| Videos |
| Brooke Shields | ... | Violet | |
| Keith Carradine | ... | Bellocq | |
| Susan Sarandon | ... | Hattie | |
| Frances Faye | ... | Nell | |
| Antonio Fargas | ... | Professor | |
| Matthew Anton | ... | Red Top | |
| Diana Scarwid | ... | Frieda | |
| Barbara Steele | ... | Josephine | |
| Seret Scott | ... | Flora | |
| Cheryl Markowitz | ... | Gussie | |
| Susan Manskey | ... | Fanny | |
| Laura Zimmerman | ... | Agnes | |
| Miz Mary | ... | Odette | |
| Gerrit Graham | ... | Highpockets | |
| Mae Mercer | ... | Mama Mosebery | |
| Don Hood | ... | Alfred Fuller | |
| Pat Perkins | ... | Ola Mae | |
| Von Eric Thomas | ... | Nonny | |
| Sasha Holliday | ... | Justine | |
| Lisa Shames | ... | Antonia | |
| Henry Braden | ... | Harry | |
| Patrick M. Burke | ... | Fanny's Customer | |
| C.C. Courtney | ... | Naval Officer | |
| Joe Catalanotto | ... | Hattie's Customer | |
| Philip H. Sizeler | ... | Senator | |
| Don Lutenbacher | ... | Violet's First Customer | |
| Hobe May | ... | Farmer | |
| rest of cast listed alphabetically: | |||
| Stocker Fontelieu | ... | Brothel Patron (uncredited) | |
| Bill Holliday | ... | Gussie's client (uncredited) | |
Directed by | |||
| Louis Malle | |||
Writing credits | ||
| Polly Platt | (story) | |
| Polly Platt | (screenplay) | |
| Louis Malle | story | |
Produced by | |||
| Louis Malle | .... | producer | |
| Polly Platt | .... | associate producer | |
Original Music by | |||
| Gerald Wexler | |||
Cinematography by | |||
| Sven Nykvist | |||
Film Editing by | |||
| Suzanne Fenn | |||
Casting by | |||
| Gary Chason | |||
| Juliet Taylor | |||
Production Design by | |||
| Trevor Williams | |||
Set Decoration by | |||
| James L. Berkey | (as Jim Berkey) | ||
Makeup Department | |||
| Dave Grayson | .... | makeup artist | |
| Charlene Johnson | .... | hair stylist | |
| Charlene Roberson | .... | makeup artist | |
Production Management | |||
| Tony Wade | .... | unit production manager | |
| Lindsley Parsons Jr. | .... | executive production manager: Paramount (uncredited) | |
Second Unit Director or Assistant Director | |||
| Donald Heitzer | .... | assistant director (as Don Heitzer) | |
| Toby Lovallo | .... | second assistant director | |
| John M. Poer | .... | assistant director | |
Art Department | |||
| Mark Wade | .... | property master | |
| Richard Speed | .... | carpenter's apprentice (uncredited) | |
Sound Department | |||
| Donald F. Johnson | .... | sound mixer (as Don Johnson) | |
| Dick Vorisek | .... | sound re-recordist | |
| Skip Godwin | .... | sound engineer (uncredited) | |
Camera and Electrical Department | |||
| Maureen Lambray | .... | special photography | |
| Michael McGowan | .... | camera operator (as Mike McGowan) | |
Costume and Wardrobe Department | |||
| Mina Mittelman | .... | costume supervisor | |
Editorial Department | |||
| Suzanne Baron | .... | supervising editor | |
| Ruth Blakeslee | .... | assistant editor | |
| Mateel Hoppe | .... | assistant editor | |
| Alice Miller | .... | assistant editor | |
Music Department | |||
| Raymond Burke | .... | musician: clarinet | |
| Louis Cottrell | .... | musician: clarinet | |
| Bob Greene | .... | musician: piano solo | |
| Ferdinand 'Jelly Roll' Morton | .... | composer: additional music | |
| Kid Thomas | .... | musician: trumpet | |
| Jerry Wexler | .... | music adaptor | |
| Jerry Wexler | .... | music supervisor | |
Transportation Department | |||
| Greg Van Dyke | .... | transportation coordinator (uncredited) | |
Other crew | |||
| Alan Greedy | .... | script supervisor | |
| Al Rose | .... | researcher | |
| Karen Moore | .... | assistant to director (uncredited) | |
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| The Blue Lagoon | The Last Picture Show | The Notorious Bettie Page | Heavenly Creatures | Lust och fägring stor |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
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A beautifully filmed movie which tells a difficult story with a subtlety and power that leaves you thinking about it during odd moments for days. It's that much more disconcerting because all the while you're keenly aware that this isn't based on "a true story" but on millions of true stories throughout history, including today, and in every part of the globe.
Due to my age I'd never seen 'Pretty Baby' in the theater or, for some reason, read much about it. I was aware of the basic plot but didn't know I'd be seeing quite so much of a naked 12 year-old Brooke Shields. A couple of moments were honestly difficult for me to watch, but I've come to the conclusion that the nudity is absolutely essential to the telling of the story. You *have* to be forced to see exactly what those men were paying for.
The brilliance of director Loius Malle's film is that he constantly subverts the audience's desire to be aghast at what we see. The camera finds happy little moments throughout the movie, your mind is left to fill in the ugly realities. This trend continues to the end, which is like a cruel mirror image of the typical happily ever after Hollywood ending.