| Photos (see all 17 | slideshow) |
| Mel Brooks | ... | Mel Funn | |
| Marty Feldman | ... | Marty Eggs | |
| Dom DeLuise | ... | Dom Bell | |
| Sid Caesar | ... | Studio Chief | |
| Harold Gould | ... | Engulf | |
| Ron Carey | ... | Devour | |
| Bernadette Peters | ... | Vilma Kaplan | |
| Carol Arthur | ... | Pregnant Lady | |
| Liam Dunn | ... | Newsvendor | |
| Fritz Feld | ... | Maitre d' | |
| Chuck McCann | ... | Studio Gate Guard | |
| Valerie Curtin | ... | Intensive Care Nurse | |
| Yvonne Wilder | ... | Studio Chief's Secretary | |
| Harry Ritz | ... | Man in Tailor Shop | |
| Charlie Callas | ... | Blindman | |
| Henny Youngman | ... | Fly-in-soup Man | |
| Arnold Soboloff | ... | Acupuncture Man | |
| Patrick Campbell | ... | Motel Bellhop | |
| Eddie Ryder | ... | British Officer | |
| Al Hopson | ... | Executive | |
| Rudy De Luca | ... | Executive (as Rudy DeLuca) | |
| Barry Levinson | ... | Executive | |
| Howard Hesseman | ... | Executive | |
| Lee Delano | ... | Executive | |
| Jack Riley | ... | Executive | |
| Inga Neilsen | ... | Beautiful Blonde #1 | |
| Erica Hagen | ... | Beautiful Blonde #2 | |
| Robert Lussier | ... | Projectionist | |
| Burt Reynolds | ... | Himself | |
| James Caan | ... | Himself | |
| Liza Minnelli | ... | Herself | |
| Anne Bancroft | ... | Herself | |
| Marcel Marceau | ... | Himself | |
| Paul Newman | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Sivi Aberg | ... | Beautiful Blonde #3 (uncredited) | |
| Dody Goodman | ... | Tourist woman #1 (uncredited) | |
| Phil Leeds | ... | Waiter (uncredited) | |
| Candice Rialson | ... | Bit part (uncredited) | |
| Ray Stewart | ... | Movie House Manager (uncredited) | |
| Jerry Trent | ... | Dancer (uncredited) | |
Directed by | |||
| Mel Brooks | |||
Writing credits | ||
| Mel Brooks | (screenplay) & | |
| Ron Clark | (screenplay) & | |
| Rudy De Luca | (screenplay) (as Rudy DeLuca) & | |
| Barry Levinson | (screenplay) | |
| Ron Clark | (story) | |
Produced by | |||
| Michael Hertzberg | .... | producer | |
Original Music by | |||
| John Morris | |||
Cinematography by | |||
| Paul Lohmann | (director of photography) | ||
Film Editing by | |||
| Stanford C. Allen | |||
| John C. Howard | |||
Casting by | |||
| Mary Goldberg | |||
Production Design by | |||
| Albert Brenner | (as Al Brenner) | ||
Set Decoration by | |||
| Rick Simpson | |||
Costume Design by | |||
| Patricia Norris | |||
Makeup Department | |||
| Mary Keats | .... | hair stylist | |
| Charles H. Schram | .... | makeup man (as Charles Schram) | |
| William Tuttle | .... | makeup artist | |
Production Management | |||
| Frank Baur | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Max Kleven | .... | second unit director | |
| Edward Teets | .... | assistant director (as Ed Teets) | |
| Richard A. Wells | .... | second assistant director (as Richard Wells) | |
Art Department | |||
| Stephen Myles Berger | .... | assistant art director (as Steve Berger) | |
| Richard Evans | .... | assistant property master | |
| Tom Fairbanks | .... | property master (as Tommi Fairbanks) | |
| Hendrik Wynands | .... | construction coordinator (as Hank Wynands) | |
Sound Department | |||
| Don Hall | .... | sound editor | |
| Don MacDougall | .... | sound re-recording mixer | |
| Richard Portman | .... | sound re-recording mixer | |
Special Effects by | |||
| Ira Anderson Jr. | .... | special effects | |
Stunts | |||
| Max Kleven | .... | stunt coordinator | |
| Roydon Clark | .... | stunts (uncredited) | |
| Paula Dell | .... | stunts (uncredited) | |
