IMDb > Shao Lin mu ren xiang (1976)

Shao Lin mu ren xiang (1976) More at IMDbPro »


Overview

User Rating:
6.1/10   529 votes
MOVIEmeter: ?

Up 3% in popularity this week. See why on IMDbPro.

Director:

Chi-Hwa Chen

Contact:

View company contact information for Shao Lin mu ren xiang on IMDbPro.

Release Date:

10 November 1976 (Hong Kong) more

Genre:

Action more

Plot:

Jackie witnesses his father's death by the skilled hands of a martial arts master with an unknown killing technique... more | add synopsis

Plot Keywords:

User Comments:

Kung Fu film "branches" out... more (8 total)


Cast

 

Jackie Chan
Kam Chiang
Jang Lee Hwang ... Monk in opening sequence / Extra
Kong Kim
Yuen Lung
Tien Miao
Wei Ho Tu (as Her Du Wei)
Biao Yuen
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Directed by
Chi-Hwa Chen 
 
Produced by
Wei Lo .... producer
 
Other crew
Jackie Chan .... action director
Tommy Lee .... action director
Biao Yuen .... double: martial arts and acrobatics
 

Distributors
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Additional Details

Also Known As:

36 Wooden Men
Shaolin Chamber of Death
Shaolin Wooden Men (Hong Kong: English title)
Shaolin Wooden Men... Young Tiger's Revenge
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Runtime:

USA:98 min | UK:106 min

Country:

Hong Kong

Language:

Cantonese

Color:

Color

Aspect Ratio:

2.35 : 1 more

Sound Mix:

Mono

Certification:

UK:15 | Germany:12 (re-rating) (uncut) | West Germany:16 (original rating) (cut) | Germany:16 (VHS rating)


FAQ

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2 out of 2 people found the following comment useful.
Kung Fu film "branches" out..., 11 July 2007
7/10
Author: Guardia from Brisbane, Australia.

Under-rated film featuring a mute Jacky Chan who begins training at a Shaolin monastery. This films best draw-card is it's plot. This is your regular Kung Fu vengeance story but written much more cunningly and cleverly. The typical plot mechanisms are used, but they didn't bother me, and the story held my attention better than most modern movies I see.

Jackie's fighting is great, and I particularly enjoyed the training he receives from the Nun(?). Not to mention the inventive and really quite absurd training he gets from the imprisoned man.

As like other films of this period, I think that only Kung Fu genre die-hards will really sit through this and feel rewarded. The Wooden Men themselves never seemed as dangerous as the real men in the film - is this some kind of comment on human nature in a Kung Fu film?

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