Sgt. Pepper's Lonely Hearts Club Band (1978)

Director:

Michael Schultz

Writer:

Henry Edwards (writer)

Release Date:

24 July 1978 (USA)

Genre:

Adventure | Family | Musical

Tagline:

A splendid time is guaranteed for all.

Plot:

Small town band hits it big, but they must battle a nefarious plot in the music industry.

Plot Keywords:

Small Town | Beatles | Music Industry | Parade | Glass Coffin

US TV Schedule:

Tue. Feb. 16

7:00 AM

MAX

Cast

  (Cast overview, first billed only)

Peter Frampton	...	Billy Shears
Barry Gibb	...	Mark Henderson
Robin Gibb	...	Dave Henderson
Maurice Gibb	...	Bob Henderson
Frankie Howerd	...	Mr. Mustard
Paul Nicholas	...	Dougie Shears
Donald Pleasence	...	B.D. Hoffler
Sandy Farina	...	Strawberry Fields
Dianne Steinberg	...	Lucy
Steve Martin	...	Dr. Maxwell Edison
Aerosmith	...	Future Villain Band (FVB)
Earth Wind & Fire	...	Themselves
Alice Cooper	...	Marvin Sunk (the 'Sun King')
Billy Preston	...	Sergeant Pepper
Stargard	...	The Diamonds

Also Known As:

Banda de los corazones

Runtime:

113 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.20 : 1

Sound Mix:

Dolby (35 mm prints) | 70 mm 6-Track (70 mm prints)

Certification:

Singapore:PG | USA:PG | UK:PG | Finland:K-12 | USA:PG (certificate #25273)

Filming Locations:

Century City, Los Angeles, California, USA

Company:

Robert Stigwood Organization (RSO)

Trivia:

Billy Preston, who sings "Get Back", played the piano on original version with The Beatles.

Goofs:

Miscellaneous: There is a two frame nip slip at the recording studio. Watch the man's expression while he hugs her.

Movie Connections:

Referenced in "De familie Knots: De vernielzucht (#1.2)" (1980)

Soundtrack:

Being For The Benefit of Mr. Kite

One of My Top 13 for a Quarter-Century!

Sgt. Pepper's Lonely Hearts Club Band is truly delightful! A classic!

Last night, presented by the American Cinematheque at the Egyptian in Hollywood, we saw Sgt. Pepper on the big screen for the first time in 25 years, and it not only "holds up" (as aging movie geeks like to mutter while their fantasies needlessly crumble), it is as fresh, funny, charming and touching as it was when we saw it in the summer of 1978. Blessings to director Michael Schultz, writer Henry Edwards (where are you, fellah?), obviously very busy producers Robert Stigwood, Dee Anthony and Bill Oakes, bright-eyed DP Owen Roizman and of course that music fellow George Martin and those English blokes who wrote such sensational songs. I hope they still have a little money left over, in addition to all the love and joy. (Don't go hungry, Paul; call if you need a few quid.)

Yes, there are thousands of brilliant films to adore, and of course it's common to find a scapegoat to flog, but the sweetness of this movie is undeniable.

It would be very easy to ramble for a couple of days about the wonders of this eternally surprising cast, but I'll save that for parties at B.D.'s pad or the Heartland gazebo. Simply, just try to watch Billy Preston (those boots!), Sandy Farina (!), George Burns, Steve Martin (!?!?!?!), Alice Cooper, Frankie Howerd, Paul Nicholas, Aerosmith, Donald Pleasance, Dianne Steinberg, The Earth, The Wind and The Fire, Stargard (????) and the rest without smiling or getting one of those weird "tingles."

Particularly, Peter Frampton and the Bee Gees -- Barry, Robin, Maurice (goodnight, Brother Gibb) -- commit themselves to a unique, today almost unknown sense of silly good humour. Admittedly, it's a bit uncomfortable when Barry croons to his brothers that he'd "love to turn them on," (egad!) but -- like the sometimes staid framing and cutting -- it's worth overlooking in appreciation of the bigger picture. If you love Rocky Horror, Shock Treatment, The Magic Christian, The Robe, Python's musical offerings, Visconti's The Leopard, Phantom of the Paradise, The Star Wars Holiday Special, Intolerance, The Muppet Movie, Xanadu, Summer of Sam, Happy Campers, The Conversation, The Wiz, On the Waterfront, Spice World, Infested, Yojimbo & Sanjuro, X-2, Bugsy Malone, Potemkin, Grease, Repo Man, Richard Lester's oeuvre, Pennies From Heaven, American Graffiti, Badlands, The Tigger Movie, Little Odessa, The Tattoo Connection or, heck, Singin' in the Rain, High Society or Disorderlies, there's plenty to enjoy here, and no reason to be a mindless bully or snob about it.

Everybody sings really splendidly, too, and Sandy Farina's presence in her one lead role (to date) is unforgettably lovely.

Nice one, Sandy.

While we're at it, why not commend Carel Struyken for being a really good "Brute," and Patti Jerome, Max Showalter and those disturbing robots for tugging our heartstings in "She's Leaving Home" (this version still moves me more than Tori Amos' nice take).

Who knows what bizarre energies converged behind the scenes to bring this thing together (not to mention landing Etta James, Leif Garrett, Barry Humphries, Tina Turner, Sha-Na-Na, Jose Feliciano and Wolfman Jack on the same risers at the finale), but whatever it was, thank you. (Use that great IMDB "more" clicker to scan the credits.)

Now please release a proper widescreen, ZONE-FREE, global DVD packed with extras ASAP. (I cheerfully volunteer as interviewer for the commentary, since no one else on the whole planet would have the guts.) This version from Brasil is pretty good for a full-screen with no chapter-stops (Steve's freaking through "Maxwell's Silver Hammer" right now), but -- like Shock Treatment, The Fabulous Stains and others, the public deserves a good look at this stuff.

Sorry if that sounds like a threat.

Let the pleasure be guilty no more!