| William Smith | ... | Lonnie 'Lucky Man' Johnson | |
| Claudia Jennings | ... | Sammy | |
| John Saxon | ... | Phil Adamson | |
| Nicholas Campbell | ... | Billy 'The Kid' Brocker | |
| Don Francks | ... | Elder | |
| Cedric Smith | ... | Gary 'The Blacksmith' Black | |
| Judy Foster | ... | Candy | |
| Robert Haley | ... | P.J. | |
| George Buza | ... | Meatball | |
| David Graham | ... | Stoner | |
| David Petersen | ... | Slezak | |
| Chuck Chandler | ... | Edmonton Track Announcer | |
| Cheri Hilsabeck | ... | Hitchhiker | |
| Sonya Ratke | ... | Hitchhiker | |
| Michael Bell | ... | Chuck Randall | |
| Douglas Main | ... | TV Newscaster | |
| Patricia Goodwin | ... | New Miss Fastco | |
| L. Peter Feldman | ... | Security Guard | |
| Graham Light | ... | Track Official | |
| Fred Hodgson | ... | TV Camera Crew | |
| Michael Ouellette | ... | TV Camera Crew | |
| Trevor Yacyshyn | ... | Hot Rodder | |
| Jerry Knowles | ... | Track Starter | |
| rest of cast listed alphabetically: | |||
| Neil Dainard | |||
| Robert Hill | |||
Directed by | |||
| David Cronenberg | |||
Writing credits(in alphabetical order) | ||
| Nicholas Campbell | screenplay | |
| David Cronenberg | writer | |
| Phil Savath | writer | |
| Courtney Smith | writer | |
| Alan Treen | story | |
Produced by | |||
| Michael Lebowitz | .... | producer | |
| Peter O'Brian | .... | producer | |
| David Perlmutter | .... | executive producer | |
| Phil Savath | .... | producer | |
| Courtney Smith | .... | producer | |
Original Music by | |||
| Fred Mollin | |||
Cinematography by | |||
| Mark Irwin | |||
Film Editing by | |||
| Ronald Sanders | |||
Casting by | |||
| Gail Carr | |||
Art Direction by | |||
| Carol Spier | |||
Costume Design by | |||
| Delphine White | |||
Makeup Department | |||
| Jan Newman | .... | makeup artist | |
Production Management | |||
| Caryl Brandt | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jim Kaufman | .... | first assistant director (as James Kaufman) | |
| Jim Long | .... | second assistant director | |
Art Department | |||
| Richard D. Wright | .... | property master | |
Sound Department | |||
| Gary C. Bourgeois | .... | sound re-recording mixer | |
| Terry Burke | .... | sound effects editor | |
| Bryan Day | .... | sound recordist | |
| Andy Malcolm | .... | foley artist (uncredited) | |
Special Effects by | |||
| Tom Fisher | .... | special effects | |
Stunts | |||
| Phil Adams | .... | stunts | |
| Mark Damien | .... | stunts | |
Casting Department | |||
| Bette Chadwick | .... | additional casting | |
Costume and Wardrobe Department | |||
| Wendy Partridge | .... | assistant wardrobe | |
| Madeleine Stewart | .... | assistant wardrobe | |
Editorial Department | |||
| Vaughan Killin | .... | color timer | |
| Gillian Macintosh | .... | post-production assistant | |
| Arnie Stewart | .... | assistant editor | |
| Carolyn Zeifman | .... | synching editor | |
Transportation Department | |||
| Gordie Bonin | .... | race driver | |
| Roy Johnson | .... | transportation captain | |
| Bob Papirnick | .... | race driver | |
Other crew | |||
| Linda Brestich | .... | secretary | |
| Sherry Cohen | .... | location manager | |
| Linda Farmer | .... | production secretary | |
| Isabelle Foord | .... | production assistant | |
| Geoff Goodwin | .... | racing coordinator | |
| Shirley Granger | .... | production accountant | |
| Margaret Hanly | .... | continuity | |
| Graham Light | .... | technical advisor | |
| Gail McGregor | .... | unit publicist | |
| Richard Mead | .... | production assistant | |
| Bob Murphy | .... | production assistant | |
| Walley Protz | .... | technical advisor | |
| Jerry Verheul | .... | racing coordinator | |
| Recent Posts (updated daily) | User |
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| DVD in april | Patrick Duffy |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Canada section |
| Add this title to MyMovies |
Okay it's not the world's greatest movie, or even the greatest movie ever made about drag racing (that would probably be 'Heart Like A Wheel') but it does have its moments and there was a lot of effort put in to ensure the technical side of things was correct. Filmed entirely in Canada around Canadian dragstrips there is a sense of what life on the road is really like. Yes the characters are rather one dimensional - good guys wear white, bad guys wear black and snarl a lot, and the stunts do look like the camera was over-cranked but any true car fan will find it holds their interest, the first time anyway. Especially if you think of it more as a documentary than a movie. Plus the cars and female leads look great. I agree the ending is lousy though.