| Photos (see all 31 | slideshow) | Videos (see all 4) |
| Roy Scheider | ... | Joe Gideon | |
| Jessica Lange | ... | Angelique | |
| Leland Palmer | ... | Audrey Paris | |
| Ann Reinking | ... | Kate Jagger | |
| Cliff Gorman | ... | Davis Newman | |
| Ben Vereen | ... | O'Connor Flood | |
| Erzsebet Foldi | ... | Michelle | |
| Michael Tolan | ... | Dr. Ballinger | |
| Max Wright | ... | Joshua Penn | |
| William LeMassena | ... | Jonesy Hecht | |
| Irene Kane | ... | Leslie Perry (as Chris Chase) | |
| Deborah Geffner | ... | Victoria | |
| Kathryn Doby | ... | Kathryn | |
| Anthony Holland | ... | Paul Dann | |
| Robert Hitt | ... | Ted Christopher | |
| David Margulies | ... | Larry Goldie | |
| Sue Paul | ... | Stacy | |
| Keith Gordon | ... | Young Joe | |
| Frankie Man | ... | Comic | |
| Alan Heim | ... | Eddie | |
| John Lithgow | ... | Lucas Sergeant | |
| Sandahl Bergman | ... | Principal Dancer | |
| Eileen Casey | ... | Principal Dancer | |
| Bruce Anthony Davis | ... | Principal Dancer (as Bruce Davis) | |
| Gary Flannery | ... | Principal Dancer | |
| Jennifer Nairn-Smith | ... | Principal Dancer | |
| Danny Ruvolo | ... | Principal Dancer | |
| Leland Schwantes | ... | Principal Dancer | |
| John Sowinski | ... | Principal Dancer | |
| Candace Tovar | ... | Principal Dancer | |
| Rima Vetter | ... | Principal Dancer | |
| Trudy Carson | ... | Fan Dancer | |
| Mary Sue Finnerty | ... | Fan Dancer | |
| Lesley Kingley | ... | Fan Dancer | |
| P.J. Mann | ... | Fan Dancer / Menage Partner #2 | |
| Cathy Rice | ... | Fan Dancer | |
| Sonja Stuart | ... | Fan Dancer | |
| Terri Treas | ... | Fan Dancer | |
| Ralph E. Berntsen | ... | Rock Band Drums | |
| Jan Flato | ... | Rock Band Keyboard | |
| John Paul Fetta | ... | Rock Band Bass | |
| Andy Schwartz | ... | Rock Band Guitar | |
| Robert Levine | ... | Dr. Hyman | |
| Phil Friedman | ... | Murray Nathan | |
| Stephen Strimpell | ... | Alvin Rackmil | |
| Leonard Drum | ... | Insurance Man | |
| Eugene Troobnick | ... | Insurance Doctor | |
| Jules Fisher | ... | Himself | |
| Ben Masters | ... | Dr. Garry | |
| Cathie Shirriff | ... | Nurse Briggs (as Catherine Shirrif) | |
| Joanna Merlin | ... | Nurse Pierce | |
| Leah Ayres | ... | Nurse Capobianco | |
| Nancy Beth Bird | ... | Nurse Bates | |
| Harry Agress | ... | Resident MD | |
| CCH Pounder | ... | Nurse Blake (as C.C.H. Pounder) | |
| Tito Goya | ... | Attendant | |
| Tiger Haynes | ... | Porter | |
| Lotte Palfi Andor | ... | Old Woman (as Lotta Palfi-Andor) | |
| K.C. Townsend | ... | Stripper | |
| Melanie Hunter | ... | Stripper | |
| Rita Bennett | ... | Stripper | |
| Gary Bayer | ... | Intern | |
| Wayne Carson | ... | Assistant Stage Manager | |
| Kerry Casserly | ... | Dancer Backstage | |
| Judi Passeltiner | ... | Dancer Backstage | |
| Steve Elmore | ... | Cast of NY / LA | |
| Nicole Fosse | ... | Dancer | |
| Vicki Frederick | ... | Menage Partner #1 | |
| Minnie Gaster | ... | Script Supervisor | |
| Michael Green | ... | Clapper Boy | |
| Bruce MacCallum | ... | Clapper Boy | |
| Joyce Ellen Hill | ... | Nurse Collin | |
| I.M. Hobson | ... | Cast of NY / LA | |
| Edith Kramer | ... | Manager - Rehersal Studio | |
| Barbara McKinley | ... | Diane | |
| Mary McCarty | ... | Cast of NY / LA | |
| Theresa Merritt | ... | Cast of NY / LA | |
| Gavin Moses | ... | Apprentice Editor | |
| Mary Mon Toy | ... | Dietician | |
| Wallace Shawn | ... | Assistant Insurance Man | |
| Jacqueline Solotar | ... | Autograph Seeker | |
| Sloane Shelton | ... | Mother | |
| Sammy Smith | ... | Cast of NY / LA | |
| Arnold Gross | ... | Pianist | |
| rest of cast listed alphabetically: | |||
| Kenneth Boys | ... | Rejected Dancer (uncredited) | |
| Ken Butler | ... | Bartender (uncredited) | |
| Jane Culley | ... | Fan Dancer (uncredited) | |
| Michael Hinton | ... | Drummer (uncredited) | |
Directed by | |||
| Bob Fosse | |||
Writing credits | ||
| Robert Alan Aurthur | (written by) and | |
| Bob Fosse | (written by) | |
Produced by | |||
| Robert Alan Aurthur | .... | produced by | |
| Wolfgang Glattes | .... | associate producer | |
| Daniel Melnick | .... | executive producer | |
| Kenneth Utt | .... | associate producer | |
Original Music by | |||
| Ralph Burns | (uncredited) | ||
Cinematography by | |||
| Giuseppe Rotunno | |||
Film Editing by | |||
| Alan Heim | |||
Casting by | |||
| Howard Feuer | |||
| Jeremy Ritzer | |||
