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Directed by | |||
| Francis Ford Coppola | (as Francis Coppola) | ||
Writing credits | ||
| Joseph Conrad | (novel "Heart of Darkness") uncredited | |
| John Milius | (screenplay) and | |
| Francis Ford Coppola | (screenplay) | |
| Michael Herr | (narration) | |
Produced by | |||
| John Ashley | .... | associate producer | |
| Kim Aubry | .... | producer (version "Apocalypse Now Redux (2001)") | |
| Francis Ford Coppola | .... | producer (as Francis Coppola) | |
| Gray Frederickson | .... | co-producer | |
| Shannon Lail | .... | co-producer (version "Apocalypse Now Redux (2001)") | |
| Eddie Romero | .... | associate producer | |
| Fred Roos | .... | co-producer | |
| Mona Skager | .... | associate producer | |
| Tom Sternberg | .... | co-producer | |
Original Music by | |||
| Carmine Coppola | |||
| Francis Ford Coppola | (as Francis Coppola) | ||
Cinematography by | |||
| Vittorio Storaro | |||
Film Editing by | |||
| Lisa Fruchtman | |||
| Gerald B. Greenberg | |||
| Walter Murch | |||
Casting by | |||
| Terry Liebling | |||
| Vic Ramos | |||
Production Design by | |||
| Dean Tavoularis | |||
Art Direction by | |||
| Angelo P. Graham | (as Angelo Graham) | ||
Set Decoration by | |||
| George R. Nelson | |||
Makeup Department | |||
| Fred C. Blau Jr. | .... | makeup artist | |
| Jack H. Young | .... | makeup artist (as Jack Young) | |
Production Management | |||
| Leon Chooluck | .... | production manager | |
| Barrie M. Osborne | .... | production manager (as Barrie Osborne) | |
Second Unit Director or Assistant Director | |||
| Tony Brandt | .... | additional assistant director | |
| Larry J. Franco | .... | second assistant director | |
| Jerry Ziesmer | .... | assistant director | |
Art Department | |||
| James B. Casey | .... | sculptor (as James Casey) | |
| Roger Dietz | .... | set artist | |
| Gary Fettis | .... | leadman | |
| Willie E. Hunter | .... | assistant property master | |
| John La Salandra | .... | construction coordinator (as John LaSalandra) | |
| Douglas E. Madison | .... | property master (as Doug Madison) | |
| James J. Murakami | .... | assistant art director (as James Murakami) | |
| Thomas L. Roysden | .... | assistant property master (as Tom Roysden) | |
| Robert Scaife | .... | construction foreman (as Bob Scaife) | |
| Tom Shaw Jr. | .... | assistant property master (as Tom Shaw) | |
| Alex Tavoularis | .... | production illustrator | |
| Matt Tomich | .... | assistant property master | |
| Thomas Wright | .... | production illustrator (as Thomas A. Wright) | |
Special Effects by | |||
| Eddie Ayay | .... | special effects | |
| Mario Carmona | .... | special effects | |
| Lawrence J. Cavanaugh | .... | special effects (as Larry Cavanaugh) | |
| Gerald Endler | .... | special effects (as Jerry Endler) | |
| A.D. Flowers | .... | special effects coordinator | |
| John Fraser | .... | special effects | |
| Richard O. Helmer | .... | special effects (as Richard Helmer) | |
| Rudy Liszczak | .... | special effects | |
| Joe Lombardi | .... | special effects coordinator (as Joseph Lombardi) | |
| Ted Martin | .... | special effects | |
| David St. Ana | .... | special effects | |
Stunts | |||
| Steve Boyum | .... | stunts | |
| Joe Finnegan | .... | stunts | |
| Terry Leonard | .... | stunt coordinator (as Terry J. Leonard) | |
| Kerry Rossall | .... | stunts (as Kerry Rossal) | |
| Chuck Waters | .... | stunts | |
| Steven Burnett | .... | stunts (uncredited) | |
| Terry Leonard | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Giuseppe Alberti | .... | assistant camera | |
| Luigi Bernardini | .... | assistant camera (as Rino Bernardini) | |
| Stephen H. Burum | .... | director of photography: second unit | |
| David L. Butler | .... | aerial camera operator (as David Butler) | |
| Rogilio De La Rama | .... | assistant camera | |
| Caleb Deschanel | .... | director of photography: insert | |
| Luciano Galli | .... | gaffer | |
| Chas Gerretsen | .... | still photographer | |
| Efren Lapid | .... | assistant camera | |
| Alfredo Marchetti | .... | key grip | |
| Mauro Marchetti | .... | assistant camera | |
| Hiro Narita | .... | camera operator: insert | |
| David B. Nowell | .... | assistant camera (as David Nowell) | |
| Piero Servo | .... | camera operator: second unit | |
| Enrico Umetelli | .... | camera operator | |
| Josh Weiner | .... | still photographer | |
