Breaking Away (1979)

User Rating:

7.7/10   

Director:

Peter Yates

Writer:

Steve Tesich (written by)

Release Date:

20 July 1979 (USA)

Genre:

Comedy | Drama | Family | Sport

Tagline:

Somewhere between growing up and settling down... [Australia Theatrical]

Plot:

A small-town teen obsessed with the Italian cycling team vies for the affections of a college girl.

Plot Keywords:

Italian | Indiana | Small Town | Cycling | Teen

Awards:

Won Oscar. Another 9 wins & 9 nominations

Cast

Dennis Christopher	...	Dave Stoller
Dennis Quaid	...	Mike
Daniel Stern	...	Cyril
Jackie Earle Haley	...	Moocher
Barbara Barrie	...	Evelyn Stoller
Paul Dooley	...	Raymond Stoller
Robyn Douglass	...	Katherine
Hart Bochner	...	Rod
Amy Wright	...	Nancy
Peter Maloney	...	Doctor
John Ashton	...	Mike's Brother
Lisa Shure	...	French Girl
Jennifer K. Mickel	...	Girl
P.J. Soles	...	Suzy (as Pamela Jayne Soles)
David K. Blase	...	500 Race Announcer

Also Known As:

Bambino (USA) (working title)

Runtime:

100 min

Country:

USA

Language:

English | Italian | French

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Iceland:L | Australia:PG | Canada:PG (Ontario) | Singapore:PG | Argentina:Atp | Chile:TE | Finland:S | Sweden:11 | USA:PG

Filming Locations:

Bloomington, Indiana, USA

Company:

Twentieth Century-Fox Film Corporation

Trivia:

Ranked #8 on the American Film Institute's list of the 10 greatest films in the genre "Sports" in June 2008

Goofs:

Boom mic visible: Visible in the upper corner of a mirror when Dave is talking to his parents in the dining room.

Quotes:

Cyril: You know what I'd like to be? A cartoon of some kind. You know, like when they get hit in the head with a frying pan or something, and their head looks like the frying pan, with the handle and everything? They they just go *booiing*
[shakes head]
Cyril: - and their head comes back to normal? Wouldn't that be great?

Movie Connections:

Referenced in "Gilmore Girls: New and Improved Lorelai (#6.1)" (2005)

Soundtrack:

Symphony No. 4 in A-Major, Opus 90

an important and neglected film

I was nine years old when I first saw 'Breaking Away', and I think the book adaptation may have been the first more-or-less novel-length thing I ever read. My wild enthusiasm after leaving the theatre was similar at the time to my previous reaction to 'Star Wars', a fact that I attribute to the natural electrical charge of the endings of both films.

Of course, a nine-year-old lacks the world experience to empirically understand the central messages of this film, and at the time my primary devotion to it was centered around Dave Stoller's orange Masi racing bike, a thing that I coveted with the passions of a kid on Christmas Eve.

The movie made me mad with bicycle lust, and I frowned on every Huffy I saw at school. I used to draw pictures of Masi, Bianchi and Olmo bikes all the time after seeing this, and I shamelessly begged my parents for an Italian-made, Campagnolo-equipped racer - a futile thing to do, as my parents knew not to purchase something that expensive for a boy who would physically out-grow a pair of Levis within a school year. Ultimately, I was propelled into the worship of Eddy Merckx while all my classmates were digging into their Terry Bradshaw Topps cards, unaware - as I'm positive they still are - of who the hell Eddy Merckx even is.

BUT...'Breaking Away' is not just a bicycle film - not by a long-shot, and I knew it then too, but that just wasn't very important to me at a time when bicycles were all-important.

Despite my youthful energies, I never did pursue bicycle racing,(although I am definitely a touring enthusiast whose passion for Italian-made bicycles has finally seen fruition) but 'Breaking Away' never left me. It was the REST of the film that eventually got to me - and somewhat later in life - when my emotions and experiences with the world ran deeper.

In short, this film explores many strands: the aimlessness of youth colliding with the responsibilities of adulthood; the often heartbreaking romantic fantasies of people who wish they could be something else; lying and cheating and the false nature of gains made through them; the importance of strong family relations and friendships; and life in small-town America - and it does all this with extraordinary craft, honesty and sensitivity. It's beautiful, and more importantly, it is soulful and original. Although certainly dated in appearance, I'll even toss in the cliche that it is *timeless*, because the themes and characters are so.

The characters themselves are all wonderfully brought out by the perfect casting - it's been said here, but the fact that Dennis Christopher never achieved star-status is truly a shame and a waste of a potentially amazing talent. He played the lead role with a believable intensity and a really quite perfect understanding of his character. Dave Stoller's painful self-realization after the Cinzano race was as memorable a job of acting as I can think of. Paul Dooley and Barbara Barry were also wonderful, as were Quaid, Stern and Haley - every one of them created a personality for their characters, both in dialogue and physical reaction. The rest of the cast was likewise fine, each actor doing the best they could with what were sometimes stock roles (the college kids, for example, including Robyn Douglas, the female romantic role)

The direction, story and, most especially, the dialogue were great as well.

I also picked up a love of Mendelssohn and Rossini when I was just a kid after seeing this - the film score was superb, all the while taking the Stanley Kubrick/Woody Allen approach by choosing some choice compositions of a time long past, rather than belabor the audience with the refried horrors so typical of modern film-score composition.

I hope this movie doesn't become a relic - it seems its own sleeper status has kept it shelved over the years. Mention it to just about any American born before 1975, and they'll know what it is, but only in the way I did when I was nine: they'll usually say something like, "oh yeah, the bicycle film! I remember that one", and then they'll likely have little else to say about it, which is a shame. I still whole-heartedly place this movie among my very favorites every time, and I trumpet it whenever I get into discussions with other people about the movies I love.