| Desi Arnaz Jr. | ... | Dino Sloan Corelli (as Dezi Anaz, Jr.) | |
| Carol Burnett | ... | Katherine 'Tulip' Brenner | |
| Geraldine Chaplin | ... | Rita Billingsley | |
| Howard Duff | ... | Dr. Jules Meecham | |
| Mia Farrow | ... | Elizabeth 'Buffy' Brenner | |
| Vittorio Gassman | ... | Luigi Corelli | |
| Lillian Gish | ... | Nettie Sloan | |
| Nina Van Pallandt | ... | Regina Sloan Corelli | |
| John Cromwell | ... | Bishop Martin | |
| Paul Dooley | ... | Liam 'Snooks' Brenner | |
| Peggy Ann Garner | ... | Candice Ruteledge | |
| Lauren Hutton | ... | Florence Farmer | |
| Viveca Lindfors | ... | Ingrid Hellstrom | |
| Pat McCormick | ... | Mackenzie 'Mac' Goddard | |
| Dina Merrill | ... | Antoinette 'Toni' Sloan Goddard | |
| Virginia Vestoff | ... | Clarice Sloan | |
| Dennis Christopher | ... | Hughie Brenner | |
| John Considine | ... | Jeff Kuykendall, Head of Security | |
| Robert Fortier | ... | Jim Habor | |
| Marta Heflin | ... | Shelby Munker | |
| Ruth Nelson | ... | Beatrice Sloan Cory | |
| Bert Remsen | ... | William Williamson | |
| Cedric Scott | ... | Randolph the Butler | |
| Tim Thomerson | ... | Russell Bean | |
| Maysie Hoy | ... | Casey (as Maisie Hoy) | |
| Belita Moreno | ... | Daphne Corelli | |
| Craig Richard Nelson | ... | Capt. Reedley Roots | |
| Susan Kendall Newman | ... | Chris Clinton | |
| Allan F. Nicholls | ... | Jake Jacobs (as Allan Nicholls) | |
| Gavan O'Herlihy | ... | Wilson Briggs | |
| Gigi Proietti | ... | Dino Corelli I | |
| Beverly Ross | ... | Nurse Janet Schulman | |
| Mona Abboud | ... | Melba Lear | |
| Margery Bond | ... | Lombardo | |
| Gerald Busby | ... | Reverend David Ruteledge | |
| Pam Dawber | ... | Tracy Farrell | |
| Mark R. Deming | ... | Matthew Ruteledge | |
| Amy Stryker | ... | Margaret 'Muffin' Brenner Corelli | |
| David Fitzgerald | ... | Kevin Clinton | |
| Margaret Ladd | ... | Ruby Sparr | |
| Dennis Franz | ... | Koons | |
| Harold C. Johnson | ... | Oscar Edwards | |
| Jeff Perry | ... | Bunky Lemay | |
| Patricia Resnick | ... | Redford | |
| Lesley Rogers | ... | Rosie Bean | |
| Ann Ryerson | ... | Victoria Cory | |
| Mary Seibel | ... | Tante Marge Sparr | |
| Maureen Steindler | ... | Libby Clinton | |
| rest of cast listed alphabetically: | |||
| Ellie Albers | ... | Gypsy Violinist | |
| Amy Brand | ... | Ruteledge Child | |
| Christian Brand | ... | Ruteledge Child (as Chris Brand) | |
| David Brand | ... | Ruteledge Child | |
| Jenny Brand | ... | Ruteledge Child | |
| Jay D. Jones | ... | Ruteledge Child | |
| Jeffrey Jones | ... | Ruteledge Child | |
| Paul D. Keller III | ... | Ruteledge Child | |
| Tony Llorens | ... | Piano Player | |
| Courtney MacArthur | ... | Ruteledge Child | |
| Alexander Sopenar | ... | Victor | |
| Chuck Banks | ... | And His Big Band (uncredited) | |
| Gary Houston | ... | Caterer (uncredited) | |
| Terry Kinney | ... | Caterer (uncredited) | |
| Chris La Kome | ... | Singer (uncredited) | |
| Hedda Lubin | ... | Maid (uncredited) | |
| John Malkovich | ... | Wedding Guest (uncredited) | |
| Laurie Metcalf | ... | Maid (uncredited) | |
| George Wendt | ... | Caterer (uncredited) | |
| Alan Wilder | ... | Caterer (uncredited) | |
Directed by | |||
| Robert Altman | |||
Writing credits | ||
| Robert Altman | (story) & | |
| John Considine | (story) | |
| Robert Altman | (screenplay) & | |
| John Considine | (screenplay) & | |
| Allan F. Nicholls | (screenplay) & | |
| Patricia Resnick | (screenplay) | |
Produced by | |||
| Robert Altman | .... | producer | |
| Scott Bushnell | .... | associate producer | |
| Robert Eggenweiler | .... | associate producer | |
| Tommy Thompson | .... | executive producer | |
Cinematography by | |||
| Charles Rosher Jr. | |||
Film Editing by | |||
| Tony Lombardo | |||
Art Direction by | |||
| Dennis J. Parrish | (uncredited) | ||
Makeup Department | |||
| Jerry Turnage | .... | hair stylist | |
| Monty Westmore | .... | makeup artist | |
Production Management | |||
| William A. Sawyer | .... | post-production supervisor (as Bill Sawyer) | |
Second Unit Director or Assistant Director | |||
| Peter L. Bergquist | .... | second assistant director | |
| Bob Dahlin | .... | second assistant director | |
| Tommy Thompson | .... | assistant director | |
Art Department | |||
| Stephen Altman | .... | assistant property master (as Steve Altman) | |
| Sally Benton | .... | bridal portrait | |
| Dennis J. Parrish | .... | property master | |
| Jeffrey R. Renfrow | .... | assistant property master (as Jeff Renfrow) | |
