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Black Sunday
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Black Sunday (1977) More at IMDbPro »

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Overview

User Rating:
6.7/10   2,542 votes
MOVIEmeter: ?
Up 2% in popularity this week. See why on IMDbPro.
Director:
Writers:
Thomas Harris (by)
Ernest Lehman (screenplay) ...
(more)
Contact:
View company contact information for Black Sunday on IMDbPro.
Release Date:
11 March 1977 (USA) more
Genre:
Tagline:
There has never been a motion picture adventure like... more
Plot:
An Isreali anti-terrorist agent must stop a disgruntled Vietnam vet cooperating in a plot to commit a terrorist plot at the Super Bowl. full summary | full synopsis
Awards:
1 nomination more
NewsDesk:
User Reviews:
One of the best political thrillers ever. more (57 total)

Cast

  (in credits order) (verified as complete)
Robert Shaw ... Kabakov
Bruce Dern ... Lander

Marthe Keller ... Dahlia
Fritz Weaver ... Corley
Steven Keats ... Moshevsky
Bekim Fehmiu ... Fasil
Michael V. Gazzo ... Muzi
William Daniels ... Pugh
Walter Gotell ... Colonel Riat
Victor Campos ... Nageeb
Joseph Robbie ... Joseph Robbie
Robert Wussler ... Robert Wussler
Pat Summerall ... Pat Summerall
Tom Brookshier ... Tom Brookshier
Walter Brooke ... Fowler
James Jeter ... Watchman

Clyde Kusatsu ... Freighter Captain
Tom McFadden ... Farley
Robert Patten ... Vickers
Than Wyenn ... Israeli Ambassador
Jack Rader ... Pearson
Nick Nickolary ... Simmons (as Nick Nicolary)
Michael Joseph Reynolds ... Jackson
Hunter von Leer ... T.V. Cameraman
Sarah Fankboner ... V.A. Receptionist
Kathy Thornton ... Head Nurse
Frank Logan ... Lansing
Frank Man ... Desk Clerk - Miami
Kenneth I. Harms ... S.W.A.T. Captain
Kim Nicholas ... Girl Hostage
Bert Madrid ... Bellhop
rest of cast listed alphabetically:
Sherman 'Big Train' Bergman ... Football Fan (uncredited)
Terry Bradshaw ... Himself (uncredited)

Ian Bulloch ... Secret Service Agent (uncredited)
Paul Fahrenkopf ... Spectator (uncredited)

John Frankenheimer ... TV director (uncredited)
Robert Ito ... Japanese Man (uncredited)
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Directed by
John Frankenheimer 
 
Writing credits
Thomas Harris (by)

Ernest Lehman (screenplay) &
Kenneth Ross (screenplay) and
Ivan Moffat (screenplay)

Produced by
Robert Evans .... producer
Alan Levine .... associate producer
Robert L. Rosen .... executive producer
 
Original Music by
John Williams 
 
Cinematography by
John A. Alonzo 
 
Film Editing by
Tom Rolf 
 
Casting by
Lynn Stalmaster 
 
Art Direction by
Walter H. Tyler  (as Walter Tyler)
 
Set Decoration by
Jerry Wunderlich 
 
Costume Design by
Ray Summers 
 
Makeup Department
Sugar Blymyer .... hair stylist
Robert Dawn .... make-up artist (as Bob Dawn)
Brad Wilder .... make-up artist
 
Production Management
Jerry Ziesmer .... unit production manager
Lindsley Parsons Jr. .... executive production manager: Paramount (uncredited)
 
Second Unit Director or Assistant Director
Larry J. Franco .... second assistant director (as Larry Franco)
Marc Monnet .... second unit director
Jerry Ziesmer .... assistant director
 
Art Department
Nikita Knatz .... production illustrator
Ray Mercer Jr. .... property master (as Ray Mercer)
 
Sound Department
Howard Beals .... sound effects editor
Gene S. Cantamessa .... sound mixer (as Gene Cantamessa)
John Wilkinson .... re-recording mixer (as John K. Wilkinson)
 
Special Effects by
Logan Frazee .... special effects man
 
Visual Effects by
Bill Hansard .... process consultant
Gene Warren Jr. .... visual effects (uncredited)
 
