| Photos (see all 20 | slideshow) | Videos |
| Robbie Robertson | ... | Himself - Lead Guitar / Vocal (as The Band) | |
| Rick Danko | ... | Himself - Bass & Violin & Vocal (as The Band) | |
| Richard Manuel | ... | Himself - Piano / Keyboards / Drums / Vocal (as The Band) | |
| Levon Helm | ... | Himself - Drums / Mandolin / Vocal (as The Band) | |
| Garth Hudson | ... | Himself - Organ / Accordion / Saxophone / Synthesizers (as The Band) | |
| Eric Clapton | ... | Himself - Performer | |
| Neil Diamond | ... | Himself - Performer | |
| Bob Dylan | ... | Himself - Performer | |
| Joni Mitchell | ... | Herself - Performer | |
| Neil Young | ... | Himself - Performer | |
| Emmylou Harris | ... | Herself - Performer | |
| Ringo Starr | ... | Himself - Performer | |
| Paul Butterfield | ... | Himself - Performer | |
| Dr. John | ... | Himself - Performer | |
| Van Morrison | ... | Himself - Performer | |
| Ronnie Hawkins | ... | Himself - Performer | |
| Mavis Staples | ... | Herself - Performer (as The Staples) | |
| Roebuck 'Pops' Staples | ... | Himself - Performer (as The Staples) | |
| Muddy Waters | ... | Himself - Performer | |
| Ron Wood | ... | Himself - Performer | |
| Michael McClure | ... | Himself - Performer (as Michael Mc Clure) | |
| Lawrence Ferlinghetti | ... | Himself - Performer | |
| Martin Scorsese | ... | Himself - Interviewer | |
| Jim Gordon | ... | Himself - Performer | |
| Tom Malone | ... | Himself - Performer | |
| Howard Johnson | ... | Himself - Performer | |
| Jerry Hey | ... | Himself - Performer (as Jerry Hay) | |
| Richard Cooper | ... | Himself - Performer | |
| Charlie Keagle | ... | Himself - Performer | |
| Larry Packer | ... | Himself - Performer | |
| rest of cast listed alphabetically: | |||
| Bob Margolin | ... | Himself - Plays guitar with Muddy Waters | |
| Bill Graham | ... | Himself (at edge of stage) (uncredited) | |
| Robert Guidry | ... | Himself (uncredited) | |
| Pinetop Perkins | ... | Himself - Plays piano with Muddy Waters (uncredited) | |
| Carl Radle | ... | Himself (uncredited) | |
Directed by | |||
| Martin Scorsese | |||
Writing credits | ||
| Mardik Martin | (treatment) | |
Produced by | |||
| L.A. Johnson | .... | line producer: concert | |
| Frank Marshall | .... | line producer: studio & documentary | |
| Steven Prince | .... | associate producer | |
| Robbie Robertson | .... | producer | |
| Jonathan T. Taplin | .... | executive producer (as Jonathan Taplin) | |
| Joel Chernoff | .... | producer (uncredited) | |
Cinematography by | |||
| Michael Chapman | (director of photography) | ||
Film Editing by | |||
| Jan Roblee | |||
| Yeu-Bun Yee | |||
Production Design by | |||
| Boris Leven | |||
Set Decoration by | |||
| Anthony Mondell | |||
Makeup Department | |||
| Jim Gillespie | .... | makeup department head (uncredited) | |
Production Management | |||
| Mel Dellar | .... | unit production manager (as Melvin D. Dellar) | |
Second Unit Director or Assistant Director | |||
| Jerry Grandey | .... | first assistant director | |
| Linda McMurray | .... | second assistant director (as Linda Mc Murray) | |
| James Quinn | .... | first assistant director | |
Art Department | |||
| Jay Drevers | .... | construction coordinator: FM Productions | |
Sound Department | |||
| Ed Anderson | .... | chief technical engineer | |
| Rick Ash | .... | sound recording engineer | |
| Andy Bloch | .... | sound recording engineer | |
| Neil Brody | .... | sound recording engineer | |
| Steve Gagné | .... | sound: FM Productions (as Steve Gagne) | |
| Bill Henderson | .... | sound re-recording engineer | |
| Stephen Katz | .... | stereo sound consultant: Dolby (as Steve Katz) | |
| Tim Kramer | .... | sound recording engineer | |
| Paul Laune | .... | sound effects editor | |
| Jerry L. Levinson | .... | assistant sound effects editor | |
| Steve Maslow | .... | sound re-recording mixer | |
| Elliot Mazer | .... | sound recording engineer | |
| Richard Oswald | .... | sound effects editor (as Richard L. Oswald) | |
