| Photos (see all 27 | slideshow) | Videos (see all 2 NEW) |
| William Holden | ... | Richard Thorn | |
| Lee Grant | ... | Ann Thorn | |
| Jonathan Scott-Taylor | ... | Damien Thorn | |
| Robert Foxworth | ... | Paul Buher | |
| Nicholas Pryor | ... | Charles Warren | |
| Lew Ayres | ... | Bill Atherton | |
| Sylvia Sidney | ... | Aunt Marion | |
| Lance Henriksen | ... | Sergeant Neff | |
| Elizabeth Shepherd | ... | Joan Hart | |
| Lucas Donat | ... | Mark Thorn | |
| Allan Arbus | ... | Pasarian (as Alan Arbus) | |
| Fritz Ford | ... | Murray | |
| Meshach Taylor | ... | Dr. Kane | |
| John J. Newcombe | ... | Teddy | |
| John Charles Burns | ... | Butler | |
| Paul Cook | ... | Colonel | |
| Diane Daniels | ... | Jane | |
| Robert E. Ingham | ... | Teacher | |
| William B. Fosser | ... | Minister | |
| Corney Morgan | ... | Greenhouse Technician | |
| Russell P. Delia | ... | Truck Driver | |
| Judith Dowd | ... | Maid | |
| Thomas O. Erhart Jr. | ... | Sergeant #1 | |
| Sorin Serene Pricopie | ... | Pasarian's Assistant (as Sorin Pricopie) | |
| Robert J. Jones Jr. | ... | Tour Guide | |
| Rusdi Lane | ... | Jim Gardner | |
| Charles Mountain | ... | Burial Priest | |
| Cornelia Sanders | ... | Young Girl | |
| Felix Shuman | ... | Dr. Fiedler | |
| James Spinks | ... | Technician #1 | |
| Owen Sullivan | ... | Byron | |
| William J. Whelehan | ... | Security Guard | |
| rest of cast listed alphabetically: | |||
| Ian Hendry | ... | Michael (uncredited) | |
| Gus Kaprales | ... | Limo Driver (uncredited) | |
| Leo McKern | ... | Carl Bugenhagen (uncredited) | |
Directed by | |||
| Don Taylor | |||
| Mike Hodges | (uncredited) | ||
Writing credits | ||
| Harvey Bernhard | (story) | |
| David Seltzer | (characters) | |
| Stanley Mann | (screenplay) and | |
| Mike Hodges | (screenplay) (as Michael Hodges) | |
Produced by | |||
| Harvey Bernhard | .... | producer | |
| Joseph Lenzi | .... | associate producer (as Joseph 'Pepi' Lenzi) | |
| Charles Orme | .... | co-producer | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| Bill Butler | (director of photography) | ||
Film Editing by | |||
| Robert Brown | (as Robert Brown Jr.) | ||
Casting by | |||
| Lynn Stalmaster | |||
Production Design by | |||
| Fred Harpman | |||
| Philip M. Jefferies | |||
Makeup Department | |||
| Robert Dawn | .... | makeup artist: Los Angeles | |
| Lillian Toth | .... | hairdresser: Chicago | |
| Lillian Toth | .... | makeup artist: Chicago | |
Production Management | |||
| Joseph Lenzi | .... | production manager: Los Angeles (as Joseph 'Pepi' Lenzi) | |
Art Department | |||
| Robert De Vestel | .... | set decorator: Los Angeles (as Robert de Vestel) | |
| William B. Fosser | .... | associate set decorator: Chicago (as William Fosser) | |
| Bill MacSems | .... | property master: Los Angeles | |
| Hendrik Wynands | .... | construction coordinator: Los Angeles | |
Sound Department | |||
| William Hartman | .... | sound editor: Los Angeles | |
| Godfrey Marks | .... | dialogue editor: Los Angeles | |
| Al Overton | .... | production sound mixer: Los Angeles | |
| Edward Rossi | .... | sound editor: Los Angeles | |
| Theodore Soderberg | .... | sound re-recording mixer: Los Angeles | |
| Richard Sperber | .... | sound editor: Los Angeles (as Richard A. Sperber) | |
| Paul Wells | .... | sound re-recording mixer: Los Angeles | |
| Douglas O. Williams | .... | sound re-recording mixer: Los Angeles | |
Special Effects by | |||
| Ira Anderson Jr. | .... | special effects: Los Angeles | |
Visual Effects by | |||
| Stanley Cortez | .... | miniatures photographer | |
| Bill Hansard | .... | process coordinator: Los Angeles | |
| Chuck Taylor | .... | miniatures maker | |
Stunts | |||
| Max Kleven | .... | stunt coordinator: Los Angeles | |
| Jerry Brutsche | .... | stunts (uncredited) | |
| Kitty O'Neil | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Derek V. Browne | .... | assistant camera: Israel (as Derek Browne) | |
| Colin J. Campbell | .... | gaffer: Los Angeles (as Colin Campbell) | |
| James R. Connell | .... | camera operator: Los Angeles (as James Connell) | |
| John D. Crededio | .... | gaffer: Chicago (as John Crededio) | |
| Al Giddings | .... | underwater photographer: Los Angeles | |
| George Hill | .... | key grip: Los Angeles | |
| Robert McLain | .... | key grip: Chicago (as Robert McLaine Jr.) | |
| Ed Nielsen | .... | assistant camera: Chicago | |
| Jack L. Richards | .... | camera operator: Chicago (as Jack Richards) | |
| Don Smetzer | .... | still photographer: Chicago | |
| Ron Taberer | .... | assistant camera: Israel | |
| Gilbert Taylor | .... | cinematographer: Israel (as Gil Taylor) | |
Costume and Wardrobe Department | |||
| Burton Miller | .... | wardrobe: Miss Grant | |
| Ray Summers | .... | wardrobe: Los Angeles | |
Editorial Department | |||
| David Garfield | .... | assistant editor: Los Angeles | |
| Willie Navarro | .... | assistant editor: Los Angeles | |
Music Department | |||
| Leonard A. Engel | .... | music editor: Los Angeles (as Len Engel) | |
Transportation Department | |||
| James F. Hogan | .... | transportation captain: Chicago (as James Hogan) | |
Other crew | |||
| Ray Berwick | .... | raven trainer: Los Angeles | |
| Rusty Lemorande | .... | production assistant: Chicago | |
| Audrey Levy | .... | production assistant: Chicago | |
| Dr. W.S. McBirnie | .... | technical advisor (as Dr. W.S. McBirnie Ph.D.) | |
| H. Bud Otto | .... | script supervisor: Los Angeles | |
| Zach Staenberg | .... | production assistant: Chicago | |
Thanks | |||
| Cornelius Morgan | .... | special thanks: Chicago Police Department (as Sergeant Cornelius Morgan) | |
| Lucie Salenger | .... | special thanks: State of Illinois Film Office (as Lucy Salenger) | |
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"She pollutes the air with her craziness", gotta love that line near the film's beginning. Damien:Omen II is an ambitious and entertaining sequel to the classic Omen. This film is an almost perfect stepping stone in the Omen trilogy, focusing on Damien Thorn becoming a teenager. The film obviously lacks the fresh originality of the first film but it still deserves credit for maintaining a sense of dread and menace when somebody crosses the young Damien Thorn. The death scenes are both chilling and creative and the film's trademark score is brilliant. As far as sequels go, Omen II is a solid effort, leading the pathway clearly open for the third chapter. In terms of comparison Omen II doesn't surpass the original but if you enjoyed the Omen then Damien:Omen II shouldn't disappoint.