| Photos (see all 4 | slideshow) |
| Ricardo Montalban | ... | Mr. Roarke | |
| Adrienne Barbeau | ... | Margo Dean | |
| Horst Buchholz | ... | Charles Fleming | |
| Joseph Campanella | ... | Brian Faber | |
| George Chakiris | ... | Pierre | |
| Joseph Cotten | ... | Simon Grant | |
| Pat Crowley | ... | Lucy Faber | |
| Laraine Day | ... | Mrs. Grant | |
| George Maharis | ... | Lowell Benson | |
| Cameron Mitchell | ... | Raoul | |
| France Nuyen | ... | Kito | |
| Karen Valentine | ... | Janet Fleming | |
| Hervé Villechaize | ... | Tattoo (as Herve Villechaize) | |
| John Zaremba | ... | Dr. Croyden | |
| Kevi Kendall | ... | Pat | |
| Kristine Ritzke | ... | Carol | |
| Nancy McKeon | ... | Ann | |
| rest of cast listed alphabetically: | |||
| Larry Moran | ... | Runner #2 (uncredited) | |
Directed by | |||
| George McCowan | |||
Writing credits(in alphabetical order) | ||
| Marc Brandell | writer | |
Produced by | |||
| Michael Fisher | .... | producer | |
| Leonard Goldberg | .... | executive producer | |
| Shelley Hull | .... | associate producer | |
| Aaron Spelling | .... | executive producer | |
Original Music by | |||
| Laurence Rosenthal | |||
Cinematography by | |||
| Archie R. Dalzell | |||
Film Editing by | |||
| John Woodcock | |||
Art Direction by | |||
| Alfeo Bocchicchio | |||
Art Department | |||
| Charles R. Lipscomb | .... | lead man | |
Sound Department | |||
| Lionel Strutt | .... | adr mixer | |
Stunts | |||
| Marneen Fields | .... | stunt performer (1978) | |
| Charlie Picerni | .... | stunt double (uncredited) | |
Camera and Electrical Department | |||
| Ron Veto | .... | grip | |
Costume and Wardrobe Department | |||
| Andrea E. Weaver | .... | costumes: womens | |
Editorial Department | |||
| Virgil E. Hammond III | .... | post-production | |
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| The Hand | The Locket | Border Incident | Mystery Street | Return of the Mod Squad |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
First, the factual - This is the second of two 90 minute (2 hours with commercials originally) TV movies which served as pilot episodes for the series which ran from 1978 to 1984. Originally broadcast on January 20th, 1978. Available on VHS from Front Row Video, can occasionally be found on DVD for 5 to 8 dollars at your local flea market/online seller - print is okay, turn down the bass because there's some irritating low freq background noise.
Now, the opinion - WOW! WHAT an incredibly underrated series! Twilight Zone for the masses, Night Gallery for the Saturday Night TV set. But as amazing as the series was, the two tv movies which preceded it were even moreso. Mr. Roark treats the island guests much as a sometimes impatient father speaks to his child - short for a moment but then blunting his tone with the next sentence. And while the series took a much lighter tone, in this movie we're left with more of a question as to whether Roark is an angel or a devil. He seems to delight in the twisting of his client's fantasies but still (for most cases, at least) provides a happy, somewhat storybook ending. Those doubts are pointed out best as a guest asks Tattoo - "Just what IS your Mr. Roark?!" to which he replies - "Some people call him.... (as he glances towards Heaven) and some people call him...... (as he glances downward to Hell)". "And what do YOU call him?" "I just call him Meester Roark!".
The three stories here go something like this: Barbeau as the businesswoman with a heart of ice whose assistant (Chakiris) only wants to spend a weekend with her and free the woman he's sure hides inside her. Campanella and Crowley as the infertile couple who only want to see the child they gave up for adoption 12 years earlier. And the most Twilight Zoneish story, Karen Valentine as the woman who lost all her memory on her honeymoon with Horst Bucholz because of a horrible, traumatic event and now wants to relive that night in an attempt to regain her memory.
Definitely a little darker in feel than the regular series and the scoring by Laurence Rosenthal definitely brings much to the overall feel of this particular trio of stories. This one is a keeper if you can find the dvd. No, its not anamorphic, remastered or widescreen but its 94 minutes of pure fun.