| Kirk Douglas | ... | Robert Caine | |
| Simon Ward | ... | Angel Caine | |
| Agostina Belli | ... | Sara Golan | |
| Anthony Quayle | ... | Professor Griffith | |
| Virginia McKenna | ... | Eva Caine | |
| Spiros Focás | ... | Harbin | |
| Ivo Garrani | ... | The Prime Minister | |
| Alexander Knox | ... | Professor Ernst Meyer | |
| Adolfo Celi | ... | Dr. Kerouac | |
| Romolo Valli | ... | Monsignor Charrier | |
| Massimo Foschi | ... | Arab Assassin | |
| Geoffrey Keen | ... | Gynecologist | |
| John Carlin | ... | Robertson | |
| Peter Cellier | ... | Sheckley | |
| Gerard Hely | ... | Clarke | |
| Penelope Horner | ... | Kate, Caine's Secretary | |
| Caroline Langrishe | ... | Carol, Angelo's Girlfriend (as Caroline Horner) | |
| Jenny Twigge | ... | Air Hostess | |
| Richard Cornish | ... | 1st Journalist | |
| Denis Lawson | ... | 2nd Journalist | |
| Joanne Dainton | ... | Nurse | |
| Allan Hendrick | ... | Fanatic | |
| rest of cast listed alphabetically: | |||
| Omero Capanna | ... | Asylum Orderly | |
| Vittorio Fanfoni | ... | Asylum Patient | |
| Sergio Serafini | ... | Asylum Patient | |
| Andrea Esterhazy | ... | Doctor (uncredited) | |
Directed by | |||
| Alberto De Martino | |||
Writing credits | ||
| Sergio Donati | (screenplay & story) and | |
| Alberto De Martino | (screenplay & story) | |
| Michael Robson | (screenplay collaboration) | |
| Aldo De Martino | uncredited | |
Produced by | |||
| Edmondo Amati | .... | producer | |
| Maurizio Amati | .... | executive producer | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Erico Menczer | |||
Film Editing by | |||
| Vincenzo Tomassi | |||
Art Direction by | |||
| Uberto Bertacca | |||
Set Decoration by | |||
| Peter James | |||
Costume Design by | |||
| Enrico Sabbatini | (as Enrico Sabatini) | ||
Production Management | |||
| Nick Farnes | .... | production manager: U.K. | |
| Roberto Giussani | .... | production manager: AODC | |
Second Unit Director or Assistant Director | |||
| Gerry Gavigan | .... | second assistant director | |
| Terry Madden | .... | third assistant director | |
Sound Department | |||
| Peter Handford | .... | sound recordist | |
| Gerry Humphreys | .... | sound re-recording mixer | |
Special Effects by | |||
| Gino De Rossi | .... | special effects | |
Camera and Electrical Department | |||
| Fabrizio Vicari | .... | assistant camera | |
| Kevin Brookner | .... | camera trainee (uncredited) | |
Music Department | |||
| Ennio Morricone | .... | conductor | |
Other crew | |||
| Pamela Davies | .... | continuity | |
| Richard Dobson | .... | location manager | |
| Recent Posts (updated daily) | User |
|---|---|
| alternate ending (?) | deheor |
| any word on a DVD? | jmurdoch |
| About the extended ending | jbjbcme |
| SPOILER - what is location? | gamera99 |
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| I Don't Want to Be Born | The Final Conflict | The Wraith | A Nightmare on Elm Street 4: The Dream Master | 976-EVIL |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Italy section | Add this title to MyMovies |
Holocaust 2000 represents two things. It is the director's attempt to cash in on the huge success of The Omen. It is also Kirk Douglas's attempt to get a wider, younger audience back on his side by flirting with the horror genre.
The film is a mess, with Douglas playing the unsuspecting father whose business plans for a thermonuclear plant in the Middle East are enormously unpopular. His son, Simon Ward (a real Michael Caine lookalike in this film), is his closest ally when it comes to trying to build the plant, but what Douglas hasn't figured out is that his son is the embodiment of the AntiChrist, and that he only wants it built so that he can destroy mankind. Various people get killed (especially anyone who stands in the way of the plot) before Douglas figures it all out, but by then everyone thinks he is mad and he can't stop the completion of the plant. However, he does manage to escape and thus lives to fight another day.
The film never pushes the audience out of their comfort zone. It poses no thought provoking questions, no ominous atmosphere, and no originality. The performances are surprisingly good considering that the material is so poor. A couple of the killings are well filmed, especially the colonel who is beheaded by a helicopter rotor blade, but some of them are a bit unconvincing. The film's one sex scene is quite erotic (surprisingly so considering the age gap between Douglas and his co-star Agostina Belli) but that hardly makes it worth watching. All in all, this is a missed opportunity.