| Videos |
| Ray Winstone | ... | Carlin | |
| Mick Ford | ... | Archer | |
| Julian Firth | ... | Davis | |
| John Blundell | ... | Banks | |
| Phil Daniels | ... | Richards | |
| John Judd | ... | Mr Sands | |
| Philip Jackson | ... | Greaves | |
| Peter Howell | ... | Governor | |
| John Grillo | ... | Goodyear | |
| Ray Burdis | ... | Eckersley | |
| Alan Igbon | ... | Meakin | |
| John Fowler | ... | Woods | |
| Bill Dean | ... | Duke | |
| P.H. Moriarty | ... | Hunt | |
| Nigel Humphreys | ... | Taylor | |
| Jo Kendall | ... | Matron | |
| Patrick Murray | ... | Dougan | |
| Herbert Norville | ... | Toyne | |
| George Winter | ... | Rhodes | |
| Alrick Riley | ... | Angel | |
| Philip DaCosta | ... | Jackson (as Philip Da Costa) | |
| Peter Francis | ... | Baldy | |
| Andrew Paul | ... | Betts | |
| Sean Chapman | ... | James | |
| Ozzie Stevens | ... | Smith | |
| Ricky Wales | ... | Chambers | |
| James Donnelly | ... | Whittle | |
| Joe Fordham | ... | Reg | |
| Ray Jewers | ... | Gym Instructor | |
| Ian Liston | ... | White | |
| Charles Rayford | ... | Philpott | |
| John Rogan | ... | Escort | |
| Perry Benson | ... | Formby | |
| rest of cast listed alphabetically: | |||
| Danny John-Jules | ... | Extra (uncredited) | |
| Michael Tarn | ... | Extra (uncredited) | |
Directed by | |||
| Alan Clarke | |||
Writing credits(in alphabetical order) | ||
| Roy Minton | writer | |
Produced by | |||
| Davina Belling | .... | producer | |
| Don Boyd | .... | executive producer | |
| Martin Campbell | .... | associate producer | |
| Clive Parsons | .... | producer | |
| Michael Relph | .... | executive producer | |
Cinematography by | |||
| Phil Meheux | |||
Film Editing by | |||
| Michael Bradsell | |||
Casting by | |||
| Esta Charkham | |||
Art Direction by | |||
| Michael Porter | |||
Makeup Department | |||
| Debbie Scragg | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Raymond Day | .... | first assistant director | |
| Michael Hamlyn | .... | assistant director | |
| Chris Rose | .... | assistant director | |
Art Department | |||
| Bob Hedges | .... | props (as Bobby Hedges) | |
| Judith Lang | .... | assistant art director | |
Sound Department | |||
| John Chandler | .... | boom operator | |
| David John | .... | sound mixer | |
| Tony Message | .... | sound effects editor | |
| Terry Poulton | .... | sound editor | |
| Steve Spencer | .... | assistant sound editor | |
| Hugh Strain | .... | dubbing mixer | |
Costume and Wardrobe Department | |||
| Monica Howe | .... | wardrobe mistress | |
Editorial Department | |||
| Roy Burge | .... | assistant editor | |
Other crew | |||
| Sallianne Branson | .... | production assistant | |
| Terry Connors | .... | production accountant | |
| Geoff Freeman | .... | unit publicist | |
| Alison Thorne | .... | continuity | |
| Rik Walters | .... | researcher (uncredited) | |
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| Scum | If.... | Edward II | Ex Drummer | Shopping |
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I've now seen this movie several times, although admittedly watching it can hardly be classed as a 'pleasure'. Alan Clarke made this feature after his TV play from two years earlier was banned, and perhaps had more freedom here to explore the issues.
Carlin (an early, showy appearance from Ray Winstone) is sent to Borstal where he quickly establishes himself as a tough boy with a regime of strength. Typical Winstone performance in many ways. In the prison with him are his shadow Richards (played by Phil Daniels); cynical, bare-footed Archer (Mick Ford, these days more often seen the other side of the law in such dramas as 'Silent Witness'); black inmate Angel (Davidson Knight); and quiet Davis, the boy who gets picked on for being a loner (a quite staggering performance from Julian Firth, who never really lived up to this early promise).
Scum is uncompromising - violent (there's a rape which leaves little to the imagination, a suicide, several fights); scathing in its condemnation of the 'system' (which thankfully is not like this now) - and yet finds time for character development and convincing plot. Without any music it is purely presented in documentary style, matter-of-fact 'this is how it is'.
Not a fun movie, but one which tries to make a point, and, if nothing else, has the power to shock and make you remember certain sections for a long time after viewing. Recommended.