| Photos (see all 27 | slideshow) | Videos (see all 2) |
| William Holden | ... | Richard Thorn | |
| Lee Grant | ... | Ann Thorn | |
| Jonathan Scott-Taylor | ... | Damien Thorn | |
| Robert Foxworth | ... | Paul Buher | |
| Nicholas Pryor | ... | Charles Warren | |
| Lew Ayres | ... | Bill Atherton | |
| Sylvia Sidney | ... | Aunt Marion | |
| Lance Henriksen | ... | Sergeant Neff | |
| Elizabeth Shepherd | ... | Joan Hart | |
| Lucas Donat | ... | Mark Thorn | |
| Allan Arbus | ... | Pasarian (as Alan Arbus) | |
| Fritz Ford | ... | Murray | |
| Meshach Taylor | ... | Dr. Kane | |
| John J. Newcombe | ... | Teddy | |
| John Charles Burns | ... | Butler | |
| Paul Cook | ... | Colonel | |
| Diane Daniels | ... | Jane | |
| Robert E. Ingham | ... | Teacher | |
| William B. Fosser | ... | Minister | |
| Corney Morgan | ... | Greenhouse Technician | |
| Russell P. Delia | ... | Truck Driver | |
| Judith Dowd | ... | Maid | |
| Thomas O. Erhart Jr. | ... | Sergeant #1 | |
| Sorin Serene Pricopie | ... | Pasarian's Assistant (as Sorin Pricopie) | |
| Robert J. Jones Jr. | ... | Tour Guide | |
| Rusdi Lane | ... | Jim Gardner | |
| Charles Mountain | ... | Burial Priest | |
| Cornelia Sanders | ... | Young Girl | |
| Felix Shuman | ... | Dr. Fiedler | |
| James Spinks | ... | Technician #1 | |
| Owen Sullivan | ... | Byron | |
| William J. Whelehan | ... | Security Guard | |
| rest of cast listed alphabetically: | |||
| Ian Hendry | ... | Michael (uncredited) | |
| Gus Kaprales | ... | Limo Driver (uncredited) | |
| Leo McKern | ... | Carl Bugenhagen (uncredited) | |
Directed by | |||
| Don Taylor | |||
| Mike Hodges | (uncredited) | ||
Writing credits | ||
| Harvey Bernhard | (story) | |
| David Seltzer | (characters) | |
| Stanley Mann | (screenplay) and | |
| Mike Hodges | (screenplay) (as Michael Hodges) | |
Produced by | |||
| Harvey Bernhard | .... | producer | |
| Joseph Lenzi | .... | associate producer (as Joseph 'Pepi' Lenzi) | |
| Charles Orme | .... | co-producer | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| Bill Butler | (director of photography) | ||
Film Editing by | |||
| Robert Brown | (as Robert Brown Jr.) | ||
Casting by | |||
| Lynn Stalmaster | |||
Production Design by | |||
| Fred Harpman | |||
| Philip M. Jefferies | |||
Makeup Department | |||
| Robert Dawn | .... | makeup artist: Los Angeles | |
| Lillian Toth | .... | hairdresser: Chicago | |
| Lillian Toth | .... | makeup artist: Chicago | |
Production Management | |||
| Joseph Lenzi | .... | production manager: Los Angeles (as Joseph 'Pepi' Lenzi) | |
Art Department | |||
| Robert De Vestel | .... | set decorator: Los Angeles (as Robert de Vestel) | |
| William B. Fosser | .... | associate set decorator: Chicago (as William Fosser) | |
| Bill MacSems | .... | property master: Los Angeles | |
| Hendrik Wynands | .... | construction coordinator: Los Angeles | |
Sound Department | |||
| William Hartman | .... | sound editor: Los Angeles | |
| Godfrey Marks | .... | dialogue editor: Los Angeles | |
| Al Overton | .... | production sound mixer: Los Angeles | |
| Edward Rossi | .... | sound editor: Los Angeles | |
| Theodore Soderberg | .... | sound re-recording mixer: Los Angeles | |
| Richard Sperber | .... | sound editor: Los Angeles (as Richard A. Sperber) | |
| Paul Wells | .... | sound re-recording mixer: Los Angeles | |
| Douglas O. Williams | .... | sound re-recording mixer: Los Angeles | |
Special Effects by | |||
| Ira Anderson Jr. | .... | special effects: Los Angeles | |
Visual Effects by | |||
| Stanley Cortez | .... | miniatures photographer | |
| Bill Hansard | .... | process coordinator: Los Angeles | |
| Chuck Taylor | .... | miniatures maker | |
Stunts | |||
| Max Kleven | .... | stunt coordinator: Los Angeles | |
| Jerry Brutsche | .... | stunts (uncredited) | |
| Kitty O'Neil | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Derek V. Browne | .... | assistant camera: Israel (as Derek Browne) | |
| Colin J. Campbell | .... | gaffer: Los Angeles (as Colin Campbell) | |
| James R. Connell | .... | camera operator: Los Angeles (as James Connell) | |
| John D. Crededio | .... | gaffer: Chicago (as John Crededio) | |
| Al Giddings | .... | underwater photographer: Los Angeles | |