Production Design by | |||
| Philip Rosenberg | |||
Set Decoration by | |||
| Gary J. Brink | (as Gary Brink) | ||
| Edward Stewart | |||
Costume Design by | |||
| Albert Wolsky | |||
Makeup Department | |||
| Fern Buchner | .... | make-up | |
| Romaine Greene | .... | hair | |
| Jay Cannistraci | .... | additional special makeup effects (uncredited) | |
Production Management | |||
| Kenneth Utt | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Janet E. Fishman | .... | dga trainee | |
| Wolfgang Glattes | .... | first assistant director | |
| Joseph Ray | .... | second assistant director | |
Art Department | |||
| Eugene Powell | .... | scenic artist | |
| Carlos Quiles | .... | carpenter | |
| Jimmy Raitt | .... | property master | |
| Tony Walton | .... | fantasy designer | |
| Walter Way | .... | construction grip | |
| Joe Williams Sr. | .... | construction grip | |
| Richard Shelton | .... | painter (uncredited) | |
Sound Department | |||
| Stan Bochner | .... | sound editor | |
| Jay Dranch | .... | sound editor | |
| Bernard Hajdenberg | .... | sound editor | |
| Peter Ilardi | .... | sound mixer | |
| Christopher Newman | .... | sound mixer (as Chris Newman) | |
| Sanford Rackow | .... | sound editor | |
| Maurice Schell | .... | supervising sound editor | |
| Dick Vorisek | .... | re-recording mixer: Trans/Audio, Inc. | |
| Jack Fitzstephens | .... | production lip-sync consultant (uncredited) | |
| Bob Olari | .... | sound recordist (uncredited) | |
| Maurice Schell | .... | foley artist (uncredited) | |
Camera and Electrical Department | |||
| James A. Contner | .... | camera operator (as James Contner) | |
| Gene Engels | .... | gaffer (as Eugene W. Engels) | |
| Guglielmo Garroni | .... | associate director of photography (as Bill Garroni) | |
| Dick Mingalone | .... | camera operator (as Richard Mingalone) | |
| Martin Nallan | .... | key grip | |
| Josh Weiner | .... | still photographer | |
| Billy Kerwick | .... | best boy grip (uncredited) | |
| Gary Muller | .... | co-first assistant camera (uncredited) | |
Casting Department | |||
| Sylvia Fay | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Lee Austin | .... | wardrobe (as Lee Austin III) | |
| Max Soloman | .... | wardrobe (as Max Solomon) | |
Editorial Department | |||
| Joan Cameron | .... | assistant editor | |
| Emily Paine | .... | assistant editor | |
| Wende Phifer Mate | .... | apprentice editor (as Wende Phifer) | |
| David Ray | .... | associate editor | |
| Gail Showalter | .... | apprentice editor | |
Music Department | |||
| Glenn Berger | .... | music recording & mixing | |
| Ralph Burns | .... | music arranged by | |
| Ralph Burns | .... | music conducted by | |
| Arnold Gross | .... | dance music arranged by | |
| Stanley Lebowsky | .... | music coordinator | |
| Michael Tronick | .... | musical editor | |
| Ralph Burns | .... | music supervisor (uncredited) | |
Transportation Department | |||
| Harold 'Whitey' McEvoy | .... | transportation (as Whitey McEvoy) | |
Other crew | |||
| Nancy Beth Bird | .... | technical advisor (as Nancy Bird RN) | |
| Grace Blake | .... | production office coordinator | |
| Samantha Dean | .... | publicist | |
| Dick Di Bona | .... | photography arranger (as Dick DiBona) | |
| Kathryn Doby | .... | assistant choreographer | |
| Gene Foote | .... | assistant choreographer | |
| Bob Fosse | .... | choreography by | |
| Phil Gips | .... | titles designer: Steve Frankfurt Communications, main and end titles | |
| Tony Gittelson | .... | production assistant | |
| John E. Hutchinson III | .... | open heart surgery (as Dr. John E. Hutchinson III, senior surgeon) | |
| John E. Hutchinson III | .... | technical advisor (as John E. Hutchinson III MD) | |
| Jerry Jaffe | .... | production assistant | |
| Lynn Lewis Lovett | .... | script supervisor | |
| Vince Martinez | .... | auditor | |
| David Rogow | .... | production assistant | |
| Wendy Shore | .... | assistant to producer | |
| Vicki Stein | .... | assistant: Mr. Fosse | |
| Jeffrey Townsend | .... | production assistant | |
| Erich Trostl | .... | higwire rig | |
| Lynn Twentyman | .... | script supervisor (as Lynn Twentyman Ward) | |
| Robin Utt | .... | production assistant | |
| Susan Zwerman | .... | location coordinator | |
| Lee Gross | .... | publicist (uncredited) | |
Thanks | |||
| Serge Diakonoff | .... | special thanks: face masks derived from Serge Diakonoff - Miralda Ou Peintures Sur Un Visage, edited by Bernard Letu | |
