| Videos (see all 2) |
| Richard Gere | ... | Bill | |
| Brooke Adams | ... | Abby | |
| Sam Shepard | ... | The Farmer | |
| Linda Manz | ... | Linda | |
| Robert J. Wilke | ... | The Farm Foreman (as Robert Wilke) | |
| Jackie Shultis | ... | Linda's Friend | |
| Stuart Margolin | ... | Mill Foreman | |
| Timothy Scott | ... | Harvest Hand (as Tim Scott) | |
| Gene Bell | ... | Dancer | |
| Doug Kershaw | ... | Fiddler | |
| Richard Libertini | ... | Vaudeville Leader | |
| Frenchie Lemond | ... | Vaudeville Wrestler | |
| Sahbra Markus | ... | Vaudeville Dancer | |
| Bob Wilson | ... | Accountant | |
| Muriel Jolliffe | ... | Headmistress | |
| John Wilkinson | ... | Preacher | |
| King Cole | ... | Farm Worker |
Directed by | |||
| Terrence Malick | |||
Writing credits | ||
| Terrence Malick | (written by) | |
Produced by | |||
| Jacob Brackman | .... | executive producer | |
| Bert Schneider | .... | producer | |
| Harold Schneider | .... | producer | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Néstor Almendros | (as Nestor Almendros) | ||
Film Editing by | |||
| Billy Weber | |||
Casting by | |||
| Dianne Crittenden | |||
Art Direction by | |||
| Jack Fisk | |||
Set Decoration by | |||
| Robert Gould | |||
Costume Design by | |||
| Patricia Norris | |||
| Jerry R. Allen | (uncredited) | ||
Makeup Department | |||
| Jamie Brown | .... | makeup artist | |
| Bertine Taylor | .... | hair stylist | |
Production Management | |||
| Coulter Adams | .... | second unit manager | |
| Les Kimber | .... | production manager | |
Art Department | |||
| Johnny Lattanzio | .... | painter (as John Lattanzio) | |
| Alan Levine | .... | property master (as Allan Levine) | |
| Barry Merrells | .... | assistant propmaster | |
Sound Department | |||
| Philip Boole | .... | stereo sound consultant: Dolby | |
| Robert Burton | .... | special audio assistant | |
| Allen Byers | .... | special audio assistant | |
| Charles L. Campbell | .... | sound effects editor (as Charles Campbell) | |
| James Cox | .... | special sound effects | |
| Peter Gregory | .... | sound crew: Glen Glenn | |
| Louis Hogue | .... | boom operator | |
| Stephen Katz | .... | stereo sound consultant: Dolby (as Steve Katz) | |
| Glen Lambert | .... | boom operator | |
| Jean Marler | .... | sound crew: Glen Glenn | |
| Clyde McKinney | .... | stereo sound consultant: Dolby | |
| Colin C. Mouat | .... | sound effects editor (as Colin Mouat) | |
| John T. Reitz | .... | sound effects mixer (as John Reitz) | |
| George Ronconi | .... | sound mixer | |
| Alan Splet | .... | special audio assistant | |
| Robert Thirlwell | .... | sound crew: Glen Glenn | |
| Barry Thomas | .... | sound mixer | |
| Joe Wachter | .... | sound crew: Glen Glenn | |
| John Wilkinson | .... | sound re-recording mixer | |
| Sharron Miller | .... | sound editor (uncredited) | |
Special Effects by | |||
| Mel Merrells | .... | special effects | |
| John Thomas | .... | special effects | |
Stunts | |||
| Erin Talbott | .... | stunt flyer | |
| Joe Watts | .... | stunt flyer | |
Camera and Electrical Department | |||
| John Bailey | .... | camera operator | |
| Edie Baskin | .... | special still photographer | |
| Edie Baskin | .... | title photographer | |
| James F. Boyle | .... | gaffer (as James Boyle) | |
| Robert Eber | .... | special assistant camera (as Bob Eber) | |
| Chansonetta Emmons | .... | title photographer | |
| Bruno Engler | .... | still photographer | |
| Henry Hamilton Bennett | .... | title photographer | |
| Clyde Hart | .... | key grip | |
| Lewis Hine | .... | title photographer | |
| Frances Benjamin Johnston | .... | title photographer | |
| Malcolm Kendall | .... | best boy | |
| Frank Merrells | .... | dolly grip | |
| Ken Middleham | .... | time-lapse photographer | |
| William Notman | .... | title photographer | |
| Rod Parkhurst | .... | camera operator | |
| Kent Remington | .... | special assistant camera | |
| Paul Ryan | .... | photographer: second unit | |
| Haskell Wexler | .... | additional photographer | |
| Andrew D. Wilson | .... | electrician (as Andy Wilson) | |
| Eric Van Haren Noman | .... | panaglide operator (uncredited) | |
Casting Department | |||
| Terry Bolo | .... | casting assistant | |
| Barbara Claman | .... | casting assistant | |
| Gino Havens | .... | casting assistant (as Geno Havens) | |
| Judith Lamb | .... | casting assistant (as Judy Lamb) | |
| Karen Rea | .... | casting assistant (as Karen Grossman) | |
| Elinor Renfield | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Jered Green | .... | wardrobe: men | |
Editorial Department | |||
| Caroline Biggerstaff | .... | additional editor (as Caroline Ferriol) | |
| Roberta Friedman | .... | assistant editor | |
| Tikki Goldberg | .... | editorial consultant | |
| Dessie Markovsky | .... | editorial consultant (as Dessy Markovski) | |
| Susan Martin | .... | additional editor | |
| Bob McMillian | .... | color consultant | |
| Barbara Morrison | .... | negative cutter | |
| Jeffrey Schneider | .... | editorial consultant | |