| George Hill | .... | key grip: Los Angeles | |
| Robert McLain | .... | key grip: Chicago (as Robert McLaine Jr.) | |
| Ed Nielsen | .... | assistant camera: Chicago | |
| Jack L. Richards | .... | camera operator: Chicago (as Jack Richards) | |
| Don Smetzer | .... | still photographer: Chicago | |
| Ron Taberer | .... | assistant camera: Israel | |
| Gilbert Taylor | .... | cinematographer: Israel (as Gil Taylor) | |
Costume and Wardrobe Department | |||
| Burton Miller | .... | wardrobe: Miss Grant | |
| Ray Summers | .... | wardrobe: Los Angeles | |
Editorial Department | |||
| David Garfield | .... | assistant editor: Los Angeles | |
| Willie Navarro | .... | assistant editor: Los Angeles | |
Music Department | |||
| Leonard A. Engel | .... | music editor: Los Angeles (as Len Engel) | |
Transportation Department | |||
| James F. Hogan | .... | transportation captain: Chicago (as James Hogan) | |
Other crew | |||
| Ray Berwick | .... | raven trainer: Los Angeles | |
| Rusty Lemorande | .... | production assistant: Chicago | |
| Audrey Levy | .... | production assistant: Chicago | |
| Dr. W.S. McBirnie | .... | technical advisor (as Dr. W.S. McBirnie Ph.D.) | |
| H. Bud Otto | .... | script supervisor: Los Angeles | |
| Zach Staenberg | .... | production assistant: Chicago | |
Thanks | |||
| Cornelius Morgan | .... | special thanks: Chicago Police Department (as Sergeant Cornelius Morgan) | |
| Lucie Salenger | .... | special thanks: State of Illinois Film Office (as Lucy Salenger) | |
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DAMIEN: OMEN II (1978)
THE GOOD:
--There is some good suspense sequences in this film. I loved the death under the ice (goddamn that would be a horrible way to die), the birds attacking the reporter and the intense murder of Mark by Damien.
--Jonathan Scott-Taylor's performance in this film is great. At the start I had my doubts about his performance but as the movie went on he became more and more entertaining to watch. I really bought his performance as Damien - it felt very real and it seemed to me like I was watching the real Antichrist unfold in front of my eyes.
--The score, just like it was in the first film, is terrific, memorable and thrilling.
THE BAD:
--Aside from the strong first half, this movie is basically a stale rehash of the original after a while. We get the daggers, the warning person (the reporter this time) and that same wall thing we got last time. It makes the film seem like they had no ideas for a second movie, which makes me how the hell they're gonna come up with a good idea for the third film.
--This movie is WAY too repetitive. It feels like a slasher after a short while - its death, funeral/grieving, death, funeral/grieving.repeat until ANNOYED. What happened to the infrequent yet shocking and brilliant deaths of the first film, and the interesting storyline we got in the first film?
--The characters aren't very well established (I forgot who was who numerous times) and I wasn't really interested in them as people and didn't really give a crap if they died or not.
--What the hell was up with that stupid subplot with the Uncle's business? That had no place in the movie. We get so many scenes and conversations discussing that business and how it's gonna change the world and stuff and it doesn't amount to anything or have even any place in this movie at all.
--Damien's character is really uneven and it was so frustrating. One minute he's this stand-up young gentlemen, then a blood thirsty little Antichrist brat, and then he's back to being that wonderful cadet in the military, and then he's back on the bratness. Did this piss anyone else off? In the first movie he was pure evil, but it seemed like in this one the writer tried to develop the character's grief and understanding of his life whilst at the same time continuing the run of evil Damien. Though I did enjoy the performance by Scott-Taylor as previously mentioned.
RATING:
5/10 - "Damien: Omen II" lacks the originality and intelligence that made the first film such a hit.
IF YOU LIKED THIS MOVIE I RECOMMEND:
The Exorcist (9/10) Final Destination (8/10) Final Destination 2 (7/10) The Omen (8/10) Stigmata (6/10)