Rabid (1977)

Director:

David Cronenberg

Writer:

David Cronenberg (writer)

Release Date:

8 April 1977 (USA)

Genre:

Horror | Thriller

Tagline:

Pray it doesn't happen to you.

Plot:

A young woman develops a taste for human blood after undergoing experimental plastic surgery, and her victims turn into rabid, blood-thirsty zombies who proceed to infect others, which turns into a city-wide epidemic.

Plot Keywords:

Blood | Accident | Vampire | Disaster | Rabies

Awards:

2 wins

Cast

Marilyn Chambers	...	Rose
Frank Moore	...	Hart Read
Joe Silver	...	Murray Cypher
Howard Ryshpan	...	Dr. Dan Keloid
Patricia Gage	...	Dr. Roxanne Keloid
Susan Roman	...	Mindy Kent
Roger Periard	...	Lloyd Walsh
Lynne Deragon	...	Nurse Louise
Terry Schonblum	...	Judy Glasberg
Victor Désy	...	Claude LaPointe
Julie Anna	...	Nurse Rita
Gary McKeehan	...	Smooth Eddy
Terence G. Ross	...	Farmer
Miguel Fernandes	...	Man In Cinema
Robert O'Ree	...	Police Sergeant

Also Known As:

Rage (USA)

Runtime:

91 min

Country:

Canada

Language:

English

Color:

Color (Eastmancolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Canada:R (Manitoba/Nova Scotia/Ontario) | Italy:VM14 | Australia:R | Canada:13+ (Quebec) | Canada:18 (Nova Scotia) | Canada:R (Manitoba/Ontario) | Finland:K-18 | France:-16 | Ireland:18 | Norway:18 | Sweden:15 | UK:18 | USA:R | West Germany:18

Filming Locations:

Montréal, Québec, Canada

Company:

Canadian Film Development Corporation (CFDC)

Trivia:

Frank's motorcycle which he restores after Rose's crash is a 750cc Norton Commando.

Goofs:

Crew or equipment visible: When Hart's car is attacked by a crazy, and a clean-up crew shoots and disposes of it, the cameraman who is shooting the "through the windshield" shots is clearly visible in the back seat of the car.

Quotes:

Murray Cypher: Potato man loves ketchup man.

Movie Connections:

Referenced in The Id Proxy (2009)

Soundtrack:

Hideout

A marginal improvement over Shivers

It's only marginally better than Cronenberg's earlier work Shivers and in some ways, it feels like a sequel to it. It takes the hyper-sexualized, extra-gory zombies that the first film utilized and expands them over a wider area. No longer just contained to an apartment complex on an island, these bad boys are free to roam around downtown Montreal. The slices of apocalyptic action near the end of the film elevate this one above the earlier film, as it's a much darker consequence to the story's identical problem. Basically all the technical aspects remain the same, from amateurish acting to dated sets to a distinctive atmosphere, and the warning against scientific tampering is still there, but the aforementioned wider scope and subtle nods to the sociopolitical environment of 1970s Montreal make this one just a bit better. Cronenberg was just warming up, though.