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All That Jazz
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All That Jazz (1979) More at IMDbPro »

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Overview

User Rating:
7.6/10   8,842 votes
MOVIEmeter: ?
Up 3% in popularity this week. See why on IMDbPro.
Director:
Writers:
Robert Alan Aurthur (written by) and
Bob Fosse (written by)
Contact:
View company contact information for All That Jazz on IMDbPro.
Release Date:
20 December 1979 (USA) more
Genre:
Tagline:
All that work. All that glitter. All that pain. All that love. All that crazy rhythm. All that jazz.
Plot:
Director/choreographer Bob Fosse tells his own life story as he details the sordid life of Joe Gideon (Roy Scheider), a womanizing, drug-using dancer. more | add synopsis
Awards:
Won 4 Oscars. Another 6 wins & 11 nominations more
NewsDesk:
(15 articles)
Director Races To Complete Scheider's Last Film
 (From WENN. 1 December 2009, 2:06 PM, PST)

Nathaniel Thanks You
 (From FilmExperience. 26 November 2009, 5:00 PM, PST)

User Comments:
Quite simply a brilliant film. more (118 total)

Cast

  (in credits order) (verified as complete)

Roy Scheider ... Joe Gideon

Jessica Lange ... Angelique
Leland Palmer ... Audrey Paris
Ann Reinking ... Kate Jagger
Cliff Gorman ... Davis Newman
Ben Vereen ... O'Connor Flood
Erzsebet Foldi ... Michelle
Michael Tolan ... Dr. Ballinger
Max Wright ... Joshua Penn
William LeMassena ... Jonesy Hecht
Irene Kane ... Leslie Perry (as Chris Chase)

Deborah Geffner ... Victoria
Kathryn Doby ... Kathryn
Anthony Holland ... Paul Dann
Robert Hitt ... Ted Christopher
David Margulies ... Larry Goldie
Sue Paul ... Stacy
Keith Gordon ... Young Joe
Frankie Man ... Comic
Alan Heim ... Eddie

John Lithgow ... Lucas Sergeant
Sandahl Bergman ... Principal Dancer
Eileen Casey ... Principal Dancer
Bruce Anthony Davis ... Principal Dancer (as Bruce Davis)
Gary Flannery ... Principal Dancer
Jennifer Nairn-Smith ... Principal Dancer
Danny Ruvolo ... Principal Dancer
Leland Schwantes ... Principal Dancer
John Sowinski ... Principal Dancer
Candace Tovar ... Principal Dancer
Rima Vetter ... Principal Dancer
Trudy Carson ... Fan Dancer
Mary Sue Finnerty ... Fan Dancer
Lesley Kingley ... Fan Dancer
P.J. Mann ... Fan Dancer / Menage Partner #2
Cathy Rice ... Fan Dancer
Sonja Stuart ... Fan Dancer
Terri Treas ... Fan Dancer
Ralph E. Berntsen ... Rock Band Drums
Jan Flato ... Rock Band Keyboard
John Paul Fetta ... Rock Band Bass
Andy Schwartz ... Rock Band Guitar

Robert Levine ... Dr. Hyman
Phil Friedman ... Murray Nathan
Stephen Strimpell ... Alvin Rackmil
Leonard Drum ... Insurance Man
Eugene Troobnick ... Insurance Doctor
Jules Fisher ... Himself
Ben Masters ... Dr. Garry

Cathie Shirriff ... Nurse Briggs (as Catherine Shirrif)
Joanna Merlin ... Nurse Pierce
Leah Ayres ... Nurse Capobianco
Nancy Beth Bird ... Nurse Bates
Harry Agress ... Resident MD

CCH Pounder ... Nurse Blake (as C.C.H. Pounder)
Tito Goya ... Attendant
Tiger Haynes ... Porter
Lotte Palfi Andor ... Old Woman (as Lotta Palfi-Andor)
K.C. Townsend ... Stripper
Melanie Hunter ... Stripper
Rita Bennett ... Stripper

