| Woody Allen | ... | Howard Prince | |
| Zero Mostel | ... | Hecky Brown | |
| Herschel Bernardi | ... | Phil Sussman | |
| Michael Murphy | ... | Alfred Miller | |
| Andrea Marcovicci | ... | Florence Barrett | |
| Remak Ramsay | ... | Hennessey | |
| Marvin Lichterman | ... | Myer Prince | |
| Lloyd Gough | ... | Delaney | |
| David Margulies | ... | Phelps | |
| Joshua Shelley | ... | Sam | |
| Norman Rose | ... | Howard's Attorney | |
| Charles Kimbrough | ... | Committee Counselor | |
| Josef Sommer | ... | Committee Chairman (as M. Josef Sommer) | |
| Danny Aiello | ... | Danny LaGattuta | |
| Georgann Johnson | ... | T. V. Interviewer | |
| Scott McKay | ... | Hampton | |
| David Clarke | ... | Hubert Jackson | |
| I.W. Klein | ... | Bank Teller | |
| John Eric Bentley | ... | Bartender (as John Bentley) | |
| Julie Garfield | ... | Margo | |
| Murray Moston | ... | Boss | |
| MacIntyre Dixon | ... | Harry Stone (as McIntyre Dixon) | |
| Rudolph Willrich | ... | Tailman (as Rudolph Wilrich) | |
| Burt Britton | ... | Bookseller | |
| Albert Ottenheimer | ... | School Principal (as Albert M. Ottenheimer) | |
| William Bogert | ... | Parks | |
| Joey Faye | ... | Waiter | |
| Marilyn Sokol | ... | Sandy | |
| John J. Slater | ... | T. V. Director | |
| Renee Paris | ... | Girl In Hotel Lobby (as Renée Paris) | |
| Gino Gennaro | ... | Stage Hand | |
| Joan Porter | ... | Myer's Wife | |
| Andrew Bernstein | ... | Alfred's Child | |
| Jacob Bernstein | ... | Alfred's Child | |
| Matthew Tobin | ... | Man At Party | |
| Marilyn Persky | ... | His Date | |
| Sam McMurray | ... | Young Man At Party | |
| Joe Jamrog | ... | F B I Man | |
| Michael B. Miller | ... | F B I Man (as Michael Miller) | |
| Lucy Lee Flippin | ... | Nurse | |
| Jack Davidson | ... | Congressman | |
| Donald Symington | ... | Congressman | |
| Pat McNamara | ... | Federal Marshal (as Patrick McNamara) | |
| rest of cast listed alphabetically: | |||
| Joseph Bergmann | ... | Demonstrator (uncredited) | |
| Carson Grant | ... | Eddy Waiter (uncredited) | |
| Stephen Hayes | ... | Alfred's child (uncredited) | |
| Lauren Simon | ... | Train Passenger (uncredited) | |
Directed by | |||
| Martin Ritt | |||
Writing credits | ||
| Walter Bernstein | (written by) | |
Produced by | |||
| Robert Greenhut | .... | associate producer | |
| Charles H. Joffe | .... | executive producer | |
| Martin Ritt | .... | producer | |
| Jack Rollins | .... | executive producer (uncredited) | |
Original Music by | |||
| Dave Grusin | |||
Cinematography by | |||
| Michael Chapman | (director of photography) | ||
Film Editing by | |||
| Sidney Levin | |||
Casting by | |||
| Juliet Taylor | |||
Art Direction by | |||
| Charles Bailey | |||
Set Decoration by | |||
| Robert Drumheller | |||
Costume Design by | |||
| Ruth Morley | |||
Makeup Department | |||
| Robert Jiras | .... | makeup artist | |
| Philip Leto | .... | hair stylist (as Phil Leto) | |
Second Unit Director or Assistant Director | |||
| Robert P. Cohen | .... | dga trainee | |
| Howard Himmelstein | .... | dga trainee | |
| Peter R. Scoppa | .... | assistant director (as Peter Scoppa) | |
| Ralph S. Singleton | .... | second assistant director (as Ralph Singleton) | |
Art Department | |||
| Joseph M. Caracciolo | .... | property master (as Joseph Caracciolo) | |
| Marjorie Kellogg | .... | assistant art director | |
| Bruno Robotti | .... | master scenic artist | |
Sound Department | |||
| Wayne Artman | .... | sound re-recording mixer | |
| Tom Beckert | .... | sound re-recording mixer | |
| Vito L. Ilardi | .... | boom operator (as Vito Ilardi) | |
| John H. Newman | .... | sound editor | |
| James Sabat | .... | sound mixer | |
| James G. Stewart | .... | sound re-recording mixer (as Jim Stewart) | |
| Roger Pietschmann | .... | sound recordist (uncredited) | |
Visual Effects by | |||
| Albert Whitlock | .... | matte effects | |
Costume and Wardrobe Department | |||
| Peggy Farrell | .... | wardrober: ladies | |
| George Newman | .... | wardrober: men | |
Editorial Department | |||
| Hy Friedman | .... | assistant editor | |
| Bruce Pearson | .... | color timer (uncredited) | |
Music Department | |||
| Else Blangsted | .... | music editor | |
Transportation Department | |||
| James Fanning | .... | transportation captain | |
Other crew | |||
| B.J. Bjorkman | .... | script supervisor | |
| Peter J. Burrell | .... | location manager (as Peter Burrell) | |
| Christopher Cronyn | .... | location manager (as Chris Cronyn) | |
| Patricia Crown | .... | production assistant | |
| Golda David | .... | assistant to producer | |
| David Garfield | .... | production assistant | |
| Sam Goldrich | .... | production auditor (as Samuel Goldrich) | |
| Lois Kramer Hartwick | .... | production office coordinator (as Lois Kramer) | |
| Scott MacDonough | .... | unit publicist (as Scott Mac Donough) | |
| Susan McMahon | .... | payroll | |
| Beth Rudin | .... | production assistant | |
| Dennis Kear | .... | stand-in: Woody Allen (uncredited) | |
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| The Way We Were | The Manchurian Candidate | The Majestic | Diarios de motocicleta | Chris & Don. A Love Story |
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It's the 1950's, and Senator Joseph McCarthy has whipped America and especially Hollywood into an anti-communitst frenzy. Anyone who ever had ties to the left wing is persecuted and denied employment. Which means a big opportunity for Woody Allen (acting only, he didn't write or direct) to make a few bucks selling scripts written by blacklisted writers, being the "Front" of the title. Little does he know what he's getting into. Woody's masquerade starts as a favor to a pal in trouble and a chance for easy money, but it quickly snowballs into serious involvement with some very ugly things.
Great script and excellent performances by Allen and Andrea Marcovicci, but the film is lifted to terrifying heights by the magnificent Zero Mostel as a blacklisted comic. Every indignity and loss he faces is reflected in his wonderful face with a terrible sweet-natured dignity, you can see the weariness and hopelessness growing in his eyes scene by scene. His tragedy changes the lives of all the other characters, and makes the film the fine thing that it is.
There's a lot of wit and black humor in this film, but overall it's a very affecting tragedy, one with a fine, strong, yet hopeful ending.