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10 (1979) More at IMDbPro »
28 out of 40 people found the following comment useful :-

Director Blake Edwards tastefully blends eroticism with comedy , 5 July 2005
Author: ironside (robertfrangie@hotmail.com) from Mexico
*** This comment may contain spoilers ***
"10" begins with a surprise party for its guest of honor, George Webber, an award-winning songwriter celebrating his forty-second birthday
The party is organized by Samantha Taylor (Julie Andrews), a thirty-eight-year-o1d feminist singer who has established a poignant, firm relationship with George Although he's considered the most successful Hollywood songwriter around, his collaborator Hugh (Robert Webber), a homosexual, disrupts Dudley's good mood by remarking that he's noticed some peculiar changes in George's behavior
Apparently, George has become obsessed with old age, going through what Hugh calls "male menopause" or mid-life crisis Needless to say, George becomes somewhat morose Webber would like to halt the progression of his age, and wants instead to return to his youthful days of seducing young women and never having to worry about his future... George decides that he must find some answers, and possibly a few adventures, to cure himself of this dilemma
During an afternoon drive, he stops alongside a limousine carrying a gorgeous woman, gowned and heading towards her wedding George becomes instantly entranced, feeling that he's discovered the antidote to what ails him; the perfect woman of the world, an 11 on a scale of 10. (She's so good, he feels, that she rates higher than the scale will permit.) His heart quivering, George sets off in hot, hilarious pursuit of the beautiful bride, Jenny (Bo Derek).
Dudley Moore enjoyed the extent of his talent in a role that seemed so suited to him He displayed a human, sophisticated side that had been missing in previous films George Webber had turned out to be a character almost identical to his own, appearing exquisitely suave, humble, mischievous, and often childlike And Dudley's musical prowess was again realized during the segments in which he played his beloved piano
Julie Andrews broke out her goody image to give a strong performance as Samantha
Bo Derek looked very sweet, charming, and uncomplicated Bo became a worldwide sensation and one of the hottest female properties to come out of Hollywood in a long time
Director Blake Edwards carefully supervised a tender subject matter in a way that did more to entertain than offend His statement that beauty is more than skin deep was heard loud and clear
17 out of 26 people found the following comment useful :-

10 Out Of 10, 21 June 2001
Author: Tom Bixby (marchofthewoodensoldiers_2001@hotmail.com) from Lost in the Bahamas
10 is everything i imagined it was going to be when i sat down to watch it. I have always loved Dudley Moore since childhood, particularly in the Arthur films, and this for me defines the best Dudley Moore characteristics-prat falls, drunkedness, sexual fantasies about younger women, Piano playing. I have also always been a big fan of Blake Edwards for the way he uses Laurel and Hardy movies as inspiration with slap stick [seen mainly in The Pink Panther movies with Peter Sellers] this time around we see a more sophisticated style to Edwards direction. Also with two beautiful women in the shape of Julie Andrews and Bo Derek, i was hopeful that the movie would come over as being very sexy. I was not disappointed.
As well as representing all of the above things, the movie was extremely enjoyable. It is the epitomy of male fantasies. Ask yourself how many times you have fantasised about escaping to a desert island with a beautifull woman. In 10 Dud does just that. The movie comes over as being very exotic, and this blends with the hilarious performances, all the nudity and Henry Mancini's fantastic musical score. The movie is very funny and involving, one really identifies with Moore's performance as George Webber. Julie Andrews is great fun as Georges Love interest, and Bo Derek is fantastic as the girl of Dud's dreams-the perfect 10. And Blake deserves special credit for one of his most outstanding directorial works.
A Winner. One that will stand the test of time.
13 out of 19 people found the following comment useful :-

