|
| Lindsay Adler | .... | visual effects coordinator: Foundation Imaging (2001 director's edition) |
| Larry Albright | .... | effects props and miniatures |
| Dick Alexander | .... | mechanical designer: Apogee, Inc. |
| Michael Backauskas | .... | special editorial |
| Don Baker | .... | photographic effects camera |
| Charles L. Barbee | .... | photographic effects camera: Apogee, Inc. (as Chuck Barbee) |
| Philip Barberio | .... | photographic effects camera (as Phil Barberio) |
| David Bartholomew | .... | photographic effects editorial: Apogee, Inc. |
| Deborah Baxter | .... | photographic effects assistant: Apogee, Inc. |
| David Beasley | .... | effects props and miniatures: Apogee, Inc. |
| Lisze Bechtold | .... | animation and graphics |
| Mat Beck | .... | electronic designer: Apogee, Inc. |
| Mona Thal Benefiel | .... | assistant: Mr. Trumbull |
| Thane Berti | .... | photographic effects photography |
| Bruce Bishop | .... | effects props and miniatures |
| Cosmas Paul Bolger Jr. | .... | photographic effects photography: Apogee, Inc. (as Cosmos Bolger) |
| Rob Bonchune | .... | digital modeler: Foundation Imaging (2001 director's edition) (as Robert Bonchune) |
| Al Broussard | .... | effects props and miniatures |
| Steve Burg | .... | visual effects art director: Foundation Imaging (2001 director's edition) (as Stephen Burg) |
| Deena Burkett | .... | animation and graphics |
| Brent Burpee | .... | systems engineer: Foundation Imaging (2001 director's edition) |
| Glenn Campbell | .... | photographic effects photography |
| Kathryn Campbell | .... | special editorial (as M. Kathryn Campbell) |
| Mark Cane | .... | photographic effects grip: Apogee, Inc. |
| Merllyn Ching | .... | animation and graphics |
| Elrene Cowan | .... | animation and graphics |
| Don Cox | .... | photographic effects camera |
| Chris Crump | .... | effects props and miniatures |
| Kris Dean | .... | special electronics |
| Angela Diamos | .... | animation and graphics: Apogee, Inc. |
| Jim Dickson | .... | additional photography |
| Cy Didjurgis | .... | animation and graphics |
| Daren Dochterman | .... | visual effects supervisor (2001 director's edition) (as Daren R. Dochterman) |
| Mike Donahue | .... | systems engineer: Foundation Imaging (2001 director's edition) (as Michael Donahue) |
| Dennis Dorney | .... | photographic effects photography: Apogee, Inc. |
| Roger Dorney | .... | optical photography supervisor: Apogee, Inc. |
| Jim Dow | .... | miniatures |
| Doug Drexler | .... | digital modeler: Foundation Imaging (2001 director's edition) |
| Janet Dykstra | .... | photographic effects assistant: Apogee, Inc. |
| John Dykstra | .... | photographic effects supervisor: Apogee, Inc. |
| John Dykstra | .... | special photographic effects supervisor |
| Douglas Eby | .... | photographic effects camera |
| Leslie Ekker | .... | animation and graphics |
| John Ellis | .... | photographic effects camera |
| Robert Elswit | .... | photographic effects photography: Apogee, Inc. (as Robert Elswitt) |
| Charles Embrey | .... | photographic effects gaffer: Apogee, Inc. (as Chuck Embrey) |
| Jon Erland | .... | effects props and miniatures: Apogee, Inc. |
| Lee Ettleman | .... | effects props and miniatures |
| Scott Farrar | .... | photographic effects photography |
| Michael L. Fink | .... | effects props and miniatures (as Mike Fink) |
| Stephen Fog | .... | special electronics |
| P.J. Foley | .... | animator: Foundation Imaging (2001 director's edition) |
| Bob Friedstand | .... | photographic effects photography (as Robert Friedstand) |
| Joe Garlington | .... | effects props and miniatures: Apogee, Inc. |
| Ernest Garza | .... | visual consultant |
| Bo Gehring | .... | computer motion control system for miniatures |
| Bruno George | .... | photographic effects camera: Apogee, Inc. |
| Christopher George | .... | photographic effects photography |
| Pete Gerard | .... | effects props and miniatures: Apogee, Inc. |
| Rick Gilligan | .... | effects props and miniatures: Apogee, Inc. |
| John Gilman | .... | special electronics |
