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Meetings with Remarkable Men (1979)
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Overview
User Rating:
Director:
Writers:
Release Date:
14 November 1979 (France)
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Plot:
The story of G.I. Gurdjieff an Asian mystic who after a lifetimes study developed a form of meditation incorporating modern dance. full summary | add synopsis
Plot Keywords:
Awards:
1 nomination
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User Comments:
A pathetic piece of unquestioning and gullible cinematic adulation of a very questionable figure in the history of pseudo-religious groups
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Cast
(Credited cast)| Grégoire Aslan | ... | Armenian Priest / Le prêtre arménien | |
| Martin Benson | ... | Dr. Ivanov | |
| Colin Blakely | ... | Tamil | |
| Mikica Dimitrijevic | ... | Young Gurdjieff | |
| Kudsi Ergüner | |||
| Cimenli Fahrettin | |||
| Tom Fleming | ... | Father Giovanni | |
| Athol Fugard | ... | Professor Skridlov | |
| Marius Goring | |||
| Nigel Greaves | |||
| Constantine Gregory | ... | Captain (as Constantin de Goguel) | |
| Malcolm Hayes | ... | Teacher | |
| Paul Henley | |||
| Ian Hogg | ... | Monk | |
| Mitchell Horner | |||
| Fahro Konjhodzic | ... | Soloviev | |
| Ahmet Kutbay | |||
| Roger Lloyd-Pack | ... | Pavlov | |
| Dragan Maksimovic | ... | G.I. Gurdjieff | |
| David Markham | ... | Dean Borsh | |
| Warren Mitchell | ... | Gurdjieff's Father | |
| Abbas Moayeri | |||
| Bruce Myers | ... | Yelov | |
| Natasha Parry | ... | Vitvitskaia | |
| Oscar Peck | |||
| Bruce Purchase | ... | Father Maxim | |
| Fabijan Sovagovic | ... | Dervish | |
| Terence Stamp | ... | Prince Lubovedsky | |
| Donald Sumpter | ... | Pogossian | |
| Gerry Sundquist | ... | Karpenko | |
| Sami Tahasuni | ... | Bogga Eddin | |
| Alan Tilvern | |||
| Tony Vogel | |||
| Jeremy Wilkin | ... | Artillery Officer | |
| Ben Zimet |
Additional Details
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Runtime:
108 min
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Language:
Color:
Color (Eastmancolor)
Aspect Ratio:
1.85 : 1 more
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Fun Stuff
Trivia:
Last film of Grégoire Aslan.
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Quotes:
Young Gurdjieff:
When we die, Father, is nothing left?
Gurdjieff's Father: [after a thoughtful pause] How should I put it? Some people say they have a soul that goes on living when we are dead, but I don't believe this... and yet I am certain beyond all doubt that through certain experiences, we can develop a very fine substance within ourselves. When we die, this substamce does not die at the same time... much later.
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Gurdjieff's Father: [after a thoughtful pause] How should I put it? Some people say they have a soul that goes on living when we are dead, but I don't believe this... and yet I am certain beyond all doubt that through certain experiences, we can develop a very fine substance within ourselves. When we die, this substamce does not die at the same time... much later.
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I find it disconcerting that in an era when satisfying and fulfilling spirituality is unknown and we are all scattered across the whole spectrum of possible beliefs, that a charlatan and fraud of Gurdjieff's caliber (as a charlatan, he is exceptional; there is no denying he had a special gift. It's a pity he misused it, though, for the aggrandizement of his wounded ego, feeding on the adulation of unwary sheep who were at his beck and call and in awe of him) can inspire such extreme adherence and credulity. This movie presents an idealized version of Gurdjieff's own largely fictional and fantastic account of his formation and "awakening" (which I would rather describe as his discovery of how much he could sway the minds and wills of certain types of sadly disoriented people). See it, if you dare to have a disagreeable eye-opening about how sadly deprived we are of true religious leaders, to the extent that a clown like Gurdjieff could inspire such devotion - and be careful to have your blood pressure medicine at hand if you are one of those who still hope for a healthy religion to emerge from the ruins of Christianity, as a supreme example of cinematography at the entire service of the premises and pretenses of a dysfunctional cult.