Fabulous film, 3 March 2002
Author: Jerry Weaver (chessart@onemain.com) from Wichita, Kansas, USA
There is an old saying, "Be careful of what you ask for, you might get it". But men will be men, and when Dudley Moore sees the beautiful Bo Derek, he is compelled to follow her to Mexico. I suspect most of us men have had the same impulse, though I doubt very many of us have taken it to the extreme that Dudley Moore does here.
I could have done without the slapstick, and I didn't care for Julie Andrews as Moore's girlfriend. One wonders why he would stay with such an unappealing woman, regardless of what happens with his pursuit of Bo Derek.
But those annoyances aside, this is a wonderful film, full of good performances. Brian Dennehy is great as the bartender; the scene in which Dudley Moore sits down and starts ordering doubles is wonderful. Dennehy plays the bartender to perfection, not volunteering too much information, but being accessible to the customer as needed, just like a good bartender is supposed to do. And then after some rapport has been established, he does volunteer a nice compliment to Moore which the viewer is glad to hear.
Moore, after all, is a lovable character, just like he was in Arthur", and we root for him and want him to find whatever it is that will make him happy. And his anguish is not limited to his urge to connect up with a beautiful young woman. He is also anguished by the kind of music kids nowadays are listening to. He realizes he is not at home in a culture in which a young couple can say that "our song" is "Why Don't We Do It in the Road". Having reached this understanding, he can then understand also how he could never be happy with a woman half his age.
12 out of 18 people found the following comment useful :-

Thoughts About '10' - Then And Now, 4 June 2007
Author: ccthemovieman-1 from Lockport, NY, United States
Boy, this was "hot stuff" back when it came out in 1979: I am referring to both the movie AND Bo Derek!
Actually, Dudley Moore was a box-office star, too. Nobody had heard of Derek before this, but this film certainly made her an overnight sensation. She didn't have to say anything in the film, just walk down a beach. Certainly, the number "10" now had a new meaning in the culture.
Basically, the film is about a guy who spots Derek, and then totally makes a fool of himself over her. Most guys would have done the same thing. Moore, making an idiot of himself as "George Webber," provided a lot of laughs and Bo had to just....well....just let herself be photographed. Fortunately, in real life, she turned out to be far more than just some hot- looking bimbo. I've heard her on several talk shows in recent years, and she's no dummy.....and still looks tremendous. Meanwhile, Moore, who had some tough physical ailments, really didn't have a noteworthy career after this film with one exception: Arthur (1981). The poor man died in 2002.
One forgets that a huge big-name actress co-starred with Moore in this movie: Julie Andrews. Perhaps a good part of that reason we forget that is she doesn't play a memorable character. It fact, she's downright unappealing as Moore's girlfriend "Samantha Taylor."
It's also easy to forget about some of the cultural issues songwriter "Webber" dealt with, bemoaning the shallowness of the current generation and its music tastes, and finally realizing his own shallowness won't lead to happiness just by being with a woman half his age. There are some profound things to ponder in this film even though it often concentrates on the slapstick humor angle. As a guy who has gone through the usual "mid- life" crisis, I would to sympathize with Webber's dilemmas but since this idiot is drunk half the time and an extremely self-indulgent person, I found it hard to "root" for him. Drunks have never been funny to me. So, when I watched this film on VHS 15 years later, it wasn't as fun as the fist time.
Speaking of drinks, Brian Dennehy was excellent as a bartender. I wish he had played more "nice guy" roles like this during his career, instead of so many evil and profane villains.
Along with millions of others, I enjoyed the movie 30 years ago, but now it's kind of sad, too slow and even painful to watch at times. For those of us who saw in the theater, the film now appears somewhat dated, but so are all of us, I guess, are dated, too.
13 out of 20 people found the following comment useful :-