| Art Rochester | .... | sound recording engineer | |
| Stuart Taylor | .... | sound recording engineer | |
| Bill Varney | .... | sound re-recording mixer | |
| Jeremy Zatkin | .... | sound recording engineer | |
| Donald C. Rogers | .... | technical director of sound (uncredited) | |
| Jack Snyder | .... | sound engineer (uncredited) | |
Visual Effects by | |||
| Dion Hatch | .... | roto artist (uncredited) | |
Editorial Department | |||
| Karen Hoenig | .... | assistant editor (as Karen V. Hoenig) | |
| Eric A. Sears | .... | assistant editor (as Eric Sears) | |
Music Department | |||
| Richard Cooper | .... | musician: horn | |
| Rick Danko | .... | composer: song "Life Is a Carnival" | |
| Rob Fraboni | .... | soundtrack production | |
| Jim Gordon | .... | musician: horn | |
| Levon Helm | .... | composer: song "Life Is a Carnival" | |
| Jerry Hey | .... | musician: horn (as Jerry Hay) | |
| Howard Johnson | .... | musician: horn | |
| Charlie Keagle | .... | musician: horn | |
| Tom Malone | .... | musician: horn | |
| Sonny Olivera | .... | music coordinator (as Sonny J. Olivera) | |
| Larry Packer | .... | musician: electric violin | |
| Robert H. Raff | .... | music editor | |
| John Simon | .... | music producer: concert music | |
| Kenneth Wannberg | .... | music editor (as Ken Wannberg) | |
Thanks | |||
| Lisa Altamirano | .... | special thanks: featured dancer (as Lisa Mariea Altamirano) | |
| David A. Braun | .... | special thanks | |
| Bob Cato | .... | special thanks | |
| Michael DeTemple | .... | special thanks (as Michael De Temple) | |
| Douglas Dilge | .... | special thanks: The Film League Inc. (as Doug Dilg) | |
| Marshall Gelfand | .... | special thanks | |
| Henry Glover | .... | special thanks | |
| Steven Gok | .... | special thanks: featured dancer | |
| Lance Grode | .... | special thanks | |
| Albert Grossman | .... | special thanks | |
| Connie Hayes | .... | special thanks | |
| Blaine Novak | .... | special thanks: The Film League Inc. | |
| Bob Oppenheim | .... | special thanks | |
| Mo Ostin | .... | special thanks | |
| Sara Owen | .... | special thanks | |
| Thomas Rarick | .... | special thanks: Berkeley Promenade Orchestra | |
| Tom Rashford | .... | special thanks | |
| Ken Regan | .... | special thanks | |
| Bill Rose | .... | special thanks | |
| Tom Ross | .... | special thanks | |
| Amy Sayres | .... | special thanks: The Film League Inc. | |
| Thelma Schoonmaker | .... | special thanks | |
| Russell Schwartz | .... | special thanks: The Film League Inc. | |
| Barry Siegel | .... | special thanks | |
| Paul Wasserman | .... | special thanks | |
| Mary Wilkinson | .... | special thanks: The Film League Inc. | |
|
|
|
|
|
| Woodstock | Shine a Light | Festival Express | The Concert for Bangladesh | Message to Love: The Isle of Wight Festival |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
| Add this title to MyMovies |
Martin Scorsese's documentary has been labelled a time capsule of an era, and whilst this type of reference usually sounds overstated, there is no doubting the accomplishment of this film as an event. Many use the documentary 'Woodstock: 3 Days of Peace and Music' as the ultimate example of a music-doco, but whilst the music in The Last Waltz is actually on par with the great performances of Woodstock (bar Jimi Hendrix[there's no substitute]), the thing which elevates The Last Waltz is the photography.
This was the first music doco to be shot on 35mm and watching the concert, you'd think that each performance was carefully choregraphed over a few weeks of shooting rather than over one night. Special thanks must be given to Cinematogrpaher Michael Chapman for his efforts on this film. The look of the film is what elevates it's overall appeal, because the music was always going to be epic, especially with the cavalcade of great names performing. This is just great filmmaking from contemporary cinema's most accomplished filmmaker. And how about that haunting theme that both starts and ends the film. Just great.