Sound Department | |||
| Jim Bourgeois | .... | sound | |
| Sam Gemette | .... | sound editor | |
| Chris McLaughlin | .... | sound | |
| Richard Portman | .... | sound re-recordist | |
| Hal Sanders | .... | sound editor | |
| Jim Stuebe | .... | sound | |
| James E. Webb | .... | sound | |
Camera and Electrical Department | |||
| Robert Reed Altman | .... | assistant camera (as Bobby Altman) | |
| James Blanford | .... | assistant camera (as Jim Blanford) | |
| Gerrit Dangremond | .... | assistant camera | |
| Ed Nielsen | .... | assistant camera | |
| Ed Nielson | .... | assistant camera | |
| Steven Poster | .... | camera operator (as Steven B. Poster) | |
| Jack L. Richards | .... | camera operator | |
Costume and Wardrobe Department | |||
| J. Allen Highfill | .... | wardrobe | |
Editorial Department | |||
| Michael Altman | .... | assistant film editor | |
| John W. Carr | .... | assistant film editor (as John Carr) | |
Music Department | |||
| Jim Bourgeois | .... | location music recording | |
| Betty Di Sorei | .... | musician: Chicago Brass Ensemble | |
| John Hotchkis | .... | composer: fanfare music | |
| Ruth Pelz | .... | musician: church organ | |
| Robert Rushford | .... | musician: Chicago Brass Ensemble | |
| Jim Stuebe | .... | location music recording | |
| Tom Walls | .... | music supervisor | |
| Richard Webster | .... | conductor: The Choir of St. Luke's Episcopal Church, Evanston, Ill. | |
| Ted Whitfield | .... | music editor | |
| Timothy J. Kent | .... | musician: trumpeter: Chicago Symphony Orchestra (uncredited) | |
Other crew | |||
| Victoria Barney | .... | production coordinator | |
| Ed Horwitz | .... | personal assistant: Robert Altman | |
| Carole Keagy | .... | production assistant | |
| Luca Kouimelis | .... | script supervisor | |
| Patrice Ryan | .... | title designer | |
| Lucie Salenger | .... | liaison: Illinois Film Office (as Lucy Salenger) | |
| Ann Tait | .... | production accountant | |
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| The Holy Mountain | The Loss of Sexual Innocence | The English Patient | We of the Never Never | Enemies: A Love Story |
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I think this film does a splendid job of showing both the charm and the pitfalls of Robert Altman's style of direction. And curiously, it may be his most likable film.
Of course, Altman's trademark soft-focus drama and overlapping soundtrack are in evidence here, giving us a clear approximation of what it is like to be thrust into a big, bustling and poorly-organized social event. A WEDDING shows us what Altman does best, creating an atmosphere where individuals come into and out of focus seemingly at random and the storyline unfolds less like a narrative than as a string of half overheard bits of gossip. The large and varied cast performs with seemingly exaggerated gusto, a necessity to help make clear the individual threads of the tangled narratives. You either love this about Altman's films, or it infuriates you -- sometimes it does both.
Yet, as much as this meandering style of film-making can exhilarate the game viewer, it can also rob the story of a sense of gravity. Certainly, the point of the film is that such an event as a phoney-baloney society wedding is a trivial affair, at the same time when the film turns to matters of life and death, the Altman style makes this seem trivial as well. Altman has never been able to punch home his films with "a big climatic moment" -- and he has never really tried -- and that is what is missing from A WEDDING. It just sort of peters out, like guests who randomly wander out of the party without saying goodbye.
Still, there is something endearing about A WEDDING that is missing from much of Altman's other works. Despite the large hubbub of characters, this is an intimate affair and little bits of bittersweet drama filters through. The lightly sketched vignettes give us an insightful vision of family ties in various states of unraveling. The characters, though ludicrous from a distance, are somehow endearing when viewed up close. Kudos must go to vivid performances by such unlikely costars as Carol Burnett, Pat McCormick, Dina Merrill, Geraldine Chaplin, Lillian Gish, Nina Van Palandt, Mia Farrow and Lauren Hutton, some of whom have but a few seconds of screen time to create memorable characterizations. Like many a real-life wedding, A Wedding is vaguely disappointing, yet strangely unforgettable.