A Very Melancholy Comedy, 23 January 2005
Author: hokeybutt from Milwaukee, Wisconsin
"10" (4 outta 5 stars) Kind of weird seeing this movie again after 20 years. When I first saw it I was just a kid in my early 20s and now I am older than the character Dudley Moore plays in this movie... a cranky, disillusioned composer going through a mid-life crisis. Dang, I never had one of those at 40... does this mean I'm overdue? Anyway, flawed as this movie is, it is still a classic. It's generally considered a "comedy" but the most effective scenes are the quieter, more melancholy scenes. (The scene where Moore plays the piano in the bar for Dee Wallace gets me every time.) This is probably the best role of Moore's career... he's able to come across as sympathetic even while acting like a jerk for most of the movie. It's the supporting performances by Julie Andrews, Dee Wallace, Robert Webber and Brian Dennehy that really give the movie its depth. Thankfully, Bo Derek doesn't really have to do any acting, so she doesn't throw the movie too much out of whack. The movie seems a lot sadder to me these days... though I thought it was hysterically funny 25 years ago.
6 out of 7 people found the following comment useful :-

A good example of how to tackle a mid-life crisis, 18 October 2006
Author: F1-Phil from United Kingdom
Having first seen 10 in my late teens and since watched it as a 40 year old going through a mid-life crisis I have to say that it is entirely representative (given its setting) and thoroughly entertaining to boot.
As a teenager in the new millennium you'd probably be a little disappointed in this film given that the film industry and its ratings have moved on over the 27 years since it was made. At the time it was the ultimate date movie for anyone under 30. These days it is pretty tame. Dud is dead (rest in peace), and Julie Andrews has more wrinkles than a king-sized duvet pushed to the bottom of the bed.
That said, it still has a lot to say about the rites of passage for those willing to listen, and Ravel's Bolero is still incredibly sensual. The rule of thumb? Every man is an alpha male to somebody, even at 40. The trick from the man's point of view is to know when you are the alpha male. And when you know you are, to make the most of it. And this film, in its own way, demonstrates this perfectly.
If you get laid off the back of this film review, please send $10 via PayPal to phil@haigh-family.com ;-)
6 out of 7 people found the following comment useful :-

Dudley Moore is a natural comedic genius!, 11 July 2006
Author: jacquelineleigh1 from United States
In this film, Dudley plays an award-winning composer.
Another brilliant film that'll make you laugh your head off while watching him run around like a maniac in hot sand!
My mother recommended this film to me because I was born after it was released.
Even in today's society, this movie is hilarious! Dudley Moore is a brilliant comedian.
You'll have to add this movie to your "must list" if you're a Dudley Moore fan. Whenever I am in a depressed mood I know I can pop this movie in and Dudley is going to be able to make me laugh once again.
Get this movie if you want a care-free day of fun and light-hearted amusement.
Not as good as Arthur but if you're a Dudley fan like me, you'll love it!
Also, you'll hear some beautiful arrangements played by Dudley Moore himself.
A classic movie that you should not miss.
6 out of 7 people found the following comment useful :-

10 - Bo Derek and Dudley Moore, 21 September 2005
Author: powerje75 from United Kingdom
*** This comment may contain spoilers ***
I really enjoyed this film - the whole dream thing for Dudley followed by him actually managing to pull this lovely young thing... it's the stuff of dreams! It also shows that you should never give up on your dreams, but also that dreams are often better than reality (hence he ended up not going through with it) - it's a quality film that deserves more showings on TV than it gets! Of course the gratuitous nudity helped pass along the more boring moments.. and which red-blooded male wouldn't do as Dudley does? Telescopes are definitely NOT useless during the day despite what Patrick Moore might say! So, for sheer eye candy, coupled with getting an ugly man an attractive girl, this film is great to watch - plus it has many comic moments too of course! Marvellous!
7 out of 9 people found the following comment useful :-

