The Last Waltz (1978)

Director:

Martin Scorsese

Writer:

Mardik Martin (treatment)

Release Date:

26 April 1978 (USA)

Genre:

Documentary | Music

Tagline:

It Started as a Concert. It Became a Celebration. [original theatrical]

Plot:

A film account and presentation of the final concert of The Band.

Plot Keywords:

Band | Interview | Final Concert | Guitar | Concert Film

Awards:

2 wins & 3 nominations

Cast

Robbie Robertson	...	Himself - Lead Guitar / Vocal (as The Band)
Rick Danko	...	Himself - Bass & Violin & Vocal (as The Band)
Richard Manuel	...	Himself - Piano / Keyboards / Drums / Vocal (as The Band)
Levon Helm	...	Himself - Drums / Mandolin / Vocal (as The Band)
Garth Hudson	...	Himself - Organ / Accordion / Saxophone / Synthesizers (as The Band)
Eric Clapton	...	Himself - Performer
Neil Diamond	...	Himself - Performer
Bob Dylan	...	Himself - Performer
Joni Mitchell	...	Herself - Performer
Neil Young	...	Himself - Performer
Emmylou Harris	...	Herself - Performer
Ringo Starr	...	Himself - Performer
Paul Butterfield	...	Himself - Performer
Dr. John	...	Himself - Performer
Van Morrison	...	Himself - Performer

Runtime:

117 min

Country:

USA

Language:

English | Middle English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby

Certification:

Finland:S (cut) | Canada:PG (Ontario) | Netherlands:AL | UK:U | South Korea:12 | USA:PG (Approved No. 25097) | Brazil:Livre | Australia:M | Singapore:PG | Sweden:Btl

Filming Locations:

Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA

Company:

FM Productions

Trivia:

Shot on Thanksgiving 1976 at the Winterland Ballroom in San Francisco, Ca.

Goofs:

Continuity: During Garth Hudson's solo in the song "Stagefright", the entire song cuts forward approximately 25 seconds.

Quotes:

Richard Manuel: [describing how The Band got its name] Well, we were The Hawks.
Robbie Robertson: And everything was fine, we were sailing along, and all of a sudden, one day The Hawks meant something else altogether.
Richard Manuel: And it was right in the middle of that whole psychedelia. Chocolate Subway, Marshmallow Overcoat. Those kind of names, you know?
Robbie Robertson: When we were working with Bob Dylan and we moved to Woodstock, everybody referred to us as the band. He called us the band, our friends called us the band, our neighbors called us the band.
Richard Manuel: We started out with The Crackers. We tried to call ourselves The Honkies. Everybody kind of backed off from that. It was too straight. So we decided just to call ourselves The Band.

Movie Connections:

Referenced in Scorsese on Scorsese (2004) (TV)

Soundtrack:

Mystery Train

Out of the Shadow of Woodstock

Martin Scorsese's documentary has been labelled a time capsule of an era, and whilst this type of reference usually sounds overstated, there is no doubting the accomplishment of this film as an event. Many use the documentary 'Woodstock: 3 Days of Peace and Music' as the ultimate example of a music-doco, but whilst the music in The Last Waltz is actually on par with the great performances of Woodstock (bar Jimi Hendrix[there's no substitute]), the thing which elevates The Last Waltz is the photography.

This was the first music doco to be shot on 35mm and watching the concert, you'd think that each performance was carefully choregraphed over a few weeks of shooting rather than over one night. Special thanks must be given to Cinematogrpaher Michael Chapman for his efforts on this film. The look of the film is what elevates it's overall appeal, because the music was always going to be epic, especially with the cavalcade of great names performing. This is just great filmmaking from contemporary cinema's most accomplished filmmaker. And how about that haunting theme that both starts and ends the film. Just great.