| Photos (see all 4 | slideshow) |
| W.A. 'Tony' Boyle | ... | Himself | |
| Basil Collins | ... | Himself - mine foreman | |
| Carl Horn | ... | Himself | |
| Lawrence Jones | ... | Himself - shooting victim | |
| John L. Lewis | ... | Himself (archive footage) | |
| Arnold Miller | ... | Himself | |
| Florence Reece | ... | Herself | |
| Lois Scott | ... | Herself | |
| William Simon | ... | Himself | |
| Richard Trumka | ... | Himself | |
| Billy G. Williams | ... | Himself - Harlan County sheriff | |
| Nimrod Workman | ... | Himself | |
| Joseph Yablonski | ... | Himself (archive footage) | |
| Ken Yablonski | ... | Himself | |
| Barbara Kopple | ... | Herself (voice) (uncredited) |
Directed by | |||
| Barbara Kopple | |||
Produced by | |||
| Barbara Kopple | .... | producer | |
Original Music by | |||
| Hazel Dickens | |||
| Merle Travis | |||
Cinematography by | |||
| Kevin Keating | |||
| Hart Perry | |||
Film Editing by | |||
| Nancy Baker | |||
| Mirra Bank | |||
| Lora Hays | |||
| Mary Lampson | |||
Production Management | |||
| Marc Weiss | .... | production manager: Miller-Boyle Campaign (as Marc N. Weiss) | |
Sound Department | |||
| Rhetta Barron | .... | assistant sound editor | |
| Tim Colman | .... | additional sound | |
| Lee Dichter | .... | sound re-recording mixer | |
| Bob Gates | .... | additional sound | |
| Barbara Kopple | .... | sound recordist | |
| Judy Rabinovitz | .... | assistant sound editor | |
| Helene Susman | .... | assistant sound editor | |
| Joshua Waletzky | .... | sound editor (as Josh Waletzky) | |
| John Walz | .... | additional sound | |
Camera and Electrical Department | |||
| Dick Donovan | .... | assistant camera | |
| Michael Hamilton | .... | assistant camera | |
| Tom Hurwitz | .... | additional cinematographer | |
| Anne Lewis II | .... | assistant camera | |
| George Liebert | .... | assistant grip | |
| Alex Lukman | .... | assistant camera | |
| Flip McCarthy | .... | additional cinematographer | |
| Phil Parmet | .... | additional cinematographer | |
| Shane Zarintash | .... | assistant camera | |
Editorial Department | |||
| Mirra Bank | .... | contributing editor | |
| Lora Hays | .... | consulting editor | |
| Lawrence Mischel | .... | negative cutter | |
| Sue Mischel | .... | negative cutter | |
Other crew | |||
| Mariann Dusseldorp | .... | unspecified assistant | |
| Barbara Johnson | .... | unspecified assistant | |
| Anne Lewis II | .... | associate director | |
| Teri Siegel | .... | unspecified assistant | |
Thanks | |||
| D.A. Pennebaker | .... | thanks | |
| Rip Torn | .... | thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| Govt. Regulations | acesfull-2 |
| I'm from Harlan Co. Ky | Nymesis |
| Wow | mwilli95 |
| Where did the profits go? | orangutangerine |
| Oh, and why no Dvd either? | WillieKilligan |
| Coming to Criterion! | bargo_18 |
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| Harlan County War | Matewan | October Sky | Brassed Off | Hoffa |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section | Add this title to MyMovies |
After voting for almost 1000 films in the Internet Movie Database I rate Harlan County USA as the best film I've ever seen. I think that means that it moved me more than any other. I've seen it four times but not for many years.
Last night I watched the made for TV Harlan County War, but switched the video off half way through. It didn't add anything to the original documentary which also covered this long strike at the Brookside mine in 1973. In fact the dramatisation made the unfolding events of the strike look somewhat predictable and cliched - playing out with similarities to Norma Rae.
In Barbara Kopple's film I was horrified that the strike was over something we here take for granted in Australia - the simple right for the workforce at a place of employment to be represented by a labor union. The hypocrisy of the US government's persistent claim that the nation is a leader in democratic rights was never been made so apparent (except perhaps in Salt of the Earth)
What's so great about Harlan County USA?
* The clarity of the portrayal of the grotesque power of monopoly capital
* The way Koppel and crew are right in there, every day, every night - totally committed to the struggle, not just observers They're not your back to the city at 5pm chroniclers - they're in there for the long haul.
* The way that representatives of Duke Power so eloquently state their sheer nastiness and lack of basic humanity
* The evocative portrayal of the tensions amongst the strikers and the ebbs and flows of enthusiasm, optimism, despair, pessimism, solidarity, and opportunism.
* The way it captures the dimension of violence in US labor relations - in the land of the gun.
* The emergence of stong women and the pivotal role they played.
* The haunting music of Hazel Dickens.
* The moving songs of black-lung affected Nimrod Workman.
* The dramatic juxtaposition of the beauty of the woods and hollows and the grinding poverty and deplorable living conditions.
* The broader chronicling of the conditions in the "Other America".
* The trip to New York to put their case and a great conversation between a Kentucky miner and a police officer.
Above all this is a film that can inspire the powerless to take on the mighty - because working people do have tremendous bargaining power, if they stay resilient and united.