Scum (1979)

Director:

Alan Clarke

Writer:

Roy Minton (writer)

Release Date:

2 May 1980 (Netherlands)

Genre:

Drama | Crime

Tagline:

The film they tried to ban! A brutal story of today.

Plot:

This is the hard and shocking story of life in a British Borstal for young offenders. Luckily the regime has changed since this film was made...

Plot Keywords:

No Music | Gay Interest | Male Rape | Rape | Greenhouse

Cast

  (Cast overview, first billed only)

Ray Winstone	...	Carlin
Mick Ford	...	Archer
Julian Firth	...	Davis
John Blundell	...	Banks
Phil Daniels	...	Richards
John Judd	...	Mr Sands
Philip Jackson	...	Greaves
Peter Howell	...	Governor
John Grillo	...	Goodyear
Ray Burdis	...	Eckersley
Alan Igbon	...	Meakin
John Fowler	...	Woods
Bill Dean	...	Duke
P.H. Moriarty	...	Hunt
Nigel Humphreys	...	Taylor

Runtime:

98 min

Country:

UK

Language:

English

Color:

Color (Eastmancolor)

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono

Certification:

Iceland:16 | Germany:16 (re-rating) (2006) | West Germany:18 (original rating) | Sweden:15 | Australia:R | Finland:K-16 | New Zealand:R18 | Norway:18 (1980) | UK:18 (video rating) | USA:R

Filming Locations:

England, UK

Company:

Berwick Street Productions

Trivia:

Originally, Carlin was a Glaswegian but was changed to a Cockney when Alan Clarke saw a then unknown Ray Winstone walk in a unique way.

Goofs:

Factual errors: All Borstal inmates were subject to the same mandatory haircut of short back and sides, yet a vast array of hairstyles are shown throughout the film, including afros.

Quotes:

Archer: You know when I was in the Scrubs, sweating it out in that filthy cell, I had this matchbox. And it said on this matchbox that it takes 60 muscles to frown but only 13 to smile, so why waste energy? You see, I'm doing me time in a matchbox.

Movie Connections:

Referenced in Scum EPK Interviews with Clive Parsons & Roy Minton (1999) (TV)

Mecca, Archer?

The grandaddy of 'incarceration' films - this is one of the best, oft copied but never bettered.

I liked it because it's so damn British. The one liners are legion; you all know what they are and where, but among a stellar list 'Mecca, Archer' rises just above and never fails to have me in fits. The way Goodyear looks at the Governor just after this great outburst is also revealing; as is the look of satisfaction on Archer's face when he finally succeeds in riling the 'religious maniac'.

Of course, there's a serious message in here; expedited best in the conversation between Archer and Mr Duke over 'coffee'. Analysing the situation, as Archer attempts to do, will simply not be tolerated and is interpreted as dissent by a man who embodies the 'system' and is intellectually and emotionally unequipped to deal with his own, and the State's ultimate failure to deliver.

Like true class acts, this film works on several levels; it's a no nonsense drama bedecked with Taj Mahal one liners everyone loves, yet it also works on a deeper level; you cannot punitively 'correct' all offenders with violence and cruelty. You are not corrected, you are merely broken, as Davis and Toyne are. If you're not broken, you run amok, but the point is you're not 'cured'.

When this film was on TV in 1983, just after Channel Four started broadcasting, they edited the notorious potting shed sequence to such an extent that the heinous act committed was virtually excised, thereby diluting the dramatic effect to virtually zero. Interestingly enough, they also edited out the bit where Mr Greaves ignores Davis' second press of the bell. Why? Presumably because they feared the ire of the State at the highlighting of its inadequacies? I suppose they can be forgiven, Channel Four was new then after all, but it's quite revealing nonetheless.

If I'm home alone, I quote this film as I'm wandering around the house. I don't quite know why. It's all about the importance of individuality, standing up for yourself and not just 'accepting' things. That's probably the reason. Now, where's your tool?