| Rocco Gioffre | .... | additional matte paintings |
| Leora Glass | .... | photographic effects assistant |
| Joyce Goldberg | .... | assistant: Mr. Yuricich |
| David Gold | .... | photographic effects gaffer |
| Philip Golden | .... | photographic effects assistant: Apogee, Inc. |
| Phil Gonzales | .... | photographic effects photography: Apogee, Inc. |
| Jim Goodnight | .... | special electronics |
| Abbot Grafton | .... | optical and mechanical consultant |
| Kristopher Gregg | .... | effects props and miniatures (as Kris Gregg) |
| Alan Gundelfinger | .... | optical consultant |
| Rick Guttierez | .... | effects props and miniatures |
| David R. Hardberger | .... | photographic effects camera (as David Hardberger) |
| Alan Harding | .... | photographic effects camera |
| Linda Harris | .... | animation and graphics |
| Allen Hastings | .... | plate photography: Foundation Imaging (2001 director's edition) |
| Richie Helmer | .... | effects props and miniatures: Apogee, Inc. |
| Jack Hinkle | .... | photographic effects editorial |
| Sherry Hitch | .... | digital compositing and cleanup: Foundation Imaging (2001 director's edition) (as Sherry L. Hitch) |
| Richard E. Hollander | .... | electronic and mechanial design (as Richard Hollander) |
| Robert Hollister | .... | photographic effects photography |
| Thomas Hollister | .... | photographic effects photography (as Tom Hollister) |
| Fred Iguchi | .... | special electronics |
| John James | .... | photographic effects project manager |
| Don Jarel | .... | photographic effects camera |
| Gregory Jein | .... | miniatures (as Greg Jein) |
| Phil Joanou | .... | special visual consultant: Apogee, Inc. |
| Paul D. Johnson | .... | electronic designer: Apogee, Inc. (as Paul Johnson) |
| Ann Johnston | .... | assistant: Mr. Shepherd (as Ann M. Johnston) |
| Proctor Jones | .... | photographic effects assistant: Apogee, Inc. |
| Michael Joyce | .... | effects props and miniatures: Apogee, Inc. |
| Nicola Kaftan | .... | animation and graphics |
| Denny Kelly | .... | photographic effects editorial: Apogee, Inc. |
| Deborah Kendall | .... | effects props and miniatures: Apogee, Inc. |
| John Kimball | .... | animation and graphics |
| Greg Kimble | .... | photographic effects photography: Apogee, Inc. |
| Steve Klein | .... | photographic effects editorial: Apogee, Inc. |
| Mark Kline | .... | photographic effects grip: Apogee, Inc. |
| Tom Koester | .... | animation and graphics (as Thomas Koester) |
| Don Kurtz | .... | effects props and miniatures: Apogee, Inc. |
| Milt Laiken | .... | optical consultant |
| Michael Lawler | .... | photographic effects camera: Apogee, Inc. |
| Lin Law | .... | photographic effects camera |
| Deidre Le Blanc | .... | animation and graphics |
| Adam 'Mojo' Lebowitz | .... | visual effects supervisor: Foundation Imaging (2001 director's edition) |
| Robin Dean Leyden | .... | special electronics (as Robin Leyden) |
| Bruce Logan | .... | additional photography |
| Brian Longbotham | .... | production kinetic lighting effects: engine room and Voyager 6 complex |
| Stephen Mark | .... | photographic effects editorial: Apogee, Inc. (as Steve Mark) |
| Guy Marsden | .... | visual consultant |
| Clayton R. Marsh | .... | photographic effects camera (as Clay Marsh) |
| Pat McClung | .... | effects props and miniatures: Apogee, Inc. |
| David McCue | .... | photographic effects camera |
| Grant McCune | .... | miniatures supervisor: Apogee, Inc. |
| Russell McElhatton | .... | photographic effects photography (as Russ McElhatton) |
| Mimi McKinney | .... | assistant: Mr. Dykstra |
| Michael McMillen | .... | effects props and miniatures (as Mike McMillen) |
| Gregory L. McMurry | .... | special electronics (as Greg McMurray) |
| Michael Douglas Middleton | .... | special visual consultant: Apogee, Inc. (as Mike Middleton) |
| Bill Millar | .... | photographic effects project manager |
| Alvah J. Miller | .... | electronic designer: Apogee, Inc. |
| John Millerburg | .... | animation and graphics: Apogee, Inc. |
| Virgil Mirano | .... | visual consultant |
