| Photos (see all 11 | slideshow) | Videos |
| Christopher Plummer | ... | Sherlock Holmes | |
| James Mason | ... | Dr. John H. Watson | |
| David Hemmings | ... | Inspector Foxborough | |
| Susan Clark | ... | Mary Kelly | |
| Anthony Quayle | ... | Sir Charles Warren | |
| John Gielgud | ... | Prime Minister Lord Salisbury | |
| Frank Finlay | ... | Inspector Lestrade | |
| Donald Sutherland | ... | Robert Lees | |
| Geneviève Bujold | ... | Annie Crook | |
| Chris Wiggins | ... | Doctor Hardy | |
| Tedde Moore | ... | Mrs. Lees (as Teddi Moore) | |
| Peter Jonfield | ... | William Slade | |
| Roy Lansford | ... | Sir Thomas Spivey | |
| Catherine Kessler | ... | Carrie | |
| Ron Pember | ... | Makins | |
| June Brown | ... | Anne Chapman | |
| Ken Jones | ... | Dock Guard | |
| Terry Duggan | ... | Danny | |
| Hilary Sesta | ... | Catherine Eddowes | |
| Anthony May | ... | Lanier | |
| Betty Woolfe | ... | Mrs. Dobson | |
| Iris Fry | ... | Elizabeth Stride | |
| Geoffrey Russell | ... | Home Secretary Henry Matthews | |
| Peggy Ann Clifford | ... | Lees' Housekeeper | |
| Ann Mitchell | ... | Jane | |
| Katherine Stark | ... | Molly | |
| Elaine Ives-Cameron | ... | Ellen | |
| Stella Courtney | ... | Betty | |
| Judy Wilson | ... | Emily | |
| Roy Patterson | ... | Carroll | |
| Victor Langley | ... | Prince of Wales | |
| Pamela Abbott | ... | Princess Alexandra | |
| Robin Marchall | ... | Duke of Clarence 'Eddy' | |
| Richard Pescud | ... | Doctor (as Richard Pescuid) | |
| Pat Brackenbury | ... | Nurse | |
| Dan Long | ... | Constable Long | |
| Michael Cashman | ... | Constable Watkins | |
| rest of cast listed alphabetically: | |||
| Peter Dean | ... | Police Constable (uncredited) | |
| Jim McManus | ... | Policeman (uncredited) | |
Directed by | |||
| Bob Clark | |||
Writing credits(in alphabetical order) | ||
| Arthur Conan Doyle | characters | |
| John Hopkins | screenplay | |
| Elwyn Jones | co-author (book "The Ripper File") | |
| John Lloyd | co-author (book "The Ripper File") | |
Produced by | |||
| Bob Clark | .... | producer | |
| René Dupont | .... | producer | |
| Robert A. Goldston | .... | producer | |
| Len Herberman | .... | executive producer | |
Original Music by | |||
| Paul Zaza | |||
| Carl Zittrer | |||
Cinematography by | |||
| Reginald H. Morris | |||
Film Editing by | |||
| Stan Cole | |||
Casting by | |||
| Karen Hazzard | |||
Production Design by | |||
| Harry Pottle | |||
Art Direction by | |||
| Peter Childs | |||
Set Decoration by | |||
| Denise Exshaw | |||
Costume Design by | |||
| Judy Moorcroft | |||
Makeup Department | |||
| Peter Robb-King | .... | makeup artist | |
Production Management | |||
| Peter Davis | .... | production manager: UK | |
| Ted Rouse | .... | production manager: Canada | |
Second Unit Director or Assistant Director | |||
| Ariel Levy | .... | assistant director | |
| Ken Roch | .... | second assistant director | |
| Guy Travers | .... | second assistant director | |
Art Department | |||
| Percy Godbold | .... | production buyer | |
| Adrian Start | .... | art stand-by | |
Sound Department | |||
| David Appleby | .... | sound re-recording mixer (as Dave Appleby) | |
| Dennis Drummond | .... | sound editor | |
| Patrick Drummond | .... | sound editor | |
| Wayne Griffin | .... | sound editor | |
| Joe Grimaldi | .... | sound re-recording mixer | |
| Kenneth Heeley-Ray | .... | supervising sound editor (as Ken Heeley Ray) | |
| John W. Mitchell | .... | sound recordist (as John Mitchell) | |
| Don White | .... | foley recording mixer | |
Special Effects by | |||
| Michael Albrechtsen | .... | special effects | |
Visual Effects by | |||
| Cliff Culley | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| Maurice Gillett | .... | gaffer | |
| Jimmy Turrell | .... | camera operator (as James Turrell) | |
| David Wynn-Jones | .... | focus puller (uncredited) | |
Costume and Wardrobe Department | |||
| Ron Beck | .... | wardrobe supervisor | |
Editorial Department | |||
| Ian McBride | .... | assistant editor | |
Music Department | |||
| Frank Morrone | .... | music recordist | |
Other crew | |||
| Marilyn Clarke | .... | production coordinator | |
| S.C. Dacy | .... | publicist | |
| Robert A. Goldston | .... | presenter | |
| Bob Halliday | .... | police liaison | |
| Marjorie Lavelly | .... | continuity | |
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| From Hell | Jack the Ripper | A Study in Terror | Jack el destripador de Londres | The Phantom of the Opera |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb UK section |
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"Murder By Decree" is the ultimate meeting between the two greatest figures of Victorian mystery: Sherlock Holmes and Jack the Ripper. There have been other meetings between the two (including a terrible novel in which Holmes WAS the Ripper), but none quite as satisfying to devotees of both Holmes and the Ripper case.
