| Joan Collins | ... | Fontaine Khaled | |
| Oliver Tobias | ... | Tony Blake | |
| Sue Lloyd | ... | Vanessa Grant | |
| Mark Burns | ... | Leonard Grant | |
| Doug Fisher | ... | Sammy | |
| Walter Gotell | ... | Ben Khaled | |
| Tony Allyn | ... | Hal | |
| Emma Jacobs | ... | Alex Khaled | |
| Peter Lukas | ... | Ian Thane | |
| Natalie Ogle | ... | Maddy | |
| Constantine Gregory | ... | Lord Newton (as Constantin de Goguel) | |
| Merlyn Ward | ... | Peter (as Guy Ward) | |
| Sarah Lawson | ... | Anne Khaled | |
| Jeremy Child | ... | Lawyer | |
| Franco De Rosa | ... | Franco | |
| Shango Baku | ... | Flowers | |
| Peter Dennis | ... | Marc | |
| Chris Jagger | ... | Terry Langham | |
| Peter Bourke | ... | Gordon | |
| Tania Rogers | ... | Janine | |
| Felicity Buirski | ... | Deborah | |
| Minah Bird | ... | Molly | |
| Sharon Fussey | ... | Denise | |
| Hilda Fenemore | ... | Tony's mother | |
| Bernard Stone | ... | Tony's father | |
| Hal Dyer | ... | Maxine | |
| Margot Thomas | ... | Mamie | |
| Terry Yorke | ... | 1st Thane thug (as Terry York) | |
| Del Baker | ... | 2nd thane thug | |
| John Conteh | ... | Himself - cameo appearance | |
| Billy Walker | ... | Cameo appearance | |
| John Gold | ... | Cameo appearance | |
| Pat Harmsworth | ... | Cameo appearance (as Lady 'Bunny' Rothermere) | |
| rest of cast listed alphabetically: | |||
| Michael Barrington | ... | Vicar | |
| Giorgio Bosso | ... | Chef | |
| Hugh Morton | ... | Staton | |
| Howard Nelson | ... | Sandro | |
| Rynagh O'Grady | ... | Meter Maid | |
| Robert Tayman | ... | Mario | |
| Leonard Trolley | ... | Doctor | |
| Edmond Warwick | ... | Tailor | |
| Pat Astley | ... | Girl in shower (uncredited) | |
| Gypsy Dave Cooper | ... | Naked man (uncredited) | |
| Suzanne Danielle | ... | Disco dancer (uncredited) | |
| Vicki Scott | ... | Girl in club (uncredited) | |
| Susie Silvey | ... | Girl in shower (uncredited) | |
| Milo Sperber | ... | Kamara (uncredited) | |
Directed by | |||
| Quentin Masters | |||
Writing credits(in alphabetical order) | ||
| Jackie Collins | novel | |
| Jackie Collins | screenplay | |
| Dave Humphries | writer | |
| Christopher Stagg | writer | |
Produced by | |||
| Ronald S. Kass | .... | producer | |
| Oscar Lerman | .... | executive producer in charge of production | |
Original Music by | |||
| Biddu | |||
Cinematography by | |||
| Peter Hannan | |||
Film Editing by | |||
| David Campling | |||
Art Direction by | |||
| Michael Bastow | |||
Makeup Department | |||
| Stella Morris | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Terry Madden | .... | second assistant director | |
| Vincent Winter | .... | first assistant director | |
Sound Department | |||
| Peter Keen | .... | sound editor | |
| Stan Phillips | .... | production sound mixer | |
Camera and Electrical Department | |||
| Micky Thomas | .... | gaffer | |
Music Department | |||
| Biddu | .... | musical director: disco music | |
| John Cameron | .... | conductor | |
| John Cameron | .... | music arranger | |
| Martin J. Machat | .... | music coordinator (as Marty Machat) | |
Other crew | |||
| Flick Colby | .... | choreographer | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
| Add this title to MyMovies |
Artistically this film probably deserves its average 2-3 out of 10 rating on IMDb, but to watch it for artistic reasons is a mistake. This is a film that simply went out to make as much money as possible and in that respect it was a big (and rare UK) success. So while the much mocked health spa/ swimming pool orgy scene is unarguably pure hokum, its purpose was simply to get film goers talking about all the raunchy scenes, as was the sex in the lift scene. Other great word of mouth devices are using the hugely popular (among men of a certain age) Pans People/ Legs & Co in the dancing scenes and cashing in on the disco craze. Simply as a fan of cinema these devices are of great interest. To top it all there is a surprisingly good film poster for a film supposedly of no artistic merit. After watching it after all these years (too young at the time) I am impressed that the pathetic British film industry of this time was capable of making such a venal and direct money spinner.