| Marion Segal | .... | additional editor | |
| George Trirogoff | .... | assistant editor | |
Music Department | |||
| Gabriella Belloni | .... | music coordinator | |
| Denny Bruce | .... | music coordinator | |
| Daniel Allan Carlin | .... | music editor (as Dan Carlin Jr.) | |
| Enrico DeMelis | .... | music coordinator | |
| Sandro Fois | .... | music recording engineer | |
| Robert W. Glass Jr. | .... | music mixer (as Robert Glass Jr.) | |
| John Iles | .... | music recording engineer | |
| Leo Kottke | .... | composer: additional music | |
| Sergio Marcotulli | .... | music recording engineer | |
| Ennio Morricone | .... | conductor | |
| Ted Roberts | .... | music editor | |
| Rick Smith | .... | musician: harmonica | |
Transportation Department | |||
| John Brumby | .... | driver | |
| Don Nablo | .... | transportation captain | |
Other crew | |||
| Blue André | .... | executive assistant: Bert Schneider (as Blue Andre) | |
| Wally Bennett | .... | script supervisor | |
| Peter Broderick | .... | special assistant to director | |
| Michael Burns | .... | assistant to producer | |
| John Chesko | .... | assistant to producer | |
| Leslie Cox | .... | assistant to producer | |
| Joe Dodds | .... | wrangler | |
| Reg Glass | .... | wrangler | |
| Michie Gleason | .... | assistant to producer | |
| Dixie Gray | .... | wrangler | |
| Edward Hill | .... | senior accountant | |
| Nancy Coan Kaclik | .... | special assistant to director (as Nancy Kaclik) | |
| Chet Luton | .... | supervising engineer: MGM | |
| Irene Malick | .... | researcher | |
| Heather McIntosh | .... | location accountant | |
| Isabella Miller | .... | wrangler | |
| Peter Neufeld | .... | researcher | |
| Clenton Owensby | .... | technical advisor | |
| Dan Perri | .... | title designer | |
| Rosalia Purdum | .... | researcher | |
| John Scott | .... | wrangler | |
| Nathalie Seaver | .... | researcher | |
| Michelle Shapiro | .... | production secretary | |
| Marilyn Tasso | .... | production secretary | |
| Susan Vermazen | .... | researcher | |
| Bob Wilson | .... | wrangler | |
Thanks | |||
| Chris | .... | dedicatee | |
| Dauna | .... | dedicatee | |
| Deborah Eisenberg | .... | special thanks | |
| Redd Foxx | .... | special thanks | |
| Jill Jakes | .... | special thanks | |
| Joseph D. Kelly | .... | special thanks (as Joe Kelly) | |
| Tom Kobayashi | .... | special thanks | |
| Stuart Margolin | .... | special thanks | |
| Roger Mayer | .... | special thanks | |
| Patrick Norris | .... | special thanks | |
| Gordon Radley | .... | special thanks | |
| Bob Rafelson | .... | special thanks | |
| Greta Ronningen | .... | special thanks | |
| Walter Rosenblum | .... | photos courtesy of | |
| Wallace Shawn | .... | special thanks | |
| Susan | .... | dedicatee | |
| Ian Underwood | .... | special thanks | |
| Wallace Wolf | .... | special thanks | |
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| The Good Earth | Gone with the Wind | Giant | Novecento | Come See the Paradise |
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This is truly a unique movie: in a class by itself. I had that opinion the first time I saw it on VHS and still feel the same way years later. It's been at the top of my list of favorite movies since I began compiling a list over a decade ago.
It's very dream-like, surreal, a film I never get tired of watching and I've watched this film more than any other in my large collection. If I had to pin it down to two reasons why, it would be the video and the audio.
The cinematography alone makes this movie worth watching repeatedly. Now that we all have access to a widescreen DVD version of this, the scenes are even more breathtaking. (I never had the pleasure of seeing this in a movie theater.)
The same superlatives can be used when discussing the soundtrack, a haunting music score that gets better and better each time one views this film. In fact, lately it's the music more than anything else I miss when I go periods without viewing this film.
The story is a simple one and is explained by others here. No need to repeat it. I find the narration to be unique, an unusual insight into the characters of the film and the thoughts of the little girl (Linda Manz), who does the narrating. The characters that continually fascinate me are Brooke Adams, as the lead female, and Robert J. Wilke, as the farm foreman. I guess it's their faces that intrigue me. Adams' down-turned mouth and sad look and Wilke's wrinklies catch my attention every time.
The story is interesting, generally low-key but with a few quick violent scenes that are quite memorable. More than that, one gets an incredible feel for the land and for the migrant workers of that time period. Another nice aspect of this film is the very small amount of profanity. Kids probably would be bored with this film but at least I wouldn't be afraid to show it to them.
But as many pluses as the story boasts, that haunting music and those incredible visuals are what drive me back for more. Great, great stuff.