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Via della prostituzione, La (1978)
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Overview
Release Date:
20 April 1978 (Italy) morePlot:
While attempting to interview an elusive gangster, photojournalist Emanuelle notices a man pushing a girl in a wheelchair through the airport... more | add synopsisUser Comments:
Quite enjoyable, great music moreCast
(in credits order) (complete, awaiting verification) | Laura Gemser | ... | Emanuelle |
| Ely Galleani | ... | Susan Towers |
| Gabriele Tinti | ... | Francis Harley |
| Venantino Venantini | ... | Giorgio Rivetti |
| Pierre Marfurt | ... | Prince Arausani |
| Gota Gobert | ... | Madame Claude |
| Bryan Rostron | ... | Jim Barnes |
| Manuela Romano | ||
| Nicola D'Eramo | ... | Stefan |
| Anna Toffoli | ||
| Tom Felleghy | ... | The Senator |
| Maria Letizia Serafino | ||
| Aurelia Saba | ||
| Fabio Frezza | ||
| Elena Maruffi | ||
| Maria Grado | ||
| Rocco Lerro | ||
| Alessandro Valente | ||
| rest of cast listed alphabetically: | |||
| Simone Brahmann | ... | (uncredited) |
| James Sampson | ... | Car mechanic (uncredited) |
| Martin Sorrentino | ... | Madame Claude's henchman (uncredited) |
Directed by | |||
| Joe D'Amato | |||
Writing credits(in alphabetical order) | ||
| Joe D'Amato | screenplay (as Aristide Massaccesi) | |
| Joe D'Amato | story (as Aristide Massaccesi) | |
| Romano Scandariato | screenplay | |
Original Music by | |||
| Nico Fidenco | |||
Cinematography by | |||
| Joe D'Amato | (as Aristide Massaccesi) | ||
Film Editing by | |||
| Vincenzo Tomassi | |||
Art Direction by | |||
| Carlo Ferri | |||
Costume Design by | |||
| Silvana Scandariato | |||
Makeup Department | |||
| Armenio Marroni | .... | hair stylist | |
| Marcello Meniconi | .... | makeup artist | |
Production Management | |||
| Fabrizio De Angelis | .... | production director | |
| Paolo Gargano | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Donatella Donati | .... | first assistant director | |
| Romano Scandariato | .... | second assistant director | |
Sound Department | |||
| Roberto Petrozzi | .... | sound engineer | |
| Guglielmo Smeraldi | .... | boom operator | |
Camera and Electrical Department | |||
| Vincent Celli | .... | chief electrician (as Vincenzo Celli) | |
| Luigi Conversi | .... | assistant camera | |
| Marcello Laurent | .... | still photographer (as Marcello Laurenti) | |
| Franco Micheli | .... | key grip | |
| Enrico Sasso | .... | camera operator | |
Costume and Wardrobe Department | |||
| Clary Mirolo | .... | wardrobe | |
Editorial Department | |||
| Alessandra Olsoufieff | .... | second assistant editor | |
| Aurelio Pennacchia | .... | first assistant editor | |
Music Department | |||
| Giacomo Dell'Orso | .... | conductor | |
Other crew | |||
| Dario Armellini | .... | production secretary | |
| Claudio Bernabei | .... | continuity | |
| Ilo Saccà | .... | production accountant | |
Production CompaniesDistributors
- Flora Film (1978) (Italy)
- Golden Era Film Distributors (GEF) (1978) (UK)
- Paerl Films
- Dansk Videofilm (Denmark) (VHS)
- Video for Pleasure (VFP) (Netherlands) (VHS)
- Shendene & Moizzi Associati (Italy) (VHS)
- Korporatsiya Arena (Russia) (VHS)
- Mutuel Video
- Shocking Videos (????) (USA) (DVD) (widescreen)
- Atelier Fotografico still photo laboratory
- I.C.P. footwear
- Mario Russo Sartoria costumes
- Rocchetti e Carboni wigs
- Studio Mafera titles
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
France:80 min | Canada:88 min | Germany:87 minCountry:
ItalyLanguage:
ItalianColor:
ColorSound Mix:
MonoCertification:
Finland:K-18MOVIEmeter: 
5% since last week
why?
Fun Stuff
Trivia:
Several scenes of New York City, including the skyline, shots of the Statue of Liberty, Emanuelle being driven around in the yellow car and entering a building were lifted from the film Emanuelle e gli ultimi cannibali (1977) and re-dubbed. moreFAQ
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This is a quite enjoyable little flick, though not as ingenious as Emanuelle and the last Cannibals. Unfortunately, it does not offer the same levels of gore and violence but somewhat compensates this shortcoming by excessive amounts of soft-core and an even more terrific sound-track by the same composer. The "safari"-scenes and the fight in the bowling-alley are unforgettable. Recommended to all fans of 70's sleaze but perhaps not to the general audience.