| Photos (see all 14 | slideshow) | Videos (see all 4 NEW) |
| Dennis Christopher | ... | Dave | |
| Dennis Quaid | ... | Mike | |
| Daniel Stern | ... | Cyril | |
| Jackie Earle Haley | ... | Moocher | |
| Barbara Barrie | ... | Mom | |
| Paul Dooley | ... | Dad | |
| Robyn Douglass | ... | Katherine | |
| Hart Bochner | ... | Rod | |
| Amy Wright | ... | Nancy | |
| Peter Maloney | ... | Doctor | |
| John Ashton | ... | Mike's Brother | |
| Lisa Shure | ... | French Girl | |
| Jennifer K. Mickel | ... | Girl | |
| P.J. Soles | ... | Suzy (as Pamela Jayne Soles) | |
| David K. Blase | ... | 500 Race Announcer | |
| William S. Armstrong | ... | 500 Race Official | |
| Howard S. Wilcox | ... | 500 Race Official | |
| J.F. Brière | ... | Mr. York (as J.F. Briere) | |
| Carlos Sintes | ... | Italian Rider | |
| Eddy Van Guyse | ... | Italian Rider | |
| Alvin E. Bailey | ... | Stone Cutter | |
| Harold Elgar | ... | Stone Cutter | |
| Floyd E. Todd | ... | Stone Cutter | |
| Robert Woolery | ... | Stone Cutter | |
| Russell E. Freeman | ... | Stone Cutter | |
| Jimmy Grant | ... | Black Student Leader | |
| Gail L. Horton | ... | Fight Spectator | |
| Woody Hueston | ... | Owner of Car Wash | |
| Jennifer F. Nolan | ... | Anthem Singer | |
| Nora Owens | ... | Woman | |
| Douglas Rafferty | ... | Sports Announcer | |
| Bill Ringgenberg | ... | Race Starter | |
| Dr. John W. Ryan | ... | University President | |
| Morris Salzman | ... | Blond Guy | |
| Tom Schwoegler | ... | Team Captain | |
| Mike Silveus | ... | Homecoming Car Kid | |
| rest of cast listed alphabetically: | |||
| Gregg Forrest | ... | (uncredited) | |
| Tom Ohmer | ... | Fraternity Jock (uncredited) | |
Directed by | |||
| Peter Yates | |||
Writing credits | ||
| Steve Tesich | (written by) | |
Produced by | |||
| Art Levinson | .... | associate producer | |
| Peter Yates | .... | produced by | |
Cinematography by | |||
| Matthew F. Leonetti | (director of photography) | ||
Film Editing by | |||
| Cynthia Scheider | |||
Casting by | |||
| Jane Feinberg | |||
| Mike Fenton | |||
Art Direction by | |||
| Patrizia von Brandenstein | (as Patrizia Von Brandenstein) | ||
Set Decoration by | |||
| Lee Poll | |||
Costume Design by | |||
| Betsy Cox | (costumes) | ||
Makeup Department | |||
| Marvin G. Westmore | .... | make up (as Marvin Westmore) | |
Production Management | |||
| Art Levinson | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| William S. Beasley | .... | second assistant director (as Bill Beasley) | |
| Michael Grillo | .... | assistant director (as Mike Grillo) | |
Art Department | |||
| Mark Wade | .... | property master | |
Sound Department | |||
| Bud Alper | .... | sound mixer | |
| Neil L. Kaufman | .... | assistant sound editor | |
| Michael Moyse | .... | sound editor | |
| Dan Sable | .... | sound editor | |
| Theodore Soderberg | .... | rerecording mixer (as Ted Soderberg) | |
| Paul Wells | .... | rerecording mixer | |
| Douglas O. Williams | .... | rerecording mixer | |
| Brydon Baker III | .... | sound (uncredited) | |
Special Effects by | |||
| Ira Anderson Jr. | .... | special effects | |
Stunts | |||
| Conrad E. Palmisano | .... | stunt coordinator | |
| Diamond Farnsworth | .... | stunts (uncredited) | |
| Conrad E. Palmisano | .... | stunt double: Dennis Christopher (uncredited) | |
| Conrad E. Palmisano | .... | stunt double: Dennis Quaid (uncredited) | |
Camera and Electrical Department | |||
| James Glennon | .... | camera operator | |
| John J. Linder | .... | key grip (as John Linder) | |
| Mike Weathers | .... | gaffer | |
Costume and Wardrobe Department | |||
| Victoria Snow | .... | costumer: ladies | |
Editorial Department | |||
| Jonathan Cohen | .... | assistant editor | |
| Jonathan Day | .... | assistant editor | |
Music Department | |||
| Leonard A. Engel | .... | music editor (as Len Engel) | |
| John Neal | .... | scoring mixer | |
| Lionel Newman | .... | conductor | |
| Herbert W. Spencer | .... | orchestration (as Herbert Spencer) | |
| Val Stuart | .... | singer: opera arias | |
| Patrick Williams | .... | music adapted by | |
Transportation Department | |||
| Jerry F. Johnson | .... | transportation coordinator (as Jerry Johnson) | |
Other crew | |||
| William S. Armstrong | .... | technical advisor: "Little 500" | |
| James Koehler | .... | location auditor | |
| Ana Maria Quintana | .... | script supervisor | |
| Elise Rohden | .... | production coordinator | |
| Gary Rybar | .... | bicycle coach | |
| Gary Rybar | .... | bicycle rider | |
| Tom Schwoegler | .... | bicycle coach | |
| Tom Schwoegler | .... | bicycle mechanic | |
| Michael King | .... | location manager (uncredited) | |
| Gary Russell | .... | stand-in (uncredited) | |
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| All Quiet on the Western Front | Friday Night Lights | The Nanny Diaries | Across the Universe | Strangers on a Train |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
| Add this title to MyMovies |
Breaking Away is a picture that is better than the sum of its parts. Oh, its parts are wonderful. The writing is sharp, observant, and funny (It won an Oscar!), the acting is superb (how Paul Dooley was nixed a nomination never mind the award I'll never know), and it is a well shot film. But its charms go even deeper. It is the story of four young men in their late teens, who are staring adulthood in the face after a year of leisure in the "small town" of Bloomington, Indiana, and how they deal with watching successful college kids pass them by. It is also about a young man in search of an identity (including that of a Italian bicycle racer), and of a family that is loving and supportive, almost in spite of itself. All these add up to a richly enjoyable, deeply moving family picture that gives us many moments to treasure (a large number include Paul Dooley as the frustrated and confused, but eventually loving father). Like other sports movies (the lead character races bicycles), it has a contest at the end, and like many much poorer ones, it ends with triumph. But we cheer not only for these immensely likeable "cutters," but for ourselves, for being treated to this bittersweet, touching, and wonderful movie.