | ... | Slaughter House Man | |
| Dan Corry | ... | Windmill Man | |
| Jeffrey Meyer | ... | Gunfighter (as Jeffrey M. Meyer) | |
| Clarke Coleman | ... | Jimmy Nolt (as Clark Coleman) | |
| Mike Chambers | ... | Man in Feed Store | |
| Bob Kern | ... | Man in Feed Store | |
| W.H. Manooch | ... | Man in Feed Store | |
| Fred O'Dell | ... | Man in Feed Store | |
| Drummond Barclay | ... | Charlie Ohnhouse | |
| Chuck Hayward | ... | Deputy Earl Proctor | |
| Tom Runyon | ... | Bartender | |
| John L. Hallett | ... | Reporter | |
| Jerry Jackson | ... | Reporter | |
| Larry Hollister | ... | Bailiff | |
| Victor Spelta | ... | Man in Bar | |
| Jack Wester | ... | Kid Deputy | |
| Alan L. Brown | ... | Guard | |
| Robert Elliot | ... | Guard | |
| Gilbert B. Combs | ... | Horn's Capturer (as Gilbert Combs) | |
| Mike H. McGaughy | ... | Horn's Capturer (as Mike McGaughy) | |
| Walter Scott | ... | Horn's Capturer | |
| Rock A. Walker | ... | Horn's Capturer | |
| J.P.S. Brown | ... | Father J.P. Rank | |
| Lee Barton | ... | Cowboy | |
| Roe Henson | ... | Cowboy | |
| Paul Pinnt | ... | Cowboy | |
| Jimmy Medearis | ... | Trick Rider (as Jim Medearis) | |
| Chuck Henson | ... | Steer Roping Sequence | |
| Claude Henson | ... | Steer Roping Sequence | |
| H.P. Evetts | ... | Horse Breaking Sequence | |
| Jeff Ramsey | ... | Horse Breaking Sequence | |
| Bud Stout | ... | Horse Breaking Sequence | |
| Gary Combs | ... | Horse Breaking Sequence | |
| rest of cast listed alphabetically: | |||
| Sonny Skyhawk | ... | (uncredited) | |
Directed by | |||
| William Wiard | |||
Writing credits | ||
| Thomas McGuane | (screenplay) and | |
| Bud Shrake | (screenplay) | |
Produced by | |||
| Steve McQueen | .... | executive producer | |
| Michael I. Rachmil | .... | associate producer (as Michael Rachmil) | |
| Fred Weintraub | .... | producer | |
| Sandra Weintraub | .... | associate producer | |
Original Music by | |||
| Ernest Gold | |||
Cinematography by | |||
| John A. Alonzo | (director of photography) (as John Alonzo) | ||
Film Editing by | |||
| George Grenville | |||
Casting by | |||
| Sally Dennison | |||
Art Direction by | |||
| Ron Hobbs | |||
Set Decoration by | |||
| Rick Simpson | |||
Costume Design by | |||
| Luster Bayless | |||
Makeup Department | |||
| Del Armstrong | .... | makeup artist | |
| Lon Bentley | .... | assistant makeup artist | |
| Lynn Del Kail | .... | hair stylist | |
Production Management | |||
| Michael I. Rachmil | .... | unit production manager (as Michael Rachmil) | |
Second Unit Director or Assistant Director | |||
| Clifford C. Coleman | .... | assistant director (as Cliff Coleman) | |
| Ed Milkovich | .... | second assistant director | |
| Robert Rooy | .... | dga trainee (as Bob Rooy) | |
Art Department | |||
| Marty Wunderlich | .... | property master | |
Sound Department | |||
| Robert J. Glass | .... | sound re-recording mixer | |
| Jerry Jost | .... | sound | |
| Robert Knudson | .... | sound re-recording mixer | |
| Don MacDougall | .... | sound re-recording mixer | |
| William L. Manger | .... | sound editor (as William Manger) | |
| Richard Oswald | .... | sound editor | |
Special Effects by | |||
| Phil Cory | .... | special effects (as Phil Corey) | |
Stunts | |||
| Gary Combs | .... | stunt coordinator | |
| Steven Burnett | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Michael A. Chavez | .... | second assistant camera (as Michael Chavez) | |
| Dave Friedman | .... | still photographer | |
| Bud Heller | .... | key grip | |
| Horace Jordan | .... | first assistant camera | |
| James Plannette | .... | gaffer (as Jim Plannette) | |
| John Toll | .... | camera operator | |
Costume and Wardrobe Department | |||
| Michael Castellano | .... | wardrobe assistant (as Mike Castellano) | |
| Betsy Heimann | .... | costumer: women | |
| Charlie James | .... | costumer: men | |
Editorial Department | |||
| Larry Grenville | .... | assistant editor | |
Music Department | |||
| John Mick | .... | music editor | |
| Aaron Rochin | .... | score mixer | |
Transportation Department | |||
| Ed Arter | .... | transportation captain | |
Other crew | |||
| Dixie J. Capp | .... | production coordinator (as Dixie Capp) | |
| Susan Elkins | .... | assistant to producer (as Susie Ekins) | |
| Trixie Flynn | .... | secretary to producer (as Trixie Flynn Calfa) | |
| Gordon K. Kee | .... | production auditor (as Gordon Kee) | |
| Chad McQueen | .... | assistant to producer | |
| Ray Quiroz | .... | script supervisor | |
| Rudy Ugland | .... | head wrangler | |
| 'Chema' Hernandez | .... | head wrangler (uncredited) | |
| Jim McCarthy | .... | assistant auditor (uncredited) | |
| Jack N. Young | .... | location scout (uncredited) | |
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Many good comments are already posted. I want to point out a few additional facts about the making of the movie that might be interesting to some. I remember reading a feature article about the making of Tom Horn in American Cinematographer or American Film or one of the other trade magazines. One technique that is very different for a major Hollywood film is that the filmmakers decided to use very little makeup on the actors in order to make the film a more realistic portrayal of life at that time. The fact that Linda Evans agreed to be photographed without makeup is a testament both to her natural beauty and her strong commitment to this film. Watch closely and you will spot many scenes where the lighting and makeup are unflattering to the actors, but the effect adds to the feel of this under-appreciated film. The costumes are also accurate for the period -- no belts (remember suspenders?), lots of wool and plenty of earth tones. In order to avoid the unpredictable weather and short summer in the location on the northern plains where the film is set, the movie was filmed in (if memory serves) Arizona. And guess what? Right in the middle of production, it snowed big-time! A quick decision had to be made whether to delay the filming or to go ahead, knowing that the snow would not last long in that climate (making continuity a problem). They decided to go for it and the shooting schedule was changed so that all outdoor snow scenes were shot over the course of a couple of days. This was a mammoth task for the crew and cast to pull off, but they managed to shoot all the outdoor scenes before the snow melted, and only had to use fake snow in a couple of street scenes. Anyway, Tom Horn was one of the first westerns to try and give a more accurate historical portrayal of the old west and that alone sets it apart from most Hollywood westerns.