My Favorite Dudley Moore Performance, 2 December 2005
Author: Isaac5855 from United States
Though he will probably always be remembered for 1981's ARTHUR, my favorite Dudley Moore performance is still from the 1979 Blake Edwards classic "10". Moore plays George Webber, a man who seemingly has it all: a flourishing career as a songwriter, money, a gorgeous home, an equally gorgeous girlfriend (Julie Andrews), but still feels like something is missing in his life. Then one day, while stopped at a traffic signal, he glances at a girl (Bo Derek)in a limo, on her way to her wedding. George becomes obsessed with this vision, this perfect "10" and forsakes everything in his life, including Andrews, to find and be with this woman. After getting six fillings drilled by the girl's dentist/father (James Noble), in an attempt to learn where the girl went on her honeymoon, George flies to Mexico to find his "10" and eventually learns the lessons you would expect from such a venture. In addition to some great physical comedy offered by Moore, there are moments of great warmth here too. The scenes at the outdoor bar in Mexico where Dudley encounters a lonely woman (Dee Wallace) and plays the piano are lovely. Brian Dennehy is effectiveLY cast against type as the bartender. Also cast against type is Robert Webber as George's gay songwriting partner who tries in vain to make George see what an idiot he is and appreciate the things he has. This IS not just a smarmy sex comedy, but a warm character study of a man chasing something he really doesn't want or need and features one of Dudley Moore's most charming performances.
8 out of 11 people found the following comment useful :-
A PLEASANTLY INSIGHTFUL AND FUNNY MOVIE, 9 August 2002
Author: grocgroc from Appleton, WI
*** This comment may contain spoilers ***
I had heard the talk generated from my parents at the time this film was current, which planted the seed. I actually saw it about two years after its release and have probably seen it 100 times to date. Now I am at an age where, although happily married, I can relate to it on the same level my parents must have in 1979. (I'm now about the age they were.)
10 deals with the subject of facing up to "middle age." Dudley Moore as songwriter George Webber has just turned 42. He's at that state where he is bored with his hum-drum, though financially rewarding, life. Most of his consternation seems directed at the fact that he feels at that awkward stage where he would like to be a "swinging stud" with the 20 something female set, but most of them view him as they would a father. He becomes enchanted upon catching a glimpse of Bo Derek in a passing limo and goes so far (SPOILERS FROM HERE ON OUT!!!) as to track her down in Mexico with the hope of seducing her. (Even though she was recently married as he watched previously in the film.) However, this is NOT a stalker film. Rather, it is a goodnatured and lighthearted look at a middle aged "crush." Dudley Moore does a great job here at physical comedy. He is seen constantly drunk or on painpills from his dentist, moody, clutzy, and displaying all the traits that would make his later role as ARTHUR a smash.
There is so much great dialogue in this movie. Some of the best lines go to Robert Webber as his musical collaborator, Hugh. Hugh is an openly (but NOT a "swishy stereotype") gay middle aged man who has some great insight on what is going on in George's head. His explanation of "male menopause" to Julie Andrews as "Sam" is true to life. Julie Andrews is not given a lot to do in this film, and that is unfortunate. She sings a few token songs and trades barbs with Dudley Moore as his girlfriend, but seems really to have been placed in the movie for "name" value. In any event, her role seems to be more of an elongated cameo as she is not really at the center of the action. In the Mexican resort bar, you will note an early role by Brian Dennehy as the bartender who gradually develops a rapport which Dudley Moore's drunken "George." There are some other quick appearances from faces that you will recognize. Among them are the stage and screen veteran Max Showalter as a minister who tells George that "he is also a songwriter" and you'll laugh as George struggles to keep his composure while suffering through the most cliche-filled "hack" lovesong that he then performs. ("Gleeclubs of Moonbeams....sing your name in the blue") The look on Dudley Moore's face is priceless!!!
All in all, this is a sweet and very funny, if sometimes overly slapstick, look at middle-aged men who suddenly want to be a 21 year-old "chick magnet" again, but still face all of the age gaps; different tastes in music, hang-ups about sex, performance anxiety, etc. It's all here and tastefully done. Bo Derek looks great but obviously will never be viewed as a serious actress, yet her scenes with Dudley Moore are adequate for her small role in the film. If you want a simple, fun and funny film that is nothing more than it appears to be, watch this one at least once. I won't give it a perfect 10, but it ranks at least a strong 8.
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