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| Dennis Hopper | ... | 1st Sgt. Jack Falen | |
| Taryn Power | ... | Stephanie | |
| Dean Stockwell | ... | Mark | |
| Topo Swope | ... | Chloe | |
| Alfred Ryder | ... | The Man | |
| Zack Norman | ... | Gene | |
| Michael Emil | ... | Emile | |
| Barbara Flood | ... | The Lady | |
| Cayle Chernin | ... | Train Passenger | |
| Vance Davis | ... | Train Passenger | |
| Nate Esformes | ... | Train Steward | |
| James Frawley | ... | Train Passenger | |
| Mary George | ... | Train Passenger | |
| Jim Gitter | ... | Train Passenger | |
| Kevin Hoffman | |||
| R.A. Lambie | |||
| Sally Kirkland | ... | Train Passenger | |
| Wilbert Lang | |||
| Jock Livingston | |||
| Rita Martinson | |||
| Ralph McCarthy | |||
| Frank McRae | ... | Train Coachman | |
| Vincent Milana | (as Vince Milana) | ||
| Robert Moye | |||
| Sheila Ochs | |||
| Michael Payne | ... | Undertaker (as Mike Payne) | |
| Ed Peck | |||
| George Reynolds | |||
| Paul Williams | ... | Tarot Reader | |
| Luis Tijerina | ... | Soldier on the train |
Directed by | |||
| Henry Jaglom | |||
Writing credits(in alphabetical order) | ||
| Henry Jaglom | writer | |
Produced by | |||
| Elliot S. Blair | .... | associate producer | |
| Irving Cohen | .... | co-producer | |
| Bert Schneider | .... | executive producer | |
| Ted Shapiro | .... | co-producer | |
| Howard Zucker | .... | producer | |
Cinematography by | |||
| Paul Glickman | |||
Film Editing by | |||
| George Folsey Jr. | |||
Art Direction by | |||
| Bryan Ryman | |||
Production Management | |||
| Michael Emil | .... | executive in charge of production (as Michael E. Jaglom) | |
| Robert S. Kaplan | .... | production supervisor | |
| Michael Lally Jr. | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Larry Kostroff | .... | first assistant director | |
| Patrice Townsend | .... | assistant director | |
Sound Department | |||
| Robert H. Guhl | .... | sound re-recording mixer (as Bob Guhl) | |
| Jeffrey L. Hayes | .... | sound (as Jeff Hayes) | |
| Robert J. Litt | .... | sound re-recording mixer (as Bob Litt) | |
| Bill Varney | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| Al York | .... | gaffer | |
Editorial Department | |||
| Tonda Marton | .... | assistant editor | |
Other crew | |||
| Ronni Ackerman | .... | production assistant (as Roni Ackerman) | |
| Satya De La Manitou | .... | production assistant | |
| Hannah Hempstead | .... | script supervisor | |
| John Masius | .... | production assistant | |
| Robert Vehon | .... | production assistant | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
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This movie started out so wonderfully intriguing....and then fell apart so awfully hard. It was downright painful for me to watch this movie die...I had such hopes for it. All these characters riding on a train...all their lives intertwined for the short journey...people with Secrets...simultaneous conversations recorded so spontaneously I felt like I was eavesdropping. Scenes of sexual intimacy that made me feel like a voyeur...Dennis Hopper running through the train completely naked, making me turn my head away like a startled passenger... The more I think about it, the angrier I get...surely someone could have rewritten the last half of the script and turned this film into something much, much better. As it is, I just watch my favorite scenes from the first half of the movie over & over again....the conversations with Dean Stockwell are priceless. (And hey, isn't he wearing the same pair of tennis shoes in Paris, Texas?).