The pavilion was to be razed after filming was complete. 'Robert Altman' had developed an affection for the silk-screened glass panels that he had used to heighten the lost-world sense of the movie's setting. He salvaged the 44 panels and for a time displayed them at his Lion's Gate studio. When he and his wife found an apartment in Manhattan in 1984, about a dozen of the panels - some as tall as 18 feet - became the dominant decorative feature. (The history of the panels and the apartment, with photos, became an article in the March 1990 issue of "Architectural Digest", preserved online at http://www.sopot.org/altmanresidence.pdf.)
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