| Videos |
| Laurence Olivier | ... | Julius | |
| Diane Lane | ... | Lauren King | |
| Thelonious Bernard | ... | Daniel Michon | |
| Arthur Hill | ... | Richard King | |
| Sally Kellerman | ... | Kay King | |
| Broderick Crawford | ... | Himself | |
| David Dukes | ... | George de Marco | |
| Andrew Duncan | ... | Bob Duryea | |
| Claudette Sutherland | ... | Janet Duryea | |
| Graham Fletcher-Cook | ... | Londet | |
| Ashby Semple | ... | Natalie Woodstein | |
| Claude Brosset | ... | Michel Michon | |
| Jacques Maury | ... | Inspector Leclerc | |
| Anna Massey | ... | Ms. Siegel | |
| Peter Maloney | ... | Martin | |
| Dominique Lavanant | ... | Mme. Cormier | |
| Mike Marshall | ... | 1st Assistant Director | |
| Michel Bardinet | ... | French Ambassador | |
| David Gabison | ... | French Representative (as Alain David Gabison) | |
| Isabel Duby | ... | Monique | |
| Geoffrey Carey | ... | Make-up Man (as Jeffrey Carey) | |
| John Pepper | ... | 2nd Assistant Director | |
| Denise Glaser | ... | Woman Critic | |
| Jeanne Herviale | ... | Woman in Metro Station | |
| Carlo Lastricati | ... | Tour Guide | |
| Judith Mullen | ... | Richard's Secretary | |
| Philippe Brigaud | ... | Theater Manager | |
| Lucienne Legrand | ... | Theater Cashier |
Directed by | |||
| George Roy Hill | |||
Writing credits | ||
| Claude Klotz | (novel "E=MC2 mon amour") (as Patrick Cauvin) | |
| Allan Burns | (screenplay) | |
| George Roy Hill | (dialogue) uncredited | |
Produced by | |||
| Robert Crawford Jr. | .... | producer (as Robert L. Crawford) | |
| Patrick Kelley | .... | executive producer | |
| Yves Rousset-Rouard | .... | producer | |
Original Music by | |||
| Georges Delerue | |||
Cinematography by | |||
| Pierre-William Glenn | (as Pierre William Glenn) | ||
Film Editing by | |||
| William Reynolds | |||
Casting by | |||
| Margot Capelier | |||
| Marion Dougherty | |||
| Gille Schneider | |||
| Claudine Stora | |||
Production Design by | |||
| Henry Bumstead | |||
Art Direction by | |||
| François de Lamothe | |||
Set Decoration by | |||
| Robert Christidès | (as Robert Christides) | ||
Costume Design by | |||
| Rosine Delamare | |||
Makeup Department | |||
| Françoise Andrejka | .... | makeup artist | |
| Jean-Pierre Berroyer | .... | hair stylist | |
| Jean-Michel | .... | hair stylist | |
| Eric Muller | .... | makeup artist | |
Production Management | |||
| Jean-Patrick Constantini | .... | unit manager | |
| Ludmilla Goulian | .... | production manager | |
| Michel Nicolini | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Bruno Cortini | .... | second assistant director: Italy | |
| Carlo Lastricati | .... | first assistant director | |
| John Pepper | .... | second assistant director | |
Sound Department | |||
| Michel Desrois | .... | sound | |
| Jean-Pierre Lelong | .... | sound effects | |
| Alex Pront | .... | sound re-recording mixer | |
| Jean-Bernard Thomasson | .... | boom operator | |
Camera and Electrical Department | |||
| Albert Bonomi | .... | key grip | |
| Jean-Francis Gondre | .... | camera operator (as Jean-François Gondre) | |
| Pascal Lebeque | .... | assistant camera | |
| Rene Rochera | .... | gaffer | |
| Victor Rodrigue | .... | still photographer | |
| Jean-Claude Vicquery | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Jeanne Vergne | .... | costumer (as Jeannine Vergne) | |
Editorial Department | |||
| Claudine Bouché | .... | editorial associate | |
| Michael E. Polakow | .... | assistant film editor (as Michael Polakow) | |
| Annick Rousset-Rouard | .... | assistant film editor | |
| George A. Martin | .... | assistant editor (uncredited) | |
Music Department | |||
| Georges Delerue | .... | conductor | |
Other crew | |||
| Nestore Baratella | .... | accountant: Italy | |
| Nicole Cateux | .... | auditor | |
| Gastone De Mattia | .... | location manager: Italy | |
| Anna Grizi | .... | location manager: Italy | |
| Lucie Lichtig | .... | script supervisor | |
| Judith Mullen | .... | production secretary | |
| Claudio Vinale | .... | location manager: Italy | |
| Yannoulla Wakefield | .... | production executive | |
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One of the finest movies I have ever seen. Let no one ever again say that intelligent movies can't be deeply moving, spiritual, and just plain fun.
I was utterly stupefied at the seamless way this movie exposes the spiritual landscape. I'm really at a loss to explain this movie in the normal way one speaks of theatrical productions; in terms of components, like writing, direction, acting, etc. This movie was marvelously "of a piece", which is very, very relaxing and refreshing. Analyzing it would feel like dissecting a living thing, which I won't do.
Just one of the gems: This movie makes perfectly plain the essential role of familial love for the full and timely flowering of romantic love. At a time when people are accused of ascribing to movies an inordinate responsibility for social conditions, this movie reminds you why it might be reasonable to do so. It can be fairly well depended upon to stand as a model for father-daughter love, true husbandry under difficult circumstances (a spiritually impoverished mother), and exploring your first love.
And there are lots and lots and lots of other gems in this movie. There's sweet chaos, Sir Laurence Olivier, an excellent balance of English and subtitled native speech, a truly fine and unaffected portrayal of European life, and on and on and on. SEE THIS MOVIE!