| Photos (see all 21 | slideshow) |
| Mel Brooks | ... | Richard H. Thorndyke | |
| Madeline Kahn | ... | Victoria Brisbane | |
| Cloris Leachman | ... | Nurse Diesel | |
| Harvey Korman | ... | Dr. Charles Montague | |
| Ron Carey | ... | Brophy | |
| Howard Morris | ... | Professor Lilloman | |
| Dick Van Patten | ... | Dr. Wentworth | |
| Jack Riley | ... | The Desk Clerk | |
| Charlie Callas | ... | Cocker Spaniel | |
| Ron Clark | ... | Zachary Cartwright | |
| Rudy De Luca | ... | Killer (as Rudy DeLuca) | |
| Barry Levinson | ... | Bellboy | |
| Lee Delano | ... | Norton | |
| Richard Stahl | ... | Dr. Baxter | |
| Darrell Zwerling | ... | Dr. Eckhardt | |
| Murphy Dunne | ... | Piano Player | |
| Al Hopson | ... | Man Who is Shot | |
| Robert Ridgely | ... | Flasher (as Bob Ridgely) | |
| Albert Whitlock | ... | Arthur Brisbane (as Albert J. Whitlock) | |
| Pearl Shear | ... | Screaming Woman at Gate | |
| Arnold Soboloff | ... | Dr. Colburn | |
| Eddie Ryder | ... | Doctor at Convention | |
| Sandy Helberg | ... | Airport Attendant | |
| Fred Franklyn | ... | Man (as Fredric Franklyn) | |
| Deborah Dawes | ... | Stewardess | |
| Bernie Kuby | ... | Dr. Wilson | |
| Billy Sands | ... | Customer | |
| Ira Miller | ... | Psychiatrist with Children | |
| Jimmy Martinez | ... | Waiter | |
| Beatrice Colen | ... | Maid | |
| Robert Manuel | ... | Policeman at Airport | |
| Hunter von Leer | ... | Policeman at Airport (as Hunter Von Leer) | |
| John Dennis | ... | Orderly | |
| Robin Menken | ... | Cocktail Waitress | |
| Frank Campanella | ... | Bartender | |
| Henry Kaiser | ... | New Groom | |
| Bullets Durgom | ... | Man in Phone Booth | |
| Joe Bellan | ... | Male Attendant | |
| Mitchell Bock | ... | Bar Patron | |
| Jay Burton | ... | Patient | |
| Bryan Englund | ... | Orderly #2 | |
| Anne Macey | ... | Screaming Woman | |
| Alan U. Schwartz | ... | Psychiatrist |
Directed by | |||
| Mel Brooks | |||
Writing credits | ||
| Mel Brooks | (written by) & | |
| Ron Clark | (written by) & | |
| Rudy De Luca | (written by) (as Rudy DeLuca) & | |
| Barry Levinson | (written by) | |
Produced by | |||
| Mel Brooks | .... | producer | |
Original Music by | |||
| John Morris | (music composed by) | ||
Cinematography by | |||
| Paul Lohmann | (director of photography) | ||
Film Editing by | |||
| John C. Howard | |||
Production Design by | |||
| Peter Wooley | |||
Set Decoration by | |||
| Richard D. Kent | (as Richard Kent) | ||
| Anne MacCauley | |||
Costume Design by | |||
| Patricia Norris | |||
Makeup Department | |||
| Sugar Blymyer | .... | hair stylist | |
| Terry Miles | .... | makeup artist | |
| Linda Trainoff | .... | hair stylist | |
| Thomas Tuttle | .... | makeup artist (as Tom Tuttle) | |
Production Management | |||
| Ernest B. Wehmeyer | .... | production manager (as Ernest Wehmeyer) | |
Second Unit Director or Assistant Director | |||
| Mark Johnson | .... | second assistant director | |
| Jonathan Sanger | .... | assistant director | |
| David Sosna | .... | second assistant director | |
Art Department | |||
| Bill MacSems | .... | property master | |
| Edward Richardson | .... | assistant art director | |
| Hendrik Wynands | .... | construction coordinator | |
| Claudia Gilligan Ivanjack | .... | painter (uncredited) | |
Sound Department | |||
| Gene S. Cantamessa | .... | production sound mixer (as Gene Cantamessa) | |
| William Hartman | .... | sound effects | |
| Richard Portman | .... | sound re-recording mixer | |
| Richard Sperber | .... | sound effects | |
| Raul A. Bruce | .... | boom operator (uncredited) | |
Special Effects by | |||
| Jack Monroe | .... | special effects | |
Visual Effects by | |||
| Albert Whitlock | .... | special visual effects (as Albert J. Whitlock) | |
| Henry Schoessler | .... | visual effects (uncredited) | |
Stunts | |||
| Jerry Brutsche | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Edmond L. Koons | .... | camera operator (as Ed Koons) | |
| Elliott Marks | .... | still photographer | |
| J. Michael Marlett | .... | gaffer (as Michael J. Marlett) | |
| Guy Polzel | .... | key grip | |
Costume and Wardrobe Department | |||
| Jered Green | .... | costumer | |
| Wally Harton | .... | costumer | |
| Nancy Martinelli | .... | costumer | |
Editorial Department | |||
| Thomas G. Jingles | .... | apprentice editor | |
| Mary Scott | .... | assistant editor | |
Music Department | |||
| Ralph Burns | .... | orchestrator | |
| John R. Harris | .... | music editor | |
| Jack Hayes | .... | orchestrator | |
| John Morris | .... | conductor | |
| John Morris | .... | orchestrator | |
| Nathan Scott | .... | orchestrator | |
| Dan Wallin | .... | scoring mixer (as Danny Wallin) | |
Transportation Department | |||
| Jerry F. Johnson | .... | transportation coordinator (uncredited) | |
Other crew | |||
| Roslyn Chaitoff | .... | assistant: Mr. Brooks | |
| Ron Clark | .... | production consultant | |
| Stuart Cornfeld | .... | assistant to producer | |
| Abe Glazer | .... | production accountant | |
| Marie Kenney | .... | script supervisor | |
| Harold Michelson | .... | continuity sequences | |
| Ray Berwick | .... | bird trainer (uncredited) | |
| Richard 'Bongo' Mitchell | .... | animal wrangler (uncredited) | |
Thanks | |||
| Alfred Hitchcock | .... | dedicated to: the Master of Suspense | |
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| North by Northwest | Vertigo | Dead Men Don't Wear Plaid | Basic Instinct | Body Double |
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Though often overlooked in favor of Blazing Saddles or Young Frankenstein, I believe this to be the pick of Brooks' parodies. Whether you share this opinion would depend on your familiarity with all things Hitchcockian.
It is not only Vertigo, as the title suggests, that gets the Brooks treatment here, but The Birds, Spellbound and Psycho are all parodied to various degrees of subtlety. Many of these films key scenes are simply re-enacted with comic touches, whilst the Hitchcock formalae is very much in evidence. The style is particularly amusing in its parody. Highlights include a probing camera becoming all too literally intrusive when it crashes through a pane of glass in the window, and a dramatic sound composition turning out to be merely the didactic passing bus load of a touring philamonic orchestra.
Resisting the out and out farce of his earlier effort, Blazing Saddles, and managing not to evolve into simply being a one joke movie such as the tendency of his recent efforts, High Anxiety is Brooks at his most clever. The cast, mainly consisting of Brooks regulars, all display splendidly entertaining and aptly silly impersonations of recognisible Hitchcock stereotypes. It is Brooks' finest hour however, with not only directing, writing, and acting to his credit but singing as well!!!