Gary Bayer ... Intern
Wayne Carson ... Assistant Stage Manager
Kerry Casserly ... Dancer Backstage
Judi Passeltiner ... Dancer Backstage
Steve Elmore ... Cast of NY / LA
Nicole Fosse ... Dancer
Vicki Frederick ... Menage Partner #1
Minnie Gaster ... Script Supervisor
Michael Green ... Clapper Boy
Bruce MacCallum ... Clapper Boy
Joyce Ellen Hill ... Nurse Collin
I.M. Hobson ... Cast of NY / LA
Edith Kramer ... Manager - Rehersal Studio
Barbara McKinley ... Diane
Mary McCarty ... Cast of NY / LA
Theresa Merritt ... Cast of NY / LA
Gavin Moses ... Apprentice Editor
Mary Mon Toy ... Dietician

Wallace Shawn ... Assistant Insurance Man
Jacqueline Solotar ... Autograph Seeker
Sloane Shelton ... Mother
Sammy Smith ... Cast of NY / LA
Arnold Gross ... Pianist
rest of cast listed alphabetically:
Kenneth Boys ... Rejected Dancer (uncredited)

Ken Butler ... Bartender (uncredited)

Jane Culley ... Fan Dancer (uncredited)
Michael Hinton ... Drummer (uncredited)
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Directed by
Bob Fosse 
 
Writing credits
Robert Alan Aurthur (written by) and
Bob Fosse (written by)

Produced by
Robert Alan Aurthur .... produced by
Wolfgang Glattes .... associate producer
Daniel Melnick .... executive producer
Kenneth Utt .... associate producer
 
Original Music by
Ralph Burns (uncredited)
 
Cinematography by
Giuseppe Rotunno 
 
Film Editing by
Alan Heim 
 
Casting by
Howard Feuer 
Jeremy Ritzer 
 
Production Design by
Philip Rosenberg 
 
Set Decoration by
Gary J. Brink  (as Gary Brink)
Edward Stewart 
 
Costume Design by
Albert Wolsky 
 
Makeup Department
Fern Buchner .... make-up
Romaine Greene .... hair
Jay Cannistraci .... additional special makeup effects (uncredited)
 
Production Management
Kenneth Utt .... production manager
 
Second Unit Director or Assistant Director
Janet E. Fishman .... dga trainee
Wolfgang Glattes .... first assistant director
Joseph Ray .... second assistant director
 
Art Department
Eugene Powell .... scenic artist
Carlos Quiles .... carpenter
Jimmy Raitt .... property master
Tony Walton .... fantasy designer
Walter Way .... construction grip
Joe Williams Sr. .... construction grip
Richard Shelton .... painter (uncredited)
 
Sound Department
Stan Bochner .... sound editor
Jay Dranch .... sound editor
Bernard Hajdenberg .... sound editor
Peter Ilardi .... sound mixer
Christopher Newman .... sound mixer (as Chris Newman)
Sanford Rackow .... sound editor
Maurice Schell .... supervising sound editor
Dick Vorisek .... re-recording mixer: Trans/Audio, Inc.
Jack Fitzstephens .... production lip-sync consultant (uncredited)
Bob Olari .... sound recordist (uncredited)
Maurice Schell .... foley artist (uncredited)
 
Camera and Electrical Department
James A. Contner .... camera operator (as James Contner)
Gene Engels .... gaffer (as Eugene W. Engels)
Guglielmo Garroni .... associate director of photography (as Bill Garroni)
Dick Mingalone .... camera operator (as Richard Mingalone)
Martin Nallan .... key grip
Josh Weiner .... still photographer
Billy Kerwick .... best boy grip (uncredited)
Gary Muller .... co-first assistant camera (uncredited)
 
Casting Department
Sylvia Fay .... extras casting (uncredited)
 
Costume and Wardrobe Department
Lee Austin .... wardrobe (as Lee Austin III)
Max Soloman .... wardrobe (as Max Solomon)
 
Editorial Department
Joan Cameron .... assistant editor
Emily Paine .... assistant editor
Wende Phifer Mate .... apprentice editor (as Wende Phifer)
David Ray .... associate editor
Gail Showalter .... apprentice editor
 
Music Department
Glenn Berger .... music recording & mixing
Ralph Burns .... music arranged by
Ralph Burns .... music conducted by
Arnold Gross .... dance music arranged by
Stanley Lebowsky .... music coordinator
Michael Tronick .... musical editor
Ralph Burns .... music supervisor (uncredited)
 
Transportation Department
Harold 'Whitey' McEvoy .... transportation (as Whitey McEvoy)
 
Other crew
Nancy Beth Bird .... technical advisor (as Nancy Bird RN)
Grace Blake .... production office coordinator
Samantha Dean .... publicist
Dick Di Bona .... photography arranger (as Dick DiBona)
Kathryn Doby .... assistant choreographer
Gene Foote .... assistant choreographer
Bob Fosse .... choreography by
Phil Gips .... titles designer: Steve Frankfurt Communications, main and end titles
Tony Gittelson .... production assistant
John E. Hutchinson III .... open heart surgery (as Dr. John E. Hutchinson III, senior surgeon)
John E. Hutchinson III .... technical advisor (as John E. Hutchinson III MD)
Jerry Jaffe .... production assistant
Lynn Lewis Lovett .... script supervisor
Vince Martinez .... auditor
David Rogow .... production assistant
Wendy Shore .... assistant to producer
Vicki Stein .... assistant: Mr. Fosse
Jeffrey Townsend .... production assistant
Erich Trostl .... higwire rig
Lynn Twentyman .... script supervisor (as Lynn Twentyman Ward)
Robin Utt .... production assistant
Susan Zwerman .... location coordinator
Lee Gross .... publicist (uncredited)
 
Thanks
Serge Diakonoff .... special thanks: face masks derived from Serge Diakonoff - Miralda Ou Peintures Sur Un Visage, edited by Bernard Letu
 
Crew verified as complete


Production CompaniesDistributorsOther Companies
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Additional Details

Runtime:
123 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
1.85 : 1 more
Sound Mix:

Fun Stuff

Trivia:
One of the first lines, "To be on the wire is life; the rest is waiting," is spoken voice-over as we see a man falling from a high wire into a net (and the speaker then admits he didn't make it up). The quote is generally attributed to Karl Wallenda, who had died the year before the film came out, when he fell from a high wire without a net. more
Goofs:
Continuity: Close-up of "Young Joe" with hazel eyes is shortly followed by a close-up of adult Joe with blue eyes. more
Quotes:
Waitress: Are you
[hesitates]
Waitress: Lucas Sergeant?
[he nods]
Waitress: Could I have your autograph? I'm an actress, too. You're my favorite director, after Joe Gideon. I'm so sorry your show was a flop.
Lucas Sergeant: [sarcastically as he signs a napkin] Best of luck with your career.
more
Movie Connections:
Referenced in The Comedians of Comedy (2005) more
Soundtrack:
Hospital Hop more

FAQ

This FAQ is empty. Add the first question.
49 out of 64 people found the following comment useful.
Quite simply a brilliant film., 29 January 2003
10/10
Author: fateoptional from Los Angeles, California

To think that Fosse synthesized musical theater, artistic obsession, relationships, fatherhood, and satire all within the framework of a deconstructionist film musical and made it all about himself to boot (including predicting the manner of his own death) without being the least bit self-congratulatory is amazing. The film is edited beautifully; choreographed flawlessly; lit with stark colors that almost fade to black and white at times; and acted with heart and verve, especially by Roy Scheider. The film has one of the most effective uses of the zoom lens (despised by most filmmakers precisely for their inability to figure out when to use it) in film history. The shot pulls back from a lone choreographer on the stage while multitudes of bodies go flying by him, letting us feel his insurmountable task of choosing which of these people will make his show come alive. Some may say the final series of musical numbers runs long but I defy anyone these days to sustain a musical film with the same success. "Moulin Rouge" and "Chicago", excellent films that they are, play their cards fast and furious, hoping to razzle-dazzle us just long enough that we'll stay tuned. "All That Jazz" dares to show you a taste of musicals to come ("Take Off With Us") and yet insists you remember where the form came from (the Busby Berkely-esque "Who's Sorry Now?"). When will they come out with the DVD? We can only hope soon.

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