| Harry Moreau | .... | animation effects: Apogee, Inc. |
| Linda Moreau | .... | animation and graphics |
| Conne Morgan | .... | animation and graphics |
| Max Morgan | .... | photographic effects camera |
| David R. Morton | .... | digital matte paintings (2001 director's edition) (as David Morton) |
| Josh Morton | .... | special electronics |
| Mike Myers | .... | special electronics |
| Erik Nash | .... | special visual consultant: Apogee, Inc. |
| Gerald Nash | .... | optical and mechanical consultant |
| Ron Nathan | .... | photographic effects photography: Apogee, Inc. |
| Sam Nicholson | .... | production kinetic lighting effects: engine room and Voyager 6 complex |
| Paul Olsen | .... | animation and graphics |
| Tom Pahk | .... | effects props and miniatures |
| Mike Peed | .... | photographic effects photography |
| Trevor Peirce | .... | animator: Foundation Imaging (2001 director's edition) (as Trevor Pierce) |
| Jose Perez | .... | digital modeler: Foundation Imaging (2001 director's edition) |
| Greg Pierce | .... | animation and graphics |
| John Piner | .... | photographic effects projectionist |
| George Polkinghorne | .... | mechanical designer |
| Jerry Pooler | .... | photographic effects camera: Apogee, Inc. |
| Stephen W. Pugh | .... | visual effects unit production manager: Foundation Imaging (2001 director's edition) (as Steve Pugh) |
| Bob Quinn | .... | animator: Foundation Imaging (2001 director's edition) |
| John Ramsay Jr. | .... | effects props and miniatures: Apogee, Inc. (as John Ramsay) |
| Lex Rawlins | .... | photographic effects photography |
| Gary Rhodaback | .... | effects props and miniatures: Apogee, Inc. |
| Christopher S. Ross | .... | effects props and miniatures (as Chris Ross) |
| Steve Sass | .... | electronic designer: Apogee, Inc. |
| Dennis Schultz | .... | effects props and miniatures: Apogee, Inc. |
| David Scott | .... | effects props and miniatures: Apogee, Inc. |
| Jonathan Seay | .... | photographic effects photography |
| Dieter Seifert | .... | mechanical designer |
| Robert Shepherd | .... | photographic effects project manager: Apogee, Inc. |
| Robert Short | .... | effects props and miniatures |
| William Shourt | .... | mechanical designer: Apogee, Inc. (as Bill Shourt) |
| Denise Shurtleff | .... | photographic effects assistant: Apogee, Inc. (as Tutt Shurtleff) |
| Russ Simpson | .... | miniatures |
| Dick Singleton | .... | effects props and miniatures: Apogee, Inc. |
| Steve Slocomb | .... | photographic effects photography (as Steve Slocum) |
| Richard Smiley | .... | effects props and miniatures: Apogee, Inc. |
| Douglas Smith | .... | photographic effects camera: Apogee, Inc. (as Doug Smith) |
| Nora Jeanne Smith | .... | special editorial |
| David Smithson | .... | digital file handling: Foundation Imaging (2001 director's edition) |
| David Sosalla | .... | effects props and miniatures: Apogee, Inc. |
| Robert Spurlock | .... | effects props and miniatures |
| Scott Squires | .... | photographic effects camera |
| Mark Stetson | .... | effects props and miniatures |
| David K. Stewart | .... | photographic effects director of photography (as Dave Stewart) |
| Lee Stringer | .... | animator: Foundation Imaging (2001 special edition) |
| John E. Sullivan | .... | photographic effects camera: Apogee, Inc. (as John Sullivan) |
| Robert Swarthe | .... | special animation effects |
| Michael Sweeney | .... | photographic effects photography: Apogee, Inc. |
| Richard Taylor | .... | designer: Robert Abel & Associates |
| John Teska | .... | animator: Foundation Imaging (2001 director's edition) |
| Robert C. Thomas | .... | photographic effects photography (as Bob Thomas) |
| Rick Thompson | .... | effects props and miniatures |
| Ron Thornton | .... | visual effects producer: Foundation Imaging (2001 director's edition) |
| Don Trumbull | .... | mechanical designer: Apogee, Inc. |
| Douglas Trumbull | .... | special photographic effects director |
| Paul Turner | .... | effects props and miniatures |
| Susan Turner | .... | effects props and miniatures: Apogee, Inc. |
