Norma Rae (1979)

User Rating:

7.2/10   

Director:

Martin Ritt

Writers:

Harriet Frank Jr. (writer)
Irving Ravetch (writer)

Release Date:

4 June 1979 (Denmark)

Genre:

Drama

Tagline:

The story of a woman with the courage to risk everything for what she believes is right.

Plot:

A young single mother and textile worker agrees to help unionize her mill despite the problems and dangers involved.

Plot Keywords:

Union | Textile Worker | Alabama | Labor Union | Working Conditions

Awards:

Won 2 Oscars. Another 9 wins & 6 nominations

Cast

Sally Field	...	Norma Rae
Beau Bridges	...	Sonny
Ron Leibman	...	Reuben
Pat Hingle	...	Vernon
Barbara Baxley	...	Leona
Gail Strickland	...	Bonnie Mae
Morgan Paull	...	Wayne Billings
Robert Broyles	...	Sam Bolen
John Calvin	...	Ellis Harper
Booth Colman	...	Dr. Watson
Lee de Broux	...	Lujan (as Lee DeBroux)
James Luisi	...	George Benson
Vernon Weddle	...	Reverend Hubbard
Gilbert Green	...	Al Landon
Bob Minor	...	Lucius White

Runtime:

110 min | Canada:96 min (Ontario) | USA:123 min (TCM print)

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Stereo

Certification:

Norway:12 | Iceland:L | Canada:PG (Ontario) | Singapore:PG | Argentina:X (original rating) | Argentina:13 (re-rating) | Australia:PG | Chile:14 | Finland:K-16 | USA:PG | Netherlands:16

Filming Locations:

Auburn, Alabama, USA

Company:

Twentieth Century-Fox Film Corporation

Trivia:

Faye Dunaway turned down the chance to play Norma Rae and instead made The Champ (1979).

Goofs:

Continuity: In the scene in Reuben's hotel room after Norma Rae has been hit, you see her take the ice pack away from her nose. The shot changes and she takes it away a second time.

Quotes:

Norma Rae: Why did you tell him that, we don't even have a dog?

Movie Connections:

Referenced in "October Road.: Best Friend Windows (#1.6)" (2007)

Soundtrack:

It Goes Like It Goes

More than one actress's tour-de-force, an indelible and moving human story

In trying to get the textile mill she and her family work for unionized, Sally Field's Norma Rae Webster also tries to earn self-respect at any cost. She's been leading a dead-end existence: a single mother, still living with her family, sleeping with married men who abuse her. But after being inspired by a union-organizer (Ron Liebman, in an Oscar-worthy supporting performance), Norma Rae is awakened to the possibilities of life, and, what's more, everything that is wrong with the mill that seems to suck the energy and hope from those who stand there day after day trying to earn an honest dollar. There are problems with the picture: Beau Bridges' role as new husband Sonny is treated in a trivial manner (he's supposed to be a voice of reason, but he's too smooth, maybe condescending, and it's an unconvincing character); Oscar-winner Field's fiestiness occasionally feels overdrawn and/or one-note, but in many of the scenes outside the factory she does indeed excel, seeming vibrantly natural and exuberant. Martin Ritt's direction is focused and firmly rooted (he never sugarcoats Norma Rae's character, and sometimes she's not that likable) and the script manages to sidestep preachiness to get its points across entertainingly. The art direction is really the second star of the film: vivid, palpably hot and sweaty, with bits of cotton floating about in the air. The mill in question becomes very familiar to us, as do the people who work there. "Norma Rae" is involved and long, yet it is memorably bittersweet, and with a simple, haunting finish. *** from ****