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Gérard Brach (screenplay) &
Roman Polanski (screenplay) ...
(more)
12 December 1980 (USA) more
As timely today as the day it was written. more
A young strong-willed peasant girl, becomes the affection of two men, in the end tragically falling into the arms of one. full summary | add synopsis
Won 3 Oscars. Another 10 wins & 12 nominations more
Filmmaker Roman Polanski's arrest to spark extradition fight
(From Filmicafe. 27 September 2009, 12:43 PM, PDT)
Sarkozy Gives Nod To Late French Filmmaker Berri
(From WENN. 12 January 2009, 11:12 AM, PST)
Why dont they make them like this anymore? more (53 total)
Directed by | |||
| Roman Polanski | |||
Writing credits | ||
| Gérard Brach | (screenplay) & | |
| Roman Polanski | (screenplay) & | |
| John Brownjohn | (screenplay) | |
| Thomas Hardy | novel "Tess of the d'Urbervilles" | |
Produced by | |||
| Claude Berri | .... | producer | |
| Timothy Burrill | .... | co-producer | |
| Pierre Grunstein | .... | executive producer | |
| Jean-Pierre Rassam | .... | associate producer | |
Original Music by | |||
| Philippe Sarde | |||
Cinematography by | |||
| Ghislain Cloquet | |||
| Geoffrey Unsworth | |||
Film Editing by | |||
| Alastair McIntyre | |||
| Tom Priestley | |||
Casting by | |||
| Mary Selway | |||
Production Design by | |||
| Pierre Guffroy | |||
Art Direction by | |||
| Jack Stephens | |||
Costume Design by | |||
| Anthony Powell | |||
Makeup Department | |||
| Alain Bernard | .... | assistant hair stylist | |
| Didier Lavergne | .... | makeup artist | |
| Paul Le Marinel | .... | assistant makeup artist | |
| Ludovic Paris | .... | hair stylist (as Marc Ludovic Paris) | |
Production Management | |||
| Alain Depardieu | .... | unit manager | |
| Paul Maigret | .... | production manager | |
| Tadek Zietara | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Hercules Bellville | .... | second unit director | |
| Thierry Chabert | .... | first assistant director | |
| Romain Goupil | .... | second assistant director | |
| Hugues de Laugardière | .... | second assistant director (as Hugues De Laugardiere) | |
Art Department | |||
| Jean-Claude Bourdin | .... | assistant art director | |
| Michel Damiens | .... | assistant art director | |
| Marcel Laude | .... | property master | |
| Pierre Lefait | .... | set dresser | |
| Claude Moesching | .... | assistant art director | |
| Albert Rajau | .... | assistant art director | |
| Jean-Claude Sévenet | .... | set dresser (as Jean-Claude Sevenet) | |
| Ferracci | .... | poster designer (uncredited) | |
Sound Department | |||
| Hervé de Luze | .... | sound editor | |
| Maurice Gilbert | .... | dubbing mixer | |
| Louis Gimel | .... | boom operator | |
| Peter Horrocks | .... | sound editor | |
| Jean-Pierre Lelong | .... | sound effects | |
| Jean Nény | .... | dubbing mixer (as Jean Neny) | |
| Alex Pront | .... | dubbing mixer | |
| Robert Rietty | .... | post-synchronization (as Robert Rietti) | |
| Jean-Pierre Ruh | .... | sound mixer | |
| David Watts | .... | stereo sound consultant: Dolby | |
Visual Effects by | |||
| Frederic Moreau | .... | visual effects supervisor (uncredited) | |
Camera and Electrical Department | |||
| Eric Brach | .... | assistant camera | |
| Jean Harnois | .... | camera operator | |
| François Lauliac | .... | assistant camera | |
| Jean-Claude LeBras | .... | chief electrician (as Jean-Claude Le Bras) | |
| Bernard Prim | .... | still photographer | |
| André Thiéry | .... | head grip (as Andre Thiery) | |
Costume and Wardrobe Department | |||
| Caroline de Vivaise | .... | wardrober (as Caroline De Vivaise) | |
| Joanna Johnston | .... | assistant costume designer | |
| Thérèse Ripaud | .... | wardrobe supervisor (as Therese Ripaud) | |
| Frederic Vieille | .... | wardrober | |
Editorial Department | |||
| Jeremy Hume | .... | assistant editor | |
| Pierre Louis Lecoeur | .... | assistant editor | |
| Jacqueline Mariani | .... | assistant editor | |
| Arielle Noyer | .... | assistant editor | |
Music Department | |||
| Peter Knight | .... | orchestrator | |
| Carlo Savina | .... | conductor | |
Other crew | |||
| Sylvette Baudrot | .... | continuity | |
| Josée Bénabent-Loiseau | .... | publicist (as Josee Benabent) | |
| Patrick Bordier | .... | location manager | |
| Philippe Desmoulins | .... | location manager | |
| Catherine Fleming | .... | voice teacher | |
| Jérôme Jeannet | .... | location manager | |
| Sue Lefton | .... | choreographer | |
| François Nadal | .... | horse master | |
| Jennifer Patrick | .... | dialogue coach | |
| Andrea Potter | .... | researcher | |
| Jeannie Stone | .... | production assistant | |
| Colette Suder | .... | production accountant | |
| Marguerite Théoule | .... | production assistant (as Marguerite Theoule) | |
Thanks | |||
| Sharon Tate | .... | dedicatee (as Sharon) | |
190 min | Argentina:150 min | France:170 min | 172 min (DVD) | West Germany:134 min (re-issue version)
Color (Eastmancolor)
2.35 : 1 more
70 mm 6-Track (70 mm prints) | Dolby (35 mm prints)
UK:A (1980) | UK:PG (1987) | Iceland:L | South Korea:15 | Australia:PG | Argentina:16 | Chile:18 | Finland:K-16 | France:U | Sweden:11 | USA:PG | West Germany:12 (w) | Canada:14 (Nova Scotia) | Singapore:PG
Château de Beaumanoir, Le Leslay, Côtes-d'Armor, France more
Set in England but filmed in France, as director Roman Polanski was wanted on sex-related charges in the United States and could have been extradited from England. more
Crew or equipment visible: At the beginning of the final sequence, set at Stonehenge, someone's head can be seen at bottom-left. more
Featured in Filming 'Tess' (2004) (V) more
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I saw Tess as a teenager and the images and emotions have lingered with me ever since. I remembered Natasia Kinski as Tess being tempted with a strawberry by her cad of a cousin, the subtlety of showing a murder by just having the tiniest spot of blood appear on the ceiling below, the powerful poetry of the final scene at Stonehenge... I have just watched the film again and it was even better than I remembered. I will go to my grave being in love with Kinski in this role! I had forgotten also what a perfect performance Peter Firth gives as Angel Clair, and the apparent authenticity of life in rural Victorian England. Perhaps what is most extraordinary is the leisurely pace at which the story is told. Shots linger on the countryside after characters have said their lines and moved off. many sequences exist entirely to build up to a single glance or gesture. Altogether Tess is a superb lesson in story telling and one of the truly great movies of all