| Videos (see all 8 NEW) |
| Woody Allen | ... | Isaac | |
| Diane Keaton | ... | Mary | |
| Michael Murphy | ... | Yale | |
| Mariel Hemingway | ... | Tracy | |
| Meryl Streep | ... | Jill | |
| Anne Byrne Hoffman | ... | Emily (as Anne Byrne) | |
| Karen Ludwig | ... | Connie | |
| Michael O'Donoghue | ... | Dennis | |
| Victor Truro | ... | Party Guest | |
| Tisa Farrow | ... | Party Guest | |
| Helen Hanft | ... | Party Guest | |
| Bella Abzug | ... | Guest of Honor | |
| Gary Weis | ... | Television Director | |
| Kenny Vance | ... | Television Producer | |
| Charles Levin | ... | Television Actor #1 | |
| Karen Allen | ... | Television Actor #2 | |
| David Rasche | ... | Television Actor #3 | |
| Damion Scheller | ... | Isaac's Son | |
| Wallace Shawn | ... | Jeremiah | |
| Mark Linn-Baker | ... | Shakespearean Actor (as Mary Linn Baker) | |
| Frances Conroy | ... | Shakespearean Actress | |
| Bill Anthony | ... | Porsche Owner #1 | |
| John Doumanian | ... | Porsche Owner #2 | |
| Raymond Serra | ... | Pizzeria Waiter (as Ray Serra) |
Directed by | |||
| Woody Allen | |||
Writing credits | ||
| Woody Allen | (written by) and | |
| Marshall Brickman | (written by) | |
Produced by | |||
| Robert Greenhut | .... | executive producer | |
| Charles H. Joffe | .... | producer | |
| Jack Rollins | .... | producer (as A Jack Rollins-Charles H. Joffe Production) | |
Cinematography by | |||
| Gordon Willis | (director of photography) | ||
Film Editing by | |||
| Susan E. Morse | |||
Casting by | |||
| Juliet Taylor | |||
Production Design by | |||
| Mel Bourne | |||
Set Decoration by | |||
| Robert Drumheller | |||
Costume Design by | |||
| Albert Wolsky | |||
Makeup Department | |||
| Fern Buchner | .... | makeup artist | |
| Romaine Greene | .... | hair stylist | |
| Craig Lyman | .... | additional makeup artist (uncredited) | |
Production Management | |||
| Martin Danzig | .... | production manager | |
| Michael Peyser | .... | unit supervisor | |
Second Unit Director or Assistant Director | |||
| Frederic B. Blankfein | .... | assistant director | |
| Lewis Gould | .... | dga trainee (as Lewis H. Gould) | |
| Joan Van Horn | .... | second assistant director (as Joan Spiegel Feinstein) | |
Art Department | |||
| Joseph Badalucco Jr. | .... | carpenter (as Joseph Badaluco) | |
| Leslie Bloom | .... | property master | |
| Justin Scoppa Jr. | .... | set dresser | |
| Cosmo Sorice | .... | scenic artist | |
| James Sorice | .... | scenic artist | |
| Morris Weinman | .... | set dresser | |
Sound Department | |||
| Jack Higgins | .... | re-recording mixer | |
| Vito L. Ilardi | .... | boom man (as Vito Ilardi) | |
| Lowell Mate | .... | assistant sound editor | |
| James Sabat | .... | sound mixer | |
| Dan Sable | .... | sound editor | |
Stunts | |||
| Victoria Vanderkloot | .... | stunt performer (uncredited) | |
Camera and Electrical Department | |||
| Brian Hamill | .... | still photographer | |
| Jim Hovey | .... | assistant cameraman (as James Hovey) | |
| Fred Schuler | .... | camera operator | |
| Dusty Wallace | .... | gaffer | |
| Robert Ward | .... | key grip | |
| Douglas C. Hart | .... | first assistant camera: "b" camera (uncredited) | |
| Robert Paone | .... | second assistant camera (uncredited) | |
Casting Department | |||
| Howard Feuer | .... | casting associate | |
| Jeremy Ritzer | .... | casting associate | |
Costume and Wardrobe Department | |||
| Clifford Capone | .... | costumer | |
| C.J. Donnelly | .... | wardrobe supervisor | |
Editorial Department | |||
| Michael R. Miller | .... | assistant film editor | |
Music Department | |||
| The Buffalo Philharmonic | .... | performers: "But Not for Me" | |
| George Gershwin | .... | music by | |
| Bud Graham | .... | music recording engineer | |
| Andrew Kazdin | .... | audio producer: New York Philharmonic | |
| Ray Moore | .... | music recording engineer | |
| Tom Pierson | .... | music adapted by | |
| Tom Pierson | .... | music arranged by | |
| Don Rose | .... | music arranger: Buffalo Philharmonic | |
Transportation Department | |||
| James Fanning | .... | transportation captain | |
Other crew | |||
| Kay Chapin | .... | script supervisor | |
| Cheryl Hill | .... | production assistant | |
| Scott MacDonough | .... | unit publicist | |
| Kathleen McGill | .... | location auditor | |
| Jennifer Ogden | .... | production office coordinator | |
| Gail Sicilia | .... | assistant: Mr. Allen | |
| Robert E. Warren | .... | production assistant | |
| Charles Zalben | .... | production assistant | |
| Dennis Kear | .... | stand-in: Woody Allen (uncredited) | |
Thanks | |||
| Paul Glanzman | .... | the producers gratefully acknowledge the cooperation of (as Lieutenant Paul Glanzman) | |
| Edward I. Koch | .... | the producers gratefully acknowledge the cooperation of (as Mayor Ed Koch) | |
| Nancy Littlefield | .... | the producers gratefully acknowledge the cooperation of | |
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| Annie Hall | The Nanny Diaries | Anything Else | Sideways | The Devil Wears Prada |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Comedy section |
| IMDb USA section | Add this title to MyMovies |
'Manhattan' looks beautiful in black and white. It is definitely Woody Allen's best. Two years after 'Annie Hall' we have Woody Allen and Diane Keaton together again. Allen plays Isaac who is dating the 17-year old Tracy (Mariel Hemingway). He has a friend, the married Yale (Michael Murphy), who is having an affair with Mary (Diane Keaton). Isaac falls in love with Mary and stops seeing Tracy to start things with Mary. In a sub-plot we have the ex-wife of Isaac publishing a book about their sex-life. Now she is living with a woman. The ex-wife Jill is played by Meryl Streep. Her appearances are short and not very often but she is more than great in her scenes.
'Manhattan' is even better than the great 'Annie Hall'. The black and white cinematograpy, done with a good reason, gives a little extra to the movie. Like I said Streep is terrific and so are Allen, Keaton and especially Hemingway (she was nominated for an Oscar). The monologues Allen had in 'Annie Hall' are still present, smart, interesting and funny. A great story, very intelligent, of course written (and directed) by Woody Allen himself.