| Photos (see all 9 | slideshow) |
| John Amplas | ... | Martin Madahas | |
| Lincoln Maazel | ... | Tada Cuda | |
| Christine Forrest | ... | Christina | |
| Elyane Nadeau | ... | Mrs. Santini | |
| Tom Savini | ... | Arthur | |
| Sara Venable | ... | Housewife Victim | |
| Francine Middleton | ... | Train Victim (as Fran Middleton) | |
| Roger Caine | ... | Lewis (as Al Levitsky) | |
| George A. Romero | ... | Father Howard | |
| James Roy | ... | Deacon | |
| J. Clifford Forrest Jr. | ... | Father Zulemas | |
| Robert Ogden | ... | Businessman | |
| Donaldo Soviero | ... | Flashback Priest | |
| Donna Siegel | ... | Woman | |
| Albert J. Schmaus | ... | Family Member | |
| Lilian Schmaus | ... | Family Member | |
| Frances Mazzoni | ... | Family Member | |
| Vincent D. Survinski | ... | Train Porter | |
| Tony Buba | ... | Drug Dealer | |
| Pasquale Buba | ... | Drug Dealer | |
| Clayton McKinnon | ... | Drug Dealer | |
| Regis J. Survinski | ... | Hobo | |
| Tony Pantanella | ... | Hobo | |
| Harvey Eger | ... | Man in Bathroom | |
| Tom Weber | ... | Man in Bathroom | |
| Robert Barner | ... | Policeman | |
| Stephen Fergelic | ... | Policeman | |
| Douglas Serene | ... | Cyclist | |
| Jeanne Serene | ... | Cyclist | |
| Nicholas Mastandrea | ... | Marine (as Nick Mastandrea) | |
| John Sozansky | ... | Marine | |
| Ingeborg Forrest | ... | Mrs. Anderson | |
| Carol McClosky | ... | Mrs. Bellini | |
| rest of cast listed alphabetically: | |||
| Michael Gornick | ... | Radio Talk Show Host (uncredited) | |
Directed by | |||
| George A. Romero | |||
Writing credits(in alphabetical order) | ||
| George A. Romero | writer | |
Produced by | |||
| Patricia Bernesser | .... | associate producer | |
| Richard P. Rubinstein | .... | producer | |
| Ray Schmaus | .... | associate producer | |
| Ben Barenholtz | .... | producer (uncredited) | |
Original Music by | |||
| Donald Rubinstein | |||
Cinematography by | |||
| Michael Gornick | |||
Film Editing by | |||
| George A. Romero | |||
Makeup Department | |||
| Tom Savini | .... | makeup artist | |
Production Management | |||
| Michael Gornick | .... | post-production supervisor | |
Sound Department | |||
| Tony Buba | .... | sound | |
Special Effects by | |||
| Tom Savini | .... | special effects | |
Stunts | |||
| Tom Savini | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Phillip Desiderio | .... | grip | |
| Tom Dubensky | .... | assistant camera (as Tom Dubinsky) | |
| Steve Lalich | .... | grip | |
| Nicholas Mastandrea | .... | assistant camera (as Nick Mastandrea) | |
Editorial Department | |||
| Michael di Lauro | .... | post-production assistant | |
| Ed Keen | .... | post-production assistant | |
Music Department | |||
| Maurizio Guarini | .... | musician (as Goblin) | |
| Jay Mandell | .... | music engineer: Triton Studio | |
| Agostino Marangolo | .... | musician (as Goblin) | |
| Massimo Morante | .... | musician (as Goblin) | |
| Fabio Pignatelli | .... | musician (as Goblin) | |
| Claudio Simonetti | .... | musician (as Goblin) | |
Other crew | |||
| Barney C. Guttman | .... | financial services | |
| Tony Pantanella | .... | technical assistant | |
| Donna Siegel | .... | assistant to producer (as Donna Siegal) | |
| Regis J. Survinski | .... | technical assistant | |
| Joyce Weber | .... | production coordinator | |
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| The Offspring | Lo strano vizio della Signora Wardh | The Exorcist | Night of the Demons | Mirror Mirror |
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Between seminal 'zombie' flicks "Night of the Living Dead", and the follow-up, "Dawn of the Dead", George A. Romero created two of the most overlooked horror movies, not only of the 1970's, but maybe of all time. Four years after the socio-political horror of "The Crazies", he returned with "Martin", a vampire film like no other before or since.
Romero's intelligent movie turns on its head all the things associated with the genre, and presents us with a modern day story of addiction, sexuality, and obsession. Martin is your average gawky teenager, a little boy lost in a chaotic world, with an insatiable appetite for human blood. But, where previously that vampiric bloodlust is a sign of great sexual prowess, and overpowering self-importance, here it is a curse. Martin's world is one of unfulfilled desire and confusion. He is ostracised from family, with few friends - his only confidante is the faceless radio talkshow host - and our sympathies are with him throughout. His attacks are fuelled not by pleasure, but more by a fruitless search for intimacy with his victims, who aren't picked off indiscriminately by uncontrollable urges, but rather chosen. When he finally finds 'the sex thing', his need for blood is overcome. Although gruesome and calculated, his attacks aren't excessively violent, and the opening scene is perfectly written to repulse and reprieve in equal measure. What initially appears to be a brutal rape, is twisted by Romero into an almost tender love scene between attacker and victim.
With brilliant use of locations, and nondescript atmosphere, "Martin" is a horror movie that both disturbs and intrigues. The performances are erratic, and Maazel is way too OTT, spouting "Nosferatu!!" all histrionics and melodrama. But Amplas, as Martin, is genuinely affecting, and steeped in pathos. Unflinchingly original, a horror movie with gore, but plenty of brains to go with it.