| Patrick Van Auken | .... | photographic effects grip (as Pat Van Auken) |
| Don Webber | .... | effects props and miniatures: Apogee, Inc. |
| Brett Webster | .... | photographic effects assistant |
| Gary Weeks | .... | effects props and miniatures: Apogee, Inc. |
| Evans Wetmore | .... | electronic and mechanial design |
| Charles F. Wheeler | .... | additional photography |
| Don Wheeler | .... | effects props and miniatures |
| Greg Wilzbach | .... | animation and graphics |
| Vicky Witt | .... | photographic effects editorial (as Vicki Witt) |
| Diane E. Wooten | .... | photographic effects photography: Apogee, Inc. |
| Hoyt Yeatman | .... | photographic effects camera |
| Alison Yerxa | .... | animation and graphics |
| Matthew Yuricich | .... | matte paintings |
| Richard Yuricich | .... | photographic effects director of photography |
| Richard Yuricich | .... | special photographic effects producer |
| Darryl Anka | .... | model maker (uncredited) |
| Chris Buchinsky | .... | animator (uncredited) |
| Glenn Erickson | .... | visual effects editorial staff (uncredited) |
| Mark Freund | .... | optical cameraman (uncredited) |
| Bill George | .... | model maker (uncredited) |
| Dave Gregory | .... | special optical effects lineup & plotting: Pacific Title (uncredited) |
| William Guest | .... | effects props and miniatures (uncredited) |
| David V. Lester | .... | optical effects unit manager (uncredited) |
| Dennis Michelson | .... | console display animation (uncredited) |
| John C. Moulds | .... | optical cameraman (uncredited) |
| Michael Rivero | .... | effects camera (uncredited) |
| Barry Seybert | .... | visual effects (uncredited) |
| John Sore | .... | visual effects animator/modeler (2001 director's edition) (uncredited) |
| George Trimmer | .... | model maker (uncredited) |
| Marv Ystrom | .... | optical effects (uncredited) |
| |
This was an under-rated film in the first version, and it is improved a great deal with the changes that Robert Wise made just a few years before he passed away. There has been a backlash against this picture, mostly for two reasons; it was not Star Wars, and it was not what people expected of Star Trek.
If you put these expectations aside, and if you also have some attention span and willingness to relax into a picture this is a remarkable experience. I often here people use words like boring, too long etc. Well yes, if we are expecting a quick-hit, film that can be digested in 90 minutes like a TV show, this is not that type of film. If we apply these standards to Lawrence of Arabia, 2001, Blade Runner, Bridge on the River Kwai, or Citzen Kane (which Robert Wise edited, none of these films would have ever been made.
If you put Star Trek The Motion Picture in context of it's scale and the craftsman involved you start to appreciate it's quality and elegance. Robert Wise does not need qualification. He brings an elegance and texture to work and life in space that StarWars has not put to screen to this day.
Star Wars even now seems like nothing more than an impressive exercise in effects and sound. It is always reminding us that it is a movie. ST-TMP on other hand departed into an "immersive experience" developed by Robert Wise, with the amazing talents of Doug Trumbull and John Dykstra, and the enormous contibutions of Jerry Goldsmith. Likewise, the photography, the scale of the sets and the editing of the film all contribute to a immersive world that saturates the viewer into the film.
You gain a lot of knowledge and appreciation of this film and the experience that they achieved by watching the Director's Edition DVD and listening to Wise, Trumbull, Dykstra, Goldsmith and others discuss the production. This was a uniquely creative and enormous effort, and considering the technological limitations, the demands of the studio, and the many demands of the Star Trek Bible that qualified the creation of the movie. I am pleased to see that other reviewers here have come to appreicate this movie many years later. I encourage the skeptics to find the time to relax and watch it on the biggest screen you can find.