Casting Department | |||
| Sue Bastian | .... | casting assistant | |
| Heig Beck | .... | casting assistant | |
| Randy Carter | .... | casting: Philippines | |
| Marc Coppola | .... | casting assistant | |
| Éva Gárdos | .... | casting: Montagnard tribesmen (as Eva Gardos) | |
| Ken Metcalfe | .... | casting assistant | |
| Lou Whitehill | .... | casting: Philippines | |
Costume and Wardrobe Department | |||
| Luster Bayless | .... | costumer | |
| Norman A. Burza | .... | costumer (as Norman Burza) | |
| Dennis Fill | .... | costumer (as Dennis M. Fill) | |
| Charles E. James | .... | costume supervisor | |
| George L. Little | .... | costumer (as George Little) | |
| Haleen K. Holt | .... | costume illustrator (uncredited) | |
Music Department | |||
| Jordan Amarantha | .... | musician | |
| Richard Beggs | .... | musician: synthesizer | |
| Greg Errico | .... | musician | |
| Patrick Gleeson | .... | musician: master synthesizer | |
| Ed Goldfarb | .... | music arranger (Redux version) | |
| Randy Hansen | .... | musician: guitar | |
| Mickey Hart | .... | musician | |
| Michael Hinton | .... | music production assistance | |
| Zakir Hussain | .... | musician | |
| Bernard Krause | .... | musician: synthesizer (as Bernard L. Krause) | |
| Bill Kreutzmann | .... | musician (as Billy Kreutzmann) | |
| Phil Lesh | .... | musician | |
| Jim Loveless | .... | musician | |
| Airto Moreira | .... | music production assistance | |
| Don Preston | .... | musician: synthesizer | |
| David Rubinson | .... | music producer | |
| Nyle Steiner | .... | musician: synthesizer | |
| Shirley Walker | .... | musician: synthesizer | |
| Stan Witt | .... | music editor | |
| Randy Hansen | .... | composer: additional music (uncredited) | |
| Mickey Hart | .... | composer: additional music (uncredited) | |
Transportation Department | |||
| Dennis Hollis | .... | transportation coordinator | |
| John Reade | .... | transportation coordinator (as John C. Reade) | |
Other crew | |||
| John Addington | .... | fixed wing pilot | |
| Marisa Alcaraz | .... | production coordinator | |
| Jean A. Autrey | .... | production controller | |
| Lee Beaupre | .... | marketing director | |
| John Calvert | .... | choreographer: playmate show | |
| Robert Carroll | .... | production assistant | |
| John Chapman | .... | production assistant | |
| Doug Claybourne | .... | special assistant to producers | |
| Patti Claybourne | .... | production assistant | |
| Pete Cooper | .... | marine coordinator | |
| Eleanor Coppola | .... | documentary supervisor | |
| Francis Ford Coppola | .... | presenter | |
| Russ Corin | .... | production assistant | |
| Catherine Craig | .... | archivist (Redux version) | |
| Loolee DeLeon | .... | production coordinator (as Loolee De Leon) | |
| Brett Dicker | .... | foreign publicity coordinator | |
| Tony Dingman | .... | production assistant | |
| Richard Dioguardi | .... | military advisor | |
| Shane Edwards | .... | marine coordinator | |
| Jack English | .... | location coordinator | |
| Deborah Fine | .... | production liaison and research: USA | |
| Wayne Fitzgerald | .... | title designer | |
| Jack Fritz | .... | executive assistant | |
| Ernst Goldschmidt | .... | representative: foreign producer | |
| Paul Gregory | .... | military advisor | |
| Paul G. Hensler | .... | military advisor (as Paul Hensler) | |
| Nancy Hopton | .... | script supervisor (as Nancy Tonery) | |
| Kevin Hughes | .... | production assistant | |
| Linda Ignacio | .... | department of tourism: Philippines | |
| Dennis Jakob | .... | creative consultant | |
| J. David Jones | .... | aerial coordinator (as David Jones) | |
| Dennis Juban | .... | military liaison: Philippines | |
| Peter Kama | .... | military advisor (as Lt. Colonel Peter Kama) | |
| Lloyd Kind | .... | production assistant (as Lloyd Kino) | |
| John La Salandra | .... | production executive (as John LaSalandra) | |
| Gwen M. Lucas | .... | assistant production controller | |
| Melissa Mathison | .... | executive assistant | |
| Dennis Murphy | .... | marine coordinator | |
| Anahid Nazarian | .... | archivist (Redux version) | |
| Ernesto Novelli | .... | supervising color technician | |
| Barbara Parker | .... | production assistant | |
| Ray Quiroz | .... | script supervisor (as Raymond Quiroz) | |
| Phil Radcliffe | .... | production assistant | |
| Fred Rexer | .... | military advisor (as Fred Rexer Jr.) | |
