| Photos (see all 19 | slideshow) | Videos (see all 9) |
| P.J. Soles | ... | Riff Randell | |
| Vincent Van Patten | ... | Tom Roberts | |
| Clint Howard | ... | Eaglebauer | |
| Dey Young | ... | Kate Rambeau | |
| Mary Woronov | ... | Miss Evelyn Togar | |
| Paul Bartel | ... | Mr. McGree | |
| Dick Miller | ... | Police Chief | |
| Don Steele | ... | Screamin' Steve Stevens | |
| Alix Elias | ... | Coach Steroid | |
| Loren Lester | ... | Fritz Hansel | |
| Daniel Davies | ... | Fritz Gretel | |
| Lynn Farrell | ... | Angel Dust | |
| Herbie Braha | ... | Manager | |
| Grady Sutton | ... | School Board President | |
| Chris Somma | ... | Shawn | |
| Marla Rosenfield | ... | Cheryl | |
| Barbara Ann Grimes | ... | Cafeteria Lady (as Barbara Ann Walters) | |
| Terry Soda | ... | Norma | |
| Joe Van Sickle | ... | Cop | |
| Joey Ramone | ... | Himself | |
| Johnny Ramone | ... | Himself | |
| Dee Dee Ramone | ... | Himself | |
| Marky Ramone | ... | Himself | |
| rest of cast listed alphabetically: | |||
| David N. Barber | ... | Native American scalper (uncredited) | |
| Rob Bottin | ... | Giant Mouse (uncredited) | |
| Ann Chatterton | ... | (uncredited) | |
| Darby Crash | ... | (uncredited) | |
| Sylvia Dante | ... | Nun (uncredited) | |
| Debbie Evans | ... | (uncredited) | |
| Jack Gill | ... | (uncredited) | |
| Michael Goodwin | ... | Chemistry Teacher (uncredited) | |
| John Hateley | ... | (uncredited) | |
| Kay Kimler | ... | (uncredited) | |
| Joseph McBride | ... | School board member (uncredited) | |
| Jim Rygiel | ... | Guy in line at mayan theater (uncredited) | |
| Teri Schwartz | ... | Nun (uncredited) | |
| George Wagner | ... | Man Proposing in Phone Booth (uncredited) | |
Directed by | |||
| Allan Arkush | |||
| Joe Dante | (uncredited) | ||
| Jerry Zucker | (uncredited) | ||
Writing credits | ||
| Richard Whitley | (screenplay) & | |
| Russ Dvonch | (screenplay) and | |
| Joseph McBride | (screenplay) | |
| Allan Arkush | (story) and | |
| Joe Dante | (story) | |
Produced by | |||
| Roger Corman | .... | executive producer | |
| Michael Finnell | .... | producer | |
Cinematography by | |||
| Dean Cundey | |||
Film Editing by | |||
| Larry Bock | |||
| Gail Werbin | |||
Art Direction by | |||
| Marie Kordus | |||
Set Decoration by | |||
| Linda Pearl | |||
Costume Design by | |||
| Jack Buehler | |||
Makeup Department | |||
| Gigi Williams | .... | hair stylist | |
| Gigi Williams | .... | makeup artist | |
Production Management | |||
| Mark Radcliffe | .... | production manager | |
Art Department | |||
| Mark Toepfer | .... | assistant art director | |
Sound Department | |||
| Rhonda Baer | .... | boom operator | |
| J.A. Markovitch | .... | sound mixer: concert sound | |
| Michael C. Moore | .... | sound mixer | |
Special Effects by | |||
| Frank DeMarco | .... | special effects | |
| Roger George | .... | special effects | |
Stunts | |||
| Ann Chatterton | .... | stunts | |
| Debbie Evans | .... | stunts | |
| Jack Gill | .... | stunts | |
| John Hateley | .... | stunts (as John Hately) | |
| Kay Kimler | .... | stunts | |
Camera and Electrical Department | |||
| Carin Abramson | .... | still photographer | |
| Chris Brightman | .... | grip | |
| Clyde E. Bryan | .... | camera operator: second unit (as Clyde Bryan) | |
| Scott Buttfield | .... | electrician | |
| Steve Caldwell | .... | grip | |
| Mark Shane Davis | .... | gaffer (as Mark Davis) | |
| Tim Doughton | .... | grip | |
| Paul Elliott | .... | assistant camera | |
| Steven Fierberg | .... | electrician | |
| Steve Mathis | .... | best boy | |
| Krishna Rao | .... | assistant camera | |
| Fred Roscolene | .... | key grip | |
| Thomas Vanghele | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Linda M. Bass | .... | assistant wardrobe (as Linda Bass) | |
Editorial Department | |||
| Kent Beyda | .... | assistant editor | |
| Mark Helfrich | .... | assistant editor | |
Music Department | |||
| Jane Alsobrook | .... | music consultant | |
| Jonathan Brett | .... | soundtrack coordinator | |
| Joel Soifer | .... | music re-mix engineer | |
| Phil Spector | .... | music re-mixer | |
| Ed Stasium | .... | musical director: Ramones | |
| Seymour Stein | .... | soundtrack coordinator | |
Transportation Department | |||
| Chris Brightman | .... | driver | |
Other crew | |||
| Susan Arnold | .... | extras coordinator | |
| Rob Bottin | .... | giant mouse creator | |
| Bundy Chanock | .... | set medic | |
| Bruce Frankel | .... | production assistant | |
| Richard Graddis | .... | production assistant | |
| Ernie Guderjahn | .... | extras coordinator | |
| Siana Lee Hale | .... | choreographer | |
| Terry Hutner | .... | production coordinator | |
| Jennifer Radcliffe | .... | production assistant | |
| Jeanne Rosenberg | .... | script supervisor | |
| Michael Silvers | .... | production assistant | |
| James Cameron | .... | production assistant (uncredited) | |
| Gale Anne Hurd | .... | production assistant (uncredited) | |
| Vincent Prentice | .... | co-creator: giant mouse (uncredited) | |
Thanks | |||
| Joe Dante | .... | special thanks | |
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| Pump Up the Volume | Porky's | Fast Times at Ridgemont High | Ghost World | Grease |
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And this is a great rock'n'roll movie in itself. No matter how it evolved (at point being a movie about disco), it ended up as one of the ultimate movies in which kids want to rock out, but the principal stands in their way. Think back to those rock'n'roll movies of the 50's in which the day is saved when Alan Freed comes to town with Chuck Berry to prove that Rock & Roll Music is really cool and safe for the kids, and Tuesday Weld gets a new sweater for the dance. Forward to the 1979, repeat the same plot, but throw in DA RAMONES, whom no one then realized would become one of the most influential bands of the next quarter century (and then for the obligatory DJ guest shot, "The Real" Don Steele). Throw in, too, all the elements of a Roger Corman-produced comedy-exploitation film, except for the two-day shooting schedule, some of the familiar Corman repertory players like Clint Howard, Mary Wournow and Dick Miller (there since "Bucket of Blood"), and you've got one of the great stoopid movies of the day. One of the few films that uses deliberate cheesiness and gets away with it. I showed the new DVD to a friend who could only remember seeing parts of it through a stoner- induced haze at the drive-in, and he agreed that this is one of the great movies to be watching drunk, not the least for the lovely leading ladies and the great Ramones footage.