There is widespread speculation, among those of us who consider Sherlock Holmes a very real person, as to his possible role in investigating the Jack the Ripper murders of 1888. Given Holmes's passion for unsolved mysteries, it seems unlikely that he would not have taken up the Ripper case. And if he did, it seems very unlikely that Holmes would NOT have solved it. So why does the Ripper's identity remain a mystery? Is the Ripper case one of those "unpublished" cases that Dr. Watson occasionally refers to in the Sherlock Holmes stories? If so, who did Watson choose not to publish an account of Holmes's involvement in the Ripper investigation.
"Murder By Decree" answers these questions with true Holmesian style. Christopher Plummer, as Holmes, is a deductive reasoner with an ounce of compassion and a sharp sense of justice. James Mason, as Watson, is not a bungler but an active, intelligent aide to Holmes's investigation. And we have scenes that are mainstays of the classic Holmes tales, including the chase through dark, foggy, gaslit streets, and a visit by hansom cab to a dark foreboding asylum, which resembles Baskerville Hall.
And then there's the Ripper, the ultimate unsolved mystery. The movie places Holmes among real-life characters in the Ripper drama, such as Charles Warren, Robert Lees, Mary Kelly, Annie Crook, and Prime Minister Lord Salisbury. It re-creates the murder scenes with historical accuracy. It shows us the East End as it was (and more or less still is): A horrific maze of alleys that is the perfect stalking ground for a predator like the Ripper. The shots from the Ripper's POV, moving through a maze of dark, foggy alleys, accompanied by ominous footsteps and heavy breathing, are particularly scary. This air of mystery surrounding this unknown fiend is partially why the Ripper murders are remembered even today.
The movie takes one of the more imaginative Ripper theories (the "Prince Eddy/Annie Crook" conspiracy) as its explanation for why Holmes and Watson kept silent about their involvement in the case. The movie becomes exceptional when Holmes himself becomes a victim of the conspirators. Holmes discovers to his horror that his deductive reasoning has been used. The conspirators have purposely set him on the Ripper's trail, knowing that he will lead them to the elusive Mary Kelly, who becomes the Ripper's last victim.
Is the "Annie Crook" theory true? Probably not, but it still refuses to die. (The NEXT Ripper movie, "From Hell" starring Johnny Depp, uses the "Annie Crook" theory as its base.) But who cares if it's fiction! It's STILL a terrific "conspiracy theory." And it makes for a case worthy of Holmes, one which he solves but cannot win. He stops the conspirators, but emerges from the case outraged and grief-stricken over having led the murderers to Mary Kelly. A more flawed, more human Holmes we have rarely seen, outside of Jeremy Brett.
But Watson reminds Holmes that Mary Kelly died willingly to protect the bastard child of Annie Crook and Prince Eddy, the source of the Ripper conspiracy. And Holmes, through his investigation of the conspiracy, has insured the child's safety. There is still decency in the world. The closing credits, played to music from Holmes's violin, give a sense that, with the Ripper nightmare over, Holmes and the city of London will emerge into the light once more.