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Spectre (1977) (TV) More at IMDbPro »


Overview

User Rating:
5.6/10   198 votes
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Director:
Clive Donner
Writers:
Samuel A. Peeples (writer)
Gene Roddenberry (screenplay)
(more)
Contact:
View company contact information for Spectre on IMDbPro.
Release Date:
21 May 1977 (USA) more
Genre:
Horror more
Plot:
Renowned criminologist and occult investigator William Sebastian (Culp) recruits his old friend Dr. Hamilton (Young) to aid him in his current case... more | add synopsis
User Comments:
The Great Bird Between Worlds more

Cast

  (in credits order)
Robert Culp ... William Sebastian
Gig Young ... Dr. Ham Hamilton

John Hurt ... Mitri Cyon
Gordon Jackson ... Inspector Cabell
Ann Bell ... Anitra Cyon
James Villiers ... Sir Geoffrey Cyon

Majel Barrett ... Lilith
Jenny Runacre ... Sydna
Angela Grant ... Butler
Penny Irving ... First Maid

Vicki Michelle ... Second Maid
Lindy Benson ... Third Maid
Sally Farmiloe ... Fourth Maid
Michael Latimer ... Co-pilot
rest of cast listed alphabetically:
Carl Rigg ... Poilceman (uncredited)
Kim Schmidt ... Police Woman (uncredited)
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Directed by
Clive Donner 
 
Writing credits
(in alphabetical order)
Samuel A. Peeples  writer
Gene Roddenberry  screenplay
Gene Roddenberry  story

Produced by
Gene Roddenberry .... executive producer
Gordon Scott .... producer (as Gordon L.T. Scott)
Danny Steinmann .... associate producer
 
Original Music by
John Cameron 
 
Cinematography by
Arthur Ibbetson 
 
Film Editing by
Peter Tanner 
 
Art Direction by
Albert Witherick 
 
Makeup Department
Graham Freeborn .... makeup artist
Kay Freeborn .... makeup artist
Stuart Freeborn .... makeup artist
Nick Maley .... special makeup effects crew
 
Second Unit Director or Assistant Director
Ken Baker .... assistant director
 
Art Department
Terry Wells .... stand-by property master
Barry Wilkinson .... stand-by props
 
Sound Department
Claude Hitchcock .... sound recordist
 
Camera and Electrical Department
Freddie Cooper .... camera operator
John Jay .... still photographer
 
Other crew
Stuart Freeborn .... creature designer
Gladys Goldsmith .... script supervisor
 

Production CompaniesDistributors
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Additional Details

Runtime:
USA:98 min
Country:
UK
Language:
English
Color:
Color
Aspect Ratio:
1.33 : 1 more
Sound Mix:
Mono
Certification:
USA:Unrated

Fun Stuff

Trivia:
The jet seen in the film, tail number G-BFAN, is a Hawker Siddeley HS 125.700. more
Goofs:
Continuity: Different airplanes are used in different exterior shots of what is supposed to be the same jet. Though they appear to be the same model, they have distinctive markings. more
Quotes:
Dr. Hamilton: It's impossible for something to feel evil to the touch. Am I imagining it? more
Movie Connections:
References The Exorcist (1973) more

FAQ

This FAQ is empty. Add the first question.
The Great Bird Between Worlds, 12 November 2008
7/10
Author: johcafra from United States

From the demise of Star Trek: TOS to the premiere of Star Trek: TNG Gene Roddenberry took at least three swings at returning to Stateside prime-time television. None of the broadcast pilots was bought by a commercial network as a series. I viewed each at first broadcast.

Genesis II (later repackaged and re-tried as Planet Earth) had an interesting pilot, very much a product of Roddenberry and his times, but likely as a series would have become quite weird and not lasted long. The Questor Tapes had a superb pilot, but likely as a series would have been forced by network suits to devolve into The Robo-Fugitive.

Spectre was not your average Roddenberry product and wasn't even science fiction. Its concept was decidedly original and very well wrought—what if, just What If?, everything you suspect and fear about the occult is true and a world-renowned criminologist who KNOWS that sets out to right the purposive wrongs of some mighty nasty perps who must be called by their true names out loud? If this sounds familiar, mind you, this is the Stateside television pilot I recall after 30-plus years…

Robert Culp is at his certifiable creepiest. And he's the good guy. This is not the DC Comics Spectre, he's no Doc Strange, John Constantine or He(ck)boy, less Sherlock Holmes and more Manly Wade Wellman's John the Balladeer, only with the apparent trappings of wealth and without the hill country accent or music. William Sebastian quite literally has a bone to pick with an antagonist that has a very long memory and reach, not to mention staying power. By the end you want to know more about Sebastian, how and why he knows what he knows, and what compels him to know and do more.

A fine supporting cast, John Hurt, Gordon Jackson, James Villiers and Gig Young in particular. Good production values in a fittingly English setting. Well-paced with genuine suspense in the right places. And, for Stateside prime-time in the Seventies, a knockout confrontation with some truly evil—things—that, as best as I can recall, were not enhanced with anything other than makeup, clever editing, a hypnotic chant, and lots of fire.

Had this become a series we likely would've seen less of "Ham" (more Dr McCoy than Dr Watson, and certainly less of poor Gig Young) and more of Lilith. A section of the viewing demographic that also thought Mr Spock a satanic influence would probably get a little wound up and publicly take offense. I am told the theatrical release with respectable box office overseas is marginally longer and adds to that knockout confrontation some truly evil—distractions—that don't need makeup at all. I'd like to think it could have done better on Stateside television simply because it would have HAD to leave something to the imagination and NOT explain everything.

So here's a pitch: Given today's audience, if Someone Out There is still watching, consider the possibilities!

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