| Photos (see all 8 | slideshow) |
| Giancarlo Giannini | ... | Tullio Hermil | |
| Laura Antonelli | ... | Giuliana Hermil | |
| Jennifer O'Neill | ... | Teresa Raffo | |
| Rina Morelli | ... | Tullio's Mother | |
| Massimo Girotti | ... | Count Stefano Egano | |
| Didier Haudepin | ... | Federico Hermil | |
| Marie Dubois | ... | The Princess | |
| Roberta Paladini | ... | Miss Elviretta | |
| Claude Mann | ... | The Prince | |
| Marc Porel | ... | Filippo d'Arborio | |
| Philippe Hersent | |||
| Elvira Cortese | |||
| Siria Betti | |||
| Enzo Musumeci Greco | |||
| Alessandra Vazzoler | |||
| Marina Pierro | |||
| Vittorio Zarfati | |||
| Alessandro Consorti | |||
| Filippo Perego | |||
| Margherita Horowitz | |||
| Riccardo Satta |
Directed by | |||
| Luchino Visconti | |||
Writing credits | ||
| Gabriele D'Annunzio | (novel) | |
| Suso Cecchi d'Amico | (written by) and | |
| Enrico Medioli | (written by) and | |
| Luchino Visconti | (written by) | |
Produced by | |||
| Giovanni Bertolucci | .... | producer: Rizzoli Film S.p.A. | |
| Lucio Trentini | .... | line producer | |
Original Music by | |||
| Franco Mannino | |||
Cinematography by | |||
| Pasqualino De Santis | |||
Film Editing by | |||
| Ruggero Mastroianni | |||
Production Design by | |||
| Mario Garbuglia | |||
Set Decoration by | |||
| Carlo Gervasi | |||
Costume Design by | |||
| Piero Tosi | |||
Makeup Department | |||
| Maria Teresa Corridoni | .... | key hair stylist | |
| Aldo Signoretti | .... | hair stylist | |
Production Management | |||
| Rossella Angeletti | .... | assistant production manager | |
Second Unit Director or Assistant Director | |||
| Albino Cocco | .... | first assistant director | |
| Giorgio Treves | .... | second assistant director | |
| Alessio Girotti | .... | assistant director (uncredited) | |
Camera and Electrical Department | |||
| Adolfo Bartoli | .... | assistant camera | |
| Giuseppe Bernardini | .... | camera operator | |
| Mario Cimini | .... | camera operator | |
| Mauro Pezzotti | .... | grip | |
Costume and Wardrobe Department | |||
| Alberto Verso | .... | assistant costume designer | |
Music Department | |||
| Franco Mannino | .... | conductor | |
| Orchestra dell'Accademia Nazionale di Santa Cecilia | .... | music performed by (as Orchestra Stabile della Gestione Autonoma dei Concerti dell'Accademia Nazionale di S. Cecilia) | |
Other crew | |||
| Renata Franceschi | .... | script supervisor | |
| Recent Posts (updated daily) | User |
|---|---|
| DVD, Please! | fs3 |
| Who is turning the pages? | Trelili |
|
|
|
|
|
| Carne trémula | Lo strano vizio della Signora Wardh | Ridicule | The Pillow Book | Malèna |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Italy section | Add this title to MyMovies |
The languid pace of Visconti's last film is not a problem for me. He was an old man, directing from a wheelchair, and had slowed down a lot. Think of it as the long slow movement of a symphony by Mahler - whose music, you will remember, he used in Death in Venice - and it will make more sense.
What I want to know is more about Gabriele D'Annunzio's novel. One commentator claims that the male lead is a kind of 'atheistic hero' faithful to his beliefs, and that Visconti subverts the author's intention by showing him as a rich aristocrat as selfish as he is unpleasant. Can any authority on Italian literature shed any light?