| Desi Arnaz Jr. | ... | Scott | |
| Robert Carradine | ... | John | |
| Melanie Griffith | ... | Susie | |
| Anne Lockhart | ... | Cindy Young | |
| Tom Ligon | ... | Sanders | |
| Cliff Lenz | ... | Henderson | |
| Robert Loper | ... | Simon Williams | |
| Diana Grayf | ... | Rhonda | |
| Diane O'Mack | ... | Debbie | |
| Susan Ludlow | ... | Personnel Lady | |
| Ted D'Arms | ... | Site Manager | |
| Gail Rosella | ... | Cashier | |
| Richard Mazzola | ... | Car Salesman | |
| Michael O'Neill | ... | Henderson's Assistant | |
| Duncan Maclean | ... | Diner Owner | |
| Richard Riehle | ... | Bartender | |
| Richard Tietjen | ... | Sam | |
| Paul Fleming | ... | Big Ed | |
| James Hamer | ... | Gas Station Owner | |
| Spike Africa | ... | Old Man | |
| Dean Melang | ... | Camera Store Owner | |
| William Buck | ... | Border Guard | |
| Ralph Steadman | ... | New Tenant | |
| William A. McDonald | ... | Police Officer | |
| Robert Jett Barkley | ... | Police Officer | |
| Peter Fisher | ... | Oil Executive | |
| Richard Arnold | ... | Oil Executive | |
| Donald Einarsen | ... | Union Executive (as Don Einarson) | |
| John Vandevanter | ... | Union Executive | |
| Norman Newkirk | ... | Reporter | |
| Denise Frisino | ... | Reporter | |
| Adam Ezrine | ... | Reporter | |
| Robert Dietrich | ... | Pipeline Worker | |
| Merritt Olsen | ... | Pipeline Worker | |
| Tee Dennard | ... | Truck Driver | |
| Leif Bentsen | ... | Truck Driver | |
| Matt Donovick | ... | Truck Driver | |
| Charlie Watters | ... | Mid-West Man | |
| Mike DeMott | ... | Mid-West Man | |
| Betty Charleston | ... | Car Lot Customer | |
| Wayne Lee | ... | Car Lot Customer |
Directed by | |||
| Joseph Ruben | |||
Writing credits(in alphabetical order) | ||
| Peter Rainer | writer | |
| Joseph Ruben | writer | |
Produced by | |||
| Bruce Cohn Curtis | .... | producer | |
| Hal Landers | .... | executive producer | |
| Eugene Mazzola | .... | co-producer | |
| Bobby Roberts | .... | executive producer | |
Original Music by | |||
| Jimmie Haskell | |||
Cinematography by | |||
| Stephen M. Katz | |||
Film Editing by | |||
| Bill Butler | |||
Production Management | |||
| Eugene Mazzola | .... | production manager | |
| Chuck Russell | .... | unit production manager | |
Sound Department | |||
| Lee Alexander | .... | sound mixer | |
| Marvin Kerner | .... | sound effects editor | |
Stunts | |||
| Tommy J. Huff | .... | stunts | |
| Chuck Parkison Jr. | .... | stunt driver | |
| Chuck Parkison Jr. | .... | stunts | |
Other crew | |||
| Kathleen Long | .... | production coordinator | |
| Ana Maria Quintana | .... | script supervisor | |
Thanks | |||
| Chuck Parkison Jr. | .... | film dedicated to | |
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A pre-Nerd Robert Carradine, a pre-Automan Desi Arnaz Jr., and an almost pre-pubescent Melanie Griffith take to the road and head for Alaska with romantic dreams of becoming wealthy salmon fishers. Well, their dream is about as exciting as this lackluster youth road movie. They aren't particularly interesting, and the film doesn't exactly have much of a point, beyond `We got together the spawn of some famous people and made a low budget film about their misadventures.' Out of the cannon of 60's and 70's road films and rebel youth films, this one is mediocre, under developed, uninvolving characters, not much wit, not much freshness to the story, which is as bland as the films muddy landscape.
But, for those who care- They head to Alaska, and apparently Alaska was like the Wild West in the 70's because everyone carries a gun and is rough and tumble. Robert Carradine says charming things like `I hope we can find a shower, my nuts sure itch.' (And he's the one with Melanie Griffith!) They are quickly robbed and forced to take jobs, and the local bigwig, their employer, puts the moves on Melanie and eventually fires Desi for not being corrupt. That's when they aren't smart and do not leave town, opting instead to eat dog food or go hungry, get beat up by the guys goons, and then take a joyride in the bigwigs car. The final half of the film abandons the evil bigwig as the trio commit a robbery, go on the run, and hatch a kidnapping scheme, and so forth. The film just sort of ends, annoyingly and ambiguously, but seeing as how they didn't bother to have much character development and story in the first place, its rather appropriate. Worth a look if you are really into low budget 70's fare, but ultimately pretty forgettable.