| Photos (see all 10 | slideshow) |
| Robert De Niro | ... | Monroe Stahr | |
| Tony Curtis | ... | Rodriguez | |
| Robert Mitchum | ... | Pat Brady | |
| Jeanne Moreau | ... | Didi | |
| Jack Nicholson | ... | Brimmer | |
| Donald Pleasence | ... | Boxley | |
| Ray Milland | ... | Fleishacker | |
| Dana Andrews | ... | Red Ridingwood | |
| Ingrid Boulting | ... | Kathleen Moore | |
| Peter Strauss | ... | Wylie | |
| Theresa Russell | ... | Cecilia Brady | |
| Tige Andrews | ... | Popolos | |
| Morgan Farley | ... | Marcus | |
| John Carradine | ... | Tour guide | |
| Jeff Corey | ... | Doctor | |
| Diane Shalet | ... | Stahr's secretary | |
| Seymour Cassel | ... | Seal trainer | |
| Anjelica Huston | ... | Edna (as Angelica Huston) | |
| Bonnie Bartlett | ... | Brady's secretary | |
| Sharon Masters | ... | Brady's secretary | |
| Eric Christmas | ... | Norman | |
| Leslie Curtis | ... | Mrs. Rodriguez | |
| Lloyd Kino | ... | Butler | |
| Brendan Burns | ... | Assistant editor | |
| Carrie Miller | ... | Ladly in restaurant | |
| Peggy Feury | ... | Hairdresser | |
| Betsy Jones-Moreland | ... | Lady writer | |
| Patricia Singer | ... | Girl on beach | |
| rest of cast listed alphabetically: | |||
| Pamela Guest | ... | Stahr's secretary (as Pamela Seamon) | |
| Don Brodie | ... | Extra on Set (uncredited) | |
| Nicholas Cairis | ... | Man at front table (uncredited) | |
| Jester Hairston | ... | Waiter in Stahr's office (uncredited) | |
| Byron Morrow | ... | Studio executive (uncredited) | |
| Montana Smoyer | ... | Disgruntled lady on elevator talking to husband (uncredited) | |
| H.M. Wynant | ... | Man at daillies (uncredited) | |
Directed by | |||
| Elia Kazan | |||
Writing credits(in alphabetical order) | ||
| F. Scott Fitzgerald | novel | |
| Harold Pinter | writer | |
Produced by | |||
| Sam Spiegel | .... | producer | |
Original Music by | |||
| Maurice Jarre | |||
Cinematography by | |||
| Victor J. Kemper | |||
Film Editing by | |||
| Richard Marks | |||
Production Design by | |||
| Gene Callahan | |||
Art Direction by | |||
| Jack T. Collis | |||
Set Decoration by | |||
| Jerry Wunderlich | |||
Costume Design by | |||
| Anna Hill Johnstone | |||
| Anthea Sylbert | |||
Makeup Department | |||
| Gary Liddiard | .... | makeup artist | |
| Jean Burt Reilly | .... | hair stylist | |
Production Management | |||
| Lloyd Anderson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Gary Daigler | .... | second assistant director | |
| Daniel McCauley | .... | first assistant director (as Danny McCauley) | |
| Ron Wright | .... | second assistant director | |
Sound Department | |||
| Larry Jost | .... | sound mixer | |
| Barbara Fallick Marks | .... | sound editor (as Barbara Marks) | |
| Ronald Poore | .... | sound editor | |
| Robert M. Reitano | .... | sound editor (as Robert Reitano) | |
| Winston Ryder | .... | sound editor | |
| Dick Vorisek | .... | sound re-recording mixer | |
Special Effects by | |||
| Henry Millar | .... | special effects | |
Camera and Electrical Department | |||
| Bob Rose | .... | key grip | |
Music Department | |||
| Joseph Glassman | .... | music editor | |
Transportation Department | |||
| Joseph Sullivan | .... | driver | |
Other crew | |||
| Daniel McCauley | .... | title designer | |
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| The Bad and the Beautiful | Inside Daisy Clover | Sunset Blvd. | A Star Is Born | The Day of the Locust |
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| News articles | IMDb Drama section | IMDb USA section |
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De Niro was an unexpected surprise as Monroe Starr in this brilliant adaptation of F. Scott Fitzgerald's unfinished last novel. He gives a thoughtful, sensitive, and intelligent performance as this character, who was modeled on MGM producer, Irving Thalberg. Fitzgerald wrote about Hollywood from the inside, and from the perspective of someone who was destroying himself by being inside. He could ask for nothing better than to have English playwright Harold Pinter create this stark, human screenplay and then have Elia Kazan realize it.
In addition to De Niro's definitive performance, we get a series of perfect cameos (usually an impossibility) from Tony Curtis, Jeanne Moreau, Robert Mitchum, and others. We also get two screen debuts of merit -- Angelica Huston (in a small, but memorable scene) and an excellent Teresa Russell as Starr's would-be sweetheart. The critics hated the movie, and it did poorly in box offices, but it was truly, like Fitzgerald himself, an American masterpiece.