| Franca Mai | ... | Elisabeth (as Franka Mai) | |
| Brigitte Lahaie | ... | Eva | |
| Jean-Marie Lemaire | ... | Marc / Mark | |
| Fanny Magier | ... | Hélène | |
| Muriel Montossé | ... | Anita | |
| Sophie Noël | ... | Sylvie | |
| Evelyne Thomas | ... | Dominique | |
| Agnès Bert | |||
| Cyril Val | ... | Un Apache (as Alain Plumey) | |
| Myriam Watteau | ... | La femme apache | |
| Joe de Palmer | ... | Un Apache (as Joe de Lara) | |
| Jacques Sansoul | |||
| rest of cast listed alphabetically: | |||
| Jacques Marbeuf | ... | Le docteur (uncredited) | |
Directed by | |||
| Jean Rollin | |||
Writing credits(in alphabetical order) | ||
| Jean Rollin | writer | |
Produced by | |||
| Joe de Palmer | .... | producer (as Joe de Lara) | |
Original Music by | |||
| Philippe d' Aram | |||
Cinematography by | |||
| Georgie Fromentin | |||
Film Editing by | |||
| Dominique Saint-Cyr | |||
Makeup Department | |||
| Eric Pierre | .... | makeup artist | |
Production Management | |||
| Christine Renaud | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Nathalie Perrey | .... | assistant director (as Natalie Perrey) | |
| Jean-Pierre Bouyxou | .... | assistant director: preproduction (uncredited) | |
Sound Department | |||
| Philippe Penot | .... | foley artist | |
| René Penot | .... | foley artist | |
Camera and Electrical Department | |||
| Etienne Jourdan | .... | electrician | |
Other crew | |||
| Jean-Noël Delamare | .... | title designer (as Jean-Noël Delamarre) | |
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| Gia | Les démoniaques | Les cauchemars naissent la nuit | Choses secrètes | La novia ensangrentada |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
| Add this title to MyMovies |
Director Rollin once again plays out his obsessions in this tale of a secret society of women who lure men to their castle for blood ceremonies at midnight. Beautiful French countrysides, gorgeous (frequently nude) women, old castles and erotic horror are what to expect from this exploitation film with aspirations of art. The pace is slow and deliberate with no real escalation of tension as midnight comes and all is revealed. Brigitte Lahaie has real screen presence and is memorable as she stalks a victim carrying a huge scythe. Definitely worth a look as are all of Rollin's films.