Stunts
Everett Creach .... stunt coordinator
Jay Amor .... stunts (uncredited)
Richard E. Butler .... stunts (uncredited)
Mickey Caruso .... stunts (uncredited)
Bobby Clark .... stunts (uncredited)
Erik Cord .... stunts (uncredited)
Everett Creach .... stunts (uncredited)
Howard Curtis .... stunts (uncredited)
Jeannie Epper .... stunts (uncredited)
Roberto Escobar .... stunts (uncredited)
Larry Holt .... stunts (uncredited)
Gene LeBell .... stunts (uncredited)
Bob Minor .... stunts (uncredited)
John Moio .... co-stunt coordinator (uncredited)
Dean Smith .... stunts (uncredited)
Paul Stader .... stunts (uncredited)
Greg Walker .... stunts (uncredited)
Richard Washington .... stunts (uncredited)
Dick Ziker .... stunts (uncredited)
 
Camera and Electrical Department
Steve Sabol .... cameraman: N.F.L. Films, special football sequences
Rexford L. Metz .... camera operator: second unit (uncredited)
 
Casting Department
Beverly McDermott .... location casting: Miami
 
Costume and Wardrobe Department
Shelly Levine .... costumer: men (uncredited)
 
Music Department
June Edgerton .... music editor
Herbert W. Spencer .... orchestrations
 
Other crew
Charlsie Bryant .... script supervisor
James W. Gavin .... helicopter pilot (as James Gavin)
Nat Moore .... football technical advisor
Nick Nickolary .... pilot: Goodyear blimp (as Nick Nicolary)
Cathy Chazan .... assistant: Mr. Evans (uncredited)
 
Crew verified as complete


Production CompaniesDistributorsSpecial EffectsOther Companies
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Additional Details

Runtime:
143 min
Country:
Language:
Color:
Color (Movielab)
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Filming Locations:

Fun Stuff

Trivia:
The actual game that was being played in the film was Superbowl X between the Pittsburgh Steelers and the Dallas Cowboys at Miami. Respective scores: 21 to 17. more
Goofs:
Errors in geography: When the blimp takes off from its base in South Florida en-route to the SuperBowl, you can see mountains in the distance. South Florida's terrain is flat. more
Quotes:
FBI Agent Sam Corley: The President isn't persuaded that attending the Super Bowl will pose a threat to his life. I suppose it's the more important threat on his mind; he's slipping in the polls! Eighty-two thousand, five hundred twenty-eight, to be exact! more
Movie Connections:
Referenced in Kill Bill: Vol. 1 (2003) more
Soundtrack:
I've Been Working on the Railroad more

FAQ

This FAQ is empty. Add the first question.
13 out of 16 people found the following review useful.
One of the best political thrillers ever., 18 February 1999
Author: anonymous from San Diego, California

I'm a sucker for movies with blimps and hot air balloons (from Jules Verne to James Bond). A movie where the Goodyear Blimp plays a major role is right up my alley. But that's not all. This is one of the most realistic political thrillers ever filmed. Each actor regardless of the size of role in this film simply blows away most of what passes for acting today. Frankenheimer's direction (style later copied on Hill Street Blues and NYPD Blue) was perhaps ten to fifteen years ahead of its time, and the editing at times perhaps second only to Jaws and maybe a Hitchcock film or two (though it does slow down in the middle). This is a film where the obvious villain, played by a colorful Bruce Dern, is the central character driving the story, and Robert Shaw's underplayed hero somewhat of an antagonist getting in the way. Dern's character is not glorified (as many of that film era were such as in Bonnie and Clyde, The Sting, and Butch Cassidy). The camera is there so we may understand his character without romanticism or sympathy. We are left to make up our own mind about his villainy, and Dern's performance leaves little to question that he is a deranged lunatic. Perhaps this is why the film is not so known today. Vietnam vets returning home was a fairly new topic for films at the time (ironically "Coming Home" with Bruce Dern as a sympathetic vet was the first big film about this subject). The "crazed Viet Vet" became a stereotype and politically incorrect. It is too bad this film was lumped into that group, because it is as good as a thriller can get. Next to "Jaws," this is Shaw's best performance. This is a film that can be watched over and over because it is so complex. I recommend buying the film as opposed to renting it, so you can savor it like a good wine.

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