| James M. Halty | .... | stunts (uncredited) | |
| Orwin C. Harvey | .... | stunts (uncredited) | |
| Bob Herron | .... | stunts (uncredited) | |
| Harvey Parry | .... | stunts (uncredited) | |
| Greg Walker | .... | stunts (uncredited) | |
| Dick Warlock | .... | utility stunts (uncredited) | |
| Jesse Wayne | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Edmond L. Koons | .... | camera operator (as Ed Koons) | |
| J. Michael Marlett | .... | gaffer (as Michael Marlett) | |
| Tom Prophet Jr. | .... | key grip | |
Costume and Wardrobe Department | |||
| Jay Caplan | .... | wardrobe: men | |
| Wally Harton | .... | wardrobe: men | |
| Nancy Martinelli | .... | wardrobe: ladies | |
Editorial Department | |||
| David Blangsted | .... | assistant editor | |
Music Department | |||
| Billy Byers | .... | orchestrator (as Bill Byers) | |
| Kevin F. Cleary | .... | music recordist (as Kevin Cleary) | |
| John Morris | .... | orchestrator | |
| Lionel Newman | .... | conductor | |
| Jack Lesberg | .... | musician: bass (uncredited) | |
Transportation Department | |||
| William Hogue | .... | driver (uncredited) | |
Other crew | |||
| Ron Clark | .... | production consultant | |
| Anthony Goldschmidt | .... | title designer: Pacific Title | |
| Robert Iscove | .... | choreographer (as Rob Iscove) | |
| Ray Quiroz | .... | script supervisor | |
|
|
|
|
|
| Blazing Saddles | Who Framed Roger Rabbit | Last Action Hero | The Naked Gun: From the Files of Police Squad! | Gremlins |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
| Add this title to MyMovies |
In the land of Mel Brooks, Blazing Saddles is often deemed king. Equal successes like Young Frankenstein and The Producers are the king's notorious sons, while Spaceballs is his court jester. And I think it's safe to say Robin Hood: Men in Tights and History of the World Part I would be the beheaded wives unable to bear him children.
But, to stretch this metaphor so thin you can see the blood running through the blue veins of its translucent skin, there's the wise old man, an adviser -- he is, in fact, the king's ailing father. Such is Silent Movie, and such is its role in the kingdom.
Making a silent film in 1976 was a gutsy move, which Brooks parodies by making the plot of Silent Movie about a director trying to make a silent picture. With only one word of dialogue -- spoken, ironically, by Marcel Marceau -- the film relies heavily on the forgotten arts of vaudeville and slapstick. Brooks is not foreign to these tricks; in fact, they have always been the primary source of laughter in all his movies. Sight gags and outrageous behavior are his fodder, and he uses them abundantly here: the Coke machine battle; the board room's reaction to Vilma Kaplan's picture; the heart monitor/Pong machine; and more.
Silent Movie is full of laughs, far more than any director has the right to expect. The reason is because Mel Brooks (who is teamed up here with the very funny duo of Dom DeLuise and Marty Feldman) will try anything for a laugh, no matter how silly. Even if we're not laughing, we're chuckling; and if we're not chuckling, we're smiling at the audacity.
To return brazenly to that thin metaphor I hatched earlier would be a kind of critical suicide. Yet I might as well. Blazing Saddles may be king, and Silent Movie may be the wise adviser. And Young Frankenstein and The Producers may be princes. But royalty usually serves a god. That god is Mel Brooks -- and with every movie of his that I see, I realize just how much I love going to his church.