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Directed by | |||
| George Miller | |||
Writing credits | ||
| George Miller | (story) and | |
| Byron Kennedy | (story) | |
| James McCausland | (screenplay) and | |
| George Miller | (screenplay) | |
Produced by | |||
| Byron Kennedy | .... | producer | |
| Bill Miller | .... | associate producer | |
Original Music by | |||
| Brian May | |||
Cinematography by | |||
| David Eggby | |||
Film Editing by | |||
| Cliff Hayes | |||
| Tony Paterson | |||
Casting by | |||
| Mitch Consultancy | |||
Art Direction by | |||
| Jon Dowding | |||
Costume Design by | |||
| Clare Griffin | |||
Makeup Department | |||
| Vivien Mepham | .... | makeup artist (as Viv Mephan) | |
| Ben Taylor | .... | hair stylist | |
Production Management | |||
| John Hipwell | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Steve Connard | .... | second assistant director | |
| Ian Goddard | .... | first assistant director | |
| Des Sheridan | .... | third assistant director | |
Art Department | |||
| Steve Amezdroz | .... | assistant art director | |
| Richard Francis | .... | props | |
| Frank Matich | .... | helmets | |
Sound Department | |||
| Ned Dawson | .... | sound effects | |
| Roger Savage | .... | post-production sound | |
| Mark J. Wasiutak | .... | boom operator (as Mark Wasiutak) | |
| Gary Wilkins | .... | sound recordist | |
Special Effects by | |||
| Chris Murray | .... | special effects | |
Visual Effects by | |||
| Richard Wilmot | .... | optical effects operator (uncredited) | |
Stunts | |||
| Chris Anderson | .... | stunts | |
| Dale Bensch | .... | stunts | |
| David Bracks | .... | stunts | |
| Phil Brock | .... | stunts | |
| Michael Daniels | .... | stunts | |
| Gerry Gauslaa | .... | stunts | |
| Terry Gibson | .... | stunts | |
| George Novak | .... | stunts | |
| Grant Page | .... | stunt coordinator | |
| Grant Page | .... | stunts | |
Camera and Electrical Department | |||
| David Cassar | .... | grip | |
| Lindsay Foote | .... | gaffer | |
| Harry Glynatsis | .... | assistant camera | |
| Noel McDonald | .... | grip | |
| Garry Plunkett | .... | best boy | |
| Tim Smart | .... | clapper loader | |
| Tim Smart | .... | photographer: second unit | |
| Chic Stringer | .... | still photographer | |
Costume and Wardrobe Department | |||
| Merran Kingsford-Smith | .... | wardrobe | |
Editorial Department | |||
| Margaret Cardin | .... | negative cutter | |
Music Department | |||
| Nic Gazzana | .... | cabaret music | |
| Brian May | .... | conductor | |
Other crew | |||
| Shirley Ballard | .... | script supervisor | |
| Stuart Beatty | .... | traffic supervisor | |
| Ray Beckerley | .... | vehicle designer | |
| Tom Broadbridge | .... | production assistant | |
| Jenny Day | .... | production coordinator | |
| Bill Gooley | .... | laboratory consultant | |
| Noel L. Harman | .... | financial consultant | |
| Andrew Jones | .... | traffic supervisor | |
| Stephen O'Hare | .... | truck coordinator | |
| Robert Orchard | .... | mechanic | |
| Bill Owen | .... | titler | |
| Clive Rowell | .... | mechanic | |
| Murray Smith | .... | mechanic | |
| Lex Glouchewera | .... | engineer (uncredited) | |
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In spite of the fact that the 1981 film The Road Warriorthe second influential cinematic work of writer/director George Miller's Dystopian vision of the near future trilogyleads to receive the anti-hero Max, released two years earlier, is where it all started For it was here that Miller first brought to the screen his hellish vision, where civil society is under siege by crime and disorder, with the strength and charisma of a new young, tough, good looking actor by the name of Mel Gibson
Gibson was just 23 years old when he took the role of Max Rockatanskya young hotshot cop so emotionally woundedand was such an unknown star that when the film was hitting the screens in the States, the preview trailers didn't even mentioned him but instead focused on the movie's coolest and most original car action ever filmed In retrospect, of course, Gibson's portrayal of a relentless vigilante is an essential element of the picture
In the Australian outback, Rockatansky is a motorcycle cop trying to keep order in a quickly disintegrating society Vicious lawless bikers and road-raging psychopaths race up and down the forbidden territories, raping and pillaging the peaceful towns, and one such bunch ends up at the door of Max's wife (Joanne Samuel), and their 2-year old son When they are both lying dead in middle of the road, Max is all driven over the edge, and so starts a high-speed pursuit involving wild rides, chilling fights, and memorable fast-motion suspenseful scenes rarely equaled in cinema