| Francesca Rivieri | .... | production secretary: USA (as Francesca Riviere) | |
| Larry Rovetti | .... | supervising color technician | |
| Doug Ryan | .... | military advisor | |
| Frank Simeone | .... | additional crew | |
| Gabe Sumner | .... | campaign coordinator | |
| Matt Tomich | .... | production assistant | |
| Norman Webster | .... | production accountant | |
| Dick White | .... | aerial coordinator | |
| Dick White | .... | military advisor | |
| Irwin Yablans | .... | producer's representative: USA and Canadian | |
| Susan Leslie Battles | .... | secretary to the producers (uncredited) | |
| Joe Benoit | .... | opticals: Modern Film Effects (uncredited) | |
| Dan DiPaola | .... | production assistant (uncredited) | |
| R. Lee Ermey | .... | military advisor (uncredited) | |
| Joe Estevez | .... | stand-in/voice-over: Willard (uncredited) | |
| Nancy Jencks | .... | film chain operator (uncredited) | |
| Oli Laperal Jr. | .... | production assistant (uncredited) | |
| Michael E. Uslan | .... | production attorney (uncredited) | |
| Skip Watt | .... | opticals: Modern Film Effects (uncredited) | |
| Wynne Wicker | .... | technical advisor: Vietnam (uncredited) | |
Thanks | |||
| Flora Purim | .... | special thanks | |
| Jeff Scheftel | .... | special thanks | |
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| Edge | La battaglia di Algeri | In the Year of the Pig | Rambo | Cross of Iron |
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I first saw APOCALYPSE NOW in 1985 when it was broadcast on British television for the first time . I was shell shocked after seeing this masterpiece and despite some close competition from the likes of FELLOWSHIP OF THE RING this movie still remains my all time favourite nearly 20 years after I first saw it
This leads to the problem of how I can even begin to comment on the movie . I could praise the technical aspects especially the sound , editing and cinematography but everyone else seems to have praised ( Rightly too ) these achievements to high heaven while the performances in general and Robert Duvall in particular have also been noted , and everyone else has mentioned the stark imagery of the Dou Long bridge and the montage of the boat traveling upriver after passing through the border
How about the script ? Francis Ford Coppola is best known as a director but he's everyway a genius as a screenwriter as he was as a director , I said " was " in the past tense because making this movie seems to have burned out every creative brain cell in his head , but his sacrifice was worth it . In John Milius original solo draft we have a script that's just as insane and disturbing as the one on screen , but Coppola's involvement in the screenplay has injected a narrative that exactly mirrors that of war . Check how the screenplay starts off all jingoistic and macho with a star turn by Bill Kilgore who wouldn't have looked out of place in THE GREEN BERETS but the more the story progresses the more shocking and insane everything becomes , so much so that by the time reaches Kurtz outpost the audience are watching another film in much the same way as the characters have sailed into another dimension . When Coppola states " This movie isn't about Vietnam - It is Vietnam " he's right . What started off as a patriotic war to defeat communist aggression in the mid 1960s had by the film's setting ( The Manson trial suggests it's 1970 ) had changed America's view of both the world and itself and of the world's view of America
It's the insane beauty of APOCALYPSE NOW that makes it a masterwork of cinema and says more in its running time about the brutality of conflict and the hypocrisy of politicians ( What did you do in the Vietnam War Mr President ? ) than Michael Moore could hope to say in a lifetime . I've not seen the REDUX version but watching the original print I didn't feel there was anything missing from the story which like all truly great films is very basic . In fact the premise can lend itself to many other genres like a western where an army officer has to track down and kill a renegade colonel who's leading an injun war party , or a sci-fi movie where a UN assassin is to eliminate a fellow UN soldier who's leading a resistance movement on Mars , though this is probably down to Joseph Conrad's original source novel
My all time favourite movie and it's very fitting that I chose this movie to be my one thousandth review at the IMDb