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Fosse's ALL THAT JAZZ has been mistaken for a rip-off of Fellini's 8 1/2 for some time. But that is giving it short shrift as an illuminating, sobering account of one man's burnout in the face of enormous pressure from the elements of the entertainment industry which he's involved himself in, namely Broadway and the film industry. Based on Fosse's experiences directing CHICAGO on Broadway and LENNY for United Artists, it stars Roy Scheider as Fosse's always black-dressed alter ego Joe Gideon, who's long road to success has been dotted with drug addictions, one-night stands, betrayals, and show biz phoniness.
Particularly of interest in this film is the strong autobiographical quality of it. Fosse did, indeed, suffer his first heart attack during this 1973/74 period of his life. The film-within-the-film, "The Stand Up," is an interesting variation on LENNY (1974, with Dustin Hoffman and Valerie Perrine)---much more irritating than that movie. LENNY ended up getting great reviews, for the most part, but it must have been a tough movie for Fosse to get his hands around, especially while dealing with his failed marriage to Broadway star Gwen Verdon (portrayed here by Leland Palmer). It's certainly portrayed as such in this film. And Chicago seems to have been a challenge for him, too. He obviously thought the original script for that show was lacking (as he actually went on record as saying) and that he had to spice it up for him to become interested in it. (How fascinating would a Fosse film version of CHICAGO have been? As it was, it looks as if eventual CHICAGO director Rob Marshall screened ALL THAT JAZZ many times in order to mine its many storytelling treasures, including the main conceit that most of the film's musical numbers appear in the minds of the main characters.)
Scheider has never been better and deserved real consideration as that year's Best Actor Oscar-winner (he lost, ironically, to Dustin Hoffman who won for KRAMER VS. KRAMER). He is positively channeling his director's personality, down to his constant cigarette smoking and his artsy goatee (not to mention his snaky, rakish attitudes towards personality responsibility). The fine cast also includes: John Lithgow as a rival Broadway director who may or may not take over Joe's show if he dies on the operating table; Max Wright (the dad on ALF) as the producer of Gideon's film; Sandahl Bergman (from CONAN and RED SONJA) as the lead dancer in the "Take Off With Us" musical number that disappoints the stage show's backers; longtime Fosse girlfriend and dancer Ann Reinking as Gideon's other serious bedmate; Cliff Gorman as Davis Newman, the lead actor in "The Stand Up"; the lovely Erezebet Foldi as Gideon's precocious daughter (Fosse's real daughter, Nicole, later appeared in the film version of A CHORUS LINE); Jessica Lange in her first serious role as the Angel of Death; Keith Gordon (an actor in CHRISTINE and BACK TO SCHOOL, who's now an acclaimed director of films like MOTHER NIGHT and the 2003 film adaptation of THE SINGING DETECTIVE) as the young Joe Gideon; Ben Vereen, energetic as a show-biz veteran who "hosts" Gideon's final decent into death. The list goes on and on....
And the tech credits are superb. The film won Oscars for its Tony Walton sets (Tony Walton has been married to Julie Andrews for years, and is an acclaimed stage and film set designer), its Alan Heim editing (Heim worked on NETWORK, among other things), its Ralph Burns scoring (which includes old jazz, classical, pop, and Broadway standards), and its Albert Wolsky costumes. Its photography, by Giuseppe Rotunno, is also great (Rotunno phtographed many Fellini films and probably had much to do with the lumping of Fosse's film in with Fellini's work).
Tying in 1979 with APOCOLYPSE NOW for Cannes Palme D'Or, this is one of the greatest movies ever made, I think, and you'll know that once the first moments--a mass stage audition unbelievably well-edited to the tune of George Benson's version of "On Broadway"--unreel in front of you. It's an unflinching look into the madness of one artist that, eventually, became his undoing (Fosse died in 1986, in his early 60s, of another heart attack, after completing only one more movie, STAR 80, and one more stage show, BIG DEAL). See